In Stieglitz: A Beginning Light, Katherine Hoffman presented an account of the early years of the career of Alfred Stieglitz (1864-1946) and of his European roots. Now, she offers a compelling portrait of his life and art from 1915 to 1946, focusing on his American works, issues of identity, and the rise of modernism in America.
Hoffman explores Stieglitz's roles as photographer, editor, writer, and gallery director; how they intersected with his personal life — including his marriage to artist Georgia O'Keeffe — and his place in the cultural milieu of the 20th century. Excerpts from previously unpublished correspondence between Stieglitz and O'Keeffe reveal the fervor and complexity of their relationship as well as his passion for photography and modern art and his ongoing struggle to have photography recognized as an established artistic medium. These letters, along with his work as an editor and writer of short articles, illuminate Stieglitz's literary side, thus giving a new perspective on his total oeuvre.
Generously illustrated with 300 images, this intriguing, beautifully written book separates the photographer's true personality from the myths surrounding him and highlights his lasting legacy: the works he left behind.
"synopsis" may belong to another edition of this title.
Katherine Hoffman is Professor of Fine Arts, St. Anselm College, and the author of several previous books, including two on Georgia O'Keeffe.
"A delight to read."—Wendy Lesser, Wall Street Journal
"Fascinating."—James A. Rudin, Reform Judaism
"There are many books on both O’Keeffe and Stieglitz, but few so succinctly and compellingly sum up both the enormous accomplishments of the latter and the remarkable, though difficult, union of the two. Rose’s book is a must read for anyone with an interest in American art of the last century."—Ann Landi, Medium
"The book will stand as a good first stop for anyone interested in Stieglitz, 20th-century photography, or American modern art."—Peter Walsh, ArtsFuse
"This is a lovely volume — well-illustrated, gracefully written, and just the right length for the general reader."—Bettina Berch, Jewish Book Council
"In this engaging study, Phyllis Rose presents a persuasive case for the importance of Alfred Stieglitz as a pioneering artistic photographer and a champion of modernism in the visual arts."—Alun David, Jewish Chronicle
“[Stieglitz] was one of the most vivid, idealistic, stubborn, and thorny characters ever to appear in American culture. He was a moralist, an unstoppable advocate for the artists he loved, and a connoisseur of the erotic, and one of the greatest photographers who ever tripped a shutter.”—Critic Robert Hughes
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