The extraordinary richness of ancient Rome was a recurring inspiration to writers, artists, scholars, and architects in sixteenth-century France. This engrossing book explores the ways in which the perception of Rome as a physical and symbolic entity stimulated intellectual endeavor across the disciplines.
Examining work by writers such as Du Bellay, Grévin, Montaigne, and Garnier, and by architects and artists such as Philibert de L’Orme and Jean Cousin, Margaret McGowan shows how they drew upon classical ruins and upon their reconstruction not only to reenact past meanings and achievements but also, more dynamically, to interpret the present. She describes how Renaissance Rome, enhanced by the presence of so many signs of ancient grandeur, provided a fertile source of intellectual and artistic creativity. Study of the fragments of the past tempted writers to an imaginative reconstruction of whole forms, while the new structures they created in France revealed the artistic potency of the incomplete and the fragmentary. McGowan carries the underlying themes of the book--perception, impediments to seeing, and artistic transformation--to the end of the sixteenth century, when, she claims, they culminated in the transfer to France of the grandeur that was Rome.
"synopsis" may belong to another edition of this title.
Fellow and former vice-president of the British Academy, Margaret M. McGowan is research professor of French at the University of Sussex, where she was senior pro-vice-chancellor.
The extraordinary richness of ancient Rome was a recurring inspiration to writers, artists, scholars, and architects in sixteenth-century France. This engrossing book explores the ways in which the perception of Rome as a physical and symbolic entity stimulated intellectual endeavor across the disciplines.Examining work by writers such as Du Bellay, Grévin, Montaigne, and Garnier, and by architects and artists such as Philibert de L'Orme and Jean Cousin, Margaret McGowan shows how they drew upon classical ruins and upon their reconstruction not only to reenact past meanings and achievements but also, more dynamically, to interpret the present. She describes how Renaissance Rome, enhanced by the presence of so many signs of ancient grandeur, provided a fertile source of intellectual and artistic creativity. Study of the fragments of the past tempted writers to an imaginative reconstruction of whole forms, while the new structures they created in France revealed the artistic potency of the incomplete and the fragmentary. McGowan carries the underlying themes of the book-perception, impediments to seeing, and artistic transformation-to the end of the sixteenth century, when, she claims, they culminated in the transfer to France of the grandeur that was Rome.
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Seller: HPB-Red, Dallas, TX, U.S.A.
hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_378741545
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Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0300085354I4N00
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Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 12497128-6
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR013625553
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Seller: Half Price Books Inc., Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_395243191
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Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. First Edition. 1st printing. Crisp and unmarked, NF/VG. 461pp. Nice jacket now in a new mylar cover. Size: 4to - over 9" - 12" Tall. Seller Inventory # 057366
Seller: Don's Book Store, Albuquerque, NM, U.S.A.
Hard Back. Condition: Fine. Dust Jacket Condition: Very Good. First Edition. 461 Pages Indexed. Bluecloth with gold spine lettering. The extraordinary richness of ancient Rome was recurring inspiration to writers, artists, scholars and architects in 16th century France. McGowan explores the ways in which the perception of Rome as a physical and symbolic entity stimulated intellectdual endeavour across the disciplines. The French vision of Rome was initially determined by travel journals, guidebooks and a rapidly developing trade in antiquities. Against this background the author examines work by writers such as Du bellay, Grevin, Montaigne and Garnier, and by architects and artists such as Philibert de L'Orme and Jean Cousin, showing how they drew upon classical ruins and reconstructions not only to re-enact past meanings and achievements but also, more dynamically, to interpret the present.She describes how Renaissance Rome, enhanced by the presence of so many signs of ancient grandeur, provided a fertile source of intellectual and artistic creativity. Study of the fragments of the past tempted writers to an imaginative reconstruction of whole forms, while the new structures they created in France revealed the artistic potency of the incomplete and the fragmentary. McGowan carries the underlying themes of the book -- perception, impediments to seeing, and artistic transformation -- to the end of the 16th century when they culminated in the transfer to France of the grandeur that was Rome. Illustrated with 101 figures and 12 color plates. Contents in Eight Chapters: Voyages, The Guidebook, Appropriation and Transformation, The Transporters, Visions Transported The Creative Power of Ruins, Fragments and Wholes, Negative Responses and Reverse Appropriation, and Two Distilled Models of Rome. Large heavy book that may incur additional shipping charges to some locations. Seller Inventory # 8810
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1400grams, ISBN:0300085354. Seller Inventory # 3728023
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