Ames-Lewis explores the ways in which painters and sculptors of the early Renaissance began to engage with intellectual questions, as they sought to elevate the craft of painting to a liberal art, like poetry. The cultural environment of the time was increasingly learned, and artists needed to develop their social and intellectual skills as well as artistic talents, which they did through contact with literary men and then by becoming writers - of poetry, biography, treatises and letters - themselves. It was over this period that the idea of the artist as a creative genius with an individual identity surfaced, and the author examines how changes in perception of the artist affected his output.
"synopsis" may belong to another edition of this title.
"Ames-Lewis provides an excellent guide to the ingenious and sometimes elaborate attempts by artists to raise their social profile, and so guarantee acceptance as courtiers and gentlefolk."— Joseph Rykwert, Times Literary Supplement "Opens our eyes, in an exciting and perceptive way, to many neglected aspects of the art of early Renaissance Europe and the lives of the men who made it."—Michael Hall, Country Life "A treasure trove of information."—Choice "Beautifully produced, in a blissfully manageable format . . . Professor Ames-Lewis has reopened an area that other scholars have shield away from for many years."—Evelyn Welch, Art Newspaper "[An] elegant book. . . . Ames-Lewis has written an excellent introduction to an important subject."— James Hall, Independent "The 150 illustrations deserve special praise for stinting on the familiar in favor of unusual and interesting works that make strong points about the social meaning of art."—Paul Raynes, Literary Review "The main merit of this book lies undoubtedly in its inclusiveness. This makes it a valuable resource for students who want to gain an oversight and who want to familiarize themselves with the debates on this topic. Ames-Lewis has here provided a compendium that will serve as a valuable starting point for further engagement."—Gabriele Neher, Art Book "Ames-Lewis provides an excellent guide to the ingenious and sometimes elaborate attempts by artists to raise their social profile, and so guarantee acceptance as courtiers and gentlefolk."—Joseph Rykwert, Times Literary Supplement "[A]n amazing compendium of information. . . What is impressive is the myriad aperçus Ames-Lewis has amassed." —Marilyn A. Lavin, CAA Reviews
Francis Ames-Lewis is Professor of History of Renaissance Art at Birkbeck College, University of London, and the author of Drawing in Early Renaissance Italy (ISBN 0 300 07981 8 pb., #17.95), also published by Yale University Press.
"About this title" may belong to another edition of this title.
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0300083041I4N10
Seller: Bahamut Media, Reading, United Kingdom
Hardcover. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee. Seller Inventory # 6545-9780300083040
Quantity: 1 available
Seller: AwesomeBooks, Wallingford, United Kingdom
Hardcover. Condition: Very Good. The Intellectual Life of the Early Renaissance Artist This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. Seller Inventory # 7719-9780300083040
Quantity: 2 available
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. Seller Inventory # GOR012854087
Quantity: 1 available
Seller: Colin Martin Books, Near Hull, EY, United Kingdom
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Octavo, x, 232 pages, illustrated. A Fine copy in a Fine dust jacket. Seller Inventory # 098295
Quantity: 1 available
Seller: Diatrope Books, Berkeley, CA, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: very good. Unmarked text. Dust jacket under clear mylar cover. White label on back. Beautifully illustrated. Ames-Lewis examines the various ways that such Renaissance artists (eg. Mantegna, Leonardo da Vinci, Raphael and Durer) began to engage with intellectual questions, as they sought to elevate the craft of painting to a liberal art. 322p. Measures 6.5x9.5 inches Notes. Bibliography. Index. Seller Inventory # 35344
Seller: Krüger books, Leuven, Belgium
Hardcover. Condition: As New. No Jacket. Ex libris book with previous owner's name on the front page. In excellent condition, the book appears unread. Seller Inventory # 000063
Quantity: 1 available
Seller: Moe's Books, Berkeley, CA, U.S.A.
Hard cover. Condition: Good. Dust Jacket Condition: Very good. Jacket is lightly worn along edges. Cover is lightly worn along edges. Spine is bumped, but binding secure. Light pencil underlines throughout. Seller Inventory # 1138313
Seller: Mooney's bookstore, Den Helder, Netherlands
Condition: Very good. Seller Inventory # E-9780300083040-2-2
Quantity: 1 available
Seller: David's Books, Ypsilanti, MI, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Seller Inventory # 1000138172