The piano puts whole worlds of musical sound at the fingertips of one player, evoking the singing of a solo voice, the textural richness of an orchestra, and the rhythmic impetus of a dance band. It has been background or center stage in concertgoing, parlor singing, choir rehearsals, theatrical tryouts, and many other activities, forging a common bond among people of very different social spheres. This delightfully written and copiously illustrated book examines the place of the piano in classical and popular musical cultures and the piano’s changing cultural roles over the past three centuries.
Eminent authorities discuss the impetus for the invention of the piano; the innovations in its design, manufacturing, and marketing that promoted its growing significance in concert life and domestic life; and the importance of the piano lesson in the upbringing of the young―especially of girls. They explore the relationship between the piano on the public stage and the piano in the parlor; the spread of the piano to all parts of the world; and the images formed around the piano in literature, art, and movies. And they eloquently describe what the piano has meant to different eras, as it evolved from the plaything of European aristocrats to companion of people of all classes and cultures.
"synopsis" may belong to another edition of this title.
James Parakilas is the James L. Moody, Jr. Family Professor of Performing Arts and chair of the music department at Bates College. He is also a performing pianist.
Praise for the earlier edition: "In turns highly entertaining and very educational, full of extraordinary facts. An admirable addition to the literature on this subject." André Previn "Reach[es] out to general readers as well as musical insiders. . . . [A] fascinating cultural history." Anthony Tommasini, New York Times "A book that will tell you everything you want to know about the piano, except maybe how to play it. . . . [The book] is replete with artworks, photos, history, anecdotes, and reminiscences." Herbert Kupferberg, Houston Chronicle "A wonderful mosaic of the history of the piano and the diverse parts it has played in its three hundred years of life." Henry Sheen, New Statesman
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