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Strong, Roy The Artist and the Garden ISBN 13: 9780300085204

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9780300085204: The Artist and the Garden
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This extraordinarily beautiful book gathers together and examines for the first time a delightful collection of English gardens rendered by artists from 1540 to the early nineteenth century, many of which are unknown. Sir Roy Strong, widely recognized for his expertise in both art history and garden history, surveys garden pictures ranging from Elizabethan miniatures to eighteenth-century alfresco conversation pieces, from suites of paintings of a single garden to amateur watercolors. He inquires into the origin of the English garden picture genre, its development prior to the invention of photography, its greatest exponents, its reliability as historical evidence of actual gardens, and its place within the larger European tradition of picturing the garden.

The English, Strong observes, were slow in picturing the reality of their gardens. Until well into the Stuart age, the garden in art served as a symbol, and only gradually did this give way to the impulse to record the facts of contemporary garden-making. In the backgrounds of portraits of Jacobean and Caroline garden owners, the garden is no longer an emblem; it becomes instead a document demonstrating the owners’ pride in their gardens made in the new Renaissance manner. By the Georgian age the garden has moved from the back to the foreground of pictures, and whole families place themselves amid the glory of their self-fashioned landscapes. Both house and garden at this point assume a separate identity, each calling for an individual record. And by the nineteenth century, the author shows, the garden detaches itself from owner and house to be recorded for its own sake, as a single image at first, and later in a series. With some 350 fully annotated illustrations, this lovely book offers a unique record of three hundred years of English gardens and what they meant to those who owned and portrayed them.

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About the Author:
Roy Strong is former director of the National Portrait Gallery in London and of the Victoria and Albert Museum. He is now a full-time writer, broadcaster, consultant, and gardener. Among those he has assisted in his capacity as a garden consultant are the Prince of Wales, Gianni Versace, and Elton John.
From Booklist:
Strong offers a bounty of fascinating, beautifully reproduced images of gardens both real and fanciful as he surveys and elaborates upon the significance of engravings, paintings, and drawings that depict English gardens up to the time of John Constable's masterful landscapes. He begins his scholarly yet accessibly study with an exploration of the representation of the garden as an aristocratic status symbol, then considers the emblematic meaning of gardens. Ultimately, Strong reveals how the literature and culture, horticultural styles and artistic trends of the times effected changes in both garden design and in art. Alice Joyce
Copyright © American Library Association. All rights reserved

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  • PublisherPaul Mellon Centre
  • Publication date2000
  • ISBN 10 0300085206
  • ISBN 13 9780300085204
  • BindingHardcover
  • Edition number1
  • Number of pages288
  • Rating

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9780300111163: The Artist and the Garden (The Paul Mellon Centre for Studies in British Art)

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ISBN 10:  0300111169 ISBN 13:  9780300111163
Publisher: Paul Mellon Centre BA, 2005
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Book Description Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. This copy is in new, unmarked condition bound in grey cloth covered boards with bright gilt titling to the spine. This copy is bright, tight, white and square. There is a small, neat inscription to the obverse of the f.e.p. The unclipped dust wrapper is in new condition. International postal rates are calculated on a book weighing 1 Kilo, in cases where the book weighs more than 1 Kilo increased postal rates will be quoted, where the book weighs less then postage will be reduced accordingly. This beautiful illustrated book weighs in at 2.25 Kgs so overseas shipping rates will need to be quoted. This extraordinarily beautiful book gathers together and examines for the first time a delightful collection of English gardens rendered by artists from 1540 to the early nineteenth century, many of which are unknown. Sir Roy Strong, widely recognized for his expertise in both art history and garden history, surveys garden pictures ranging from Elizabethan miniatures to eighteenth-century alfresco conversation pieces, from suites of paintings of a single garden to amateur watercolors. He inquires into the origin of the English garden picture genre, its development prior to the invention of photography, its greatest exponents, its reliability as historical evidence of actual gardens, and its place within the larger European tradition of picturing the garden. The English, Strong observes, were slow in picturing the reality of their gardens. Until well into the Stuart age, the garden in art served as a symbol, and only gradually did this give way to the impulse to record the facts of contemporary garden-making. In the backgrounds of portraits of Jacobean and Caroline garden owners, the garden is no longer an emblem; it becomes instead a document demonstrating the owners pride in their gardens made in the new Renaissance manner. By the Georgian age the garden has moved from the back to the foreground of pictures, and whole families place themselves amid the glory of their self-fashioned landscapes. Both house and garden at this point assume a separate identity, each calling for an individual record. And by the nineteenth century, the author shows, the garden detaches itself from owner and house to be recorded for its own sake, as a single image at first, and later in a series. With some 350 fully annotated illustrations, this lovely book offers a unique record of three hundred years of English gardens and what they meant to those who owned and portrayed them. Ref UUU T. Seller Inventory # 031366

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