The greatest paintings in today’s most famous museums were once part of a fluid exchange determined by volatile political fortunes. In the first half of the 17th century, masterpieces by Titian, Raphael, and Leonardo, among others, were the objects of fervent pursuit by art connoisseurs. Francis Haskell traces the fate of collections extracted from Italy, Spain, and France by King Charles I and his circle, which, after a brief stay in Britain, were largely dispersed after the Civil War to princely galleries across the Continent. From vivid case studies of individual collectors, advisers, and artists, and acute analysis of personality and motive, Haskell challenges ideas about this episode in British cultural life and traces some of the factors that forever changed the artistic map of Europe.
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Francis Haskell (1928–2000) was one of the most influential art historians of the 20th century. He expanded the discipline to include the study of patronage and collecting, the formation of museums and canons of taste, the idea of revival and of illustration. He was professor of art history at the University of Oxford from 1967 until his retirement in 1995.
“A fascinating study of how the cultural map of the 17th century responded to geopolitical rupture.”—Apollo
(Apollo 2013-10-01)“Frances Haskell’s research on Charles I’s collection. . .appears now for the first time in a brisk, urbane and prodigiously illustrated volume that comes as close as possible in two dimensions to re-creating the sumptuousness of the Caroline Court. . .The King’s Pictures is a finely wrought composition – rich in detail and full of sharply drawn profiles of strutting aristocrats and shady dealers.”—David Gelber, Country Life (David Gelber Country Life 2014-01-15)
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Hardcover. Red cloth binding with gilt lettering and device on spine. Glossy color illustrated dust jacket. Illustrated in color and some B&W throughout. xv, 244 pp. "The greatest paintings in today's most famous museums were once part of a fluid exchange determined by volatile political fortunes. In the first half of the 17th century, masterpieces by Titian, Raphael, and Leonardo, among others, were the objects of fervent pursuit by art connoisseurs. Francis Haskell traces the fate of collections extracted from Italy, Spain, and France by King Charles I and his circle, which, after a brief stay in Britain, were largely dispersed after the Civil War to princely galleries across the Continent. From vivid case studies of individual collectors, advisers, and artists, and acute analysis of personality and motive, Haskell challenges ideas about this episode in British cultural life and traces some of the factors that forever changed the artistic map of Europe" - abstract. VG+/VG+, tail endband starting to fray, minor shelf wear on dust jacket, otherwise clean and crisp. Seller Inventory # 178315
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Hardcover. Condition: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Images are beautiful bright and vivid. No notes or highlighting. See images. Fantastic book. About the book >.>.> The greatest paintings in today's most famous museums were once part of a fluid exchange determined by volatile political fortunes. In the first half of the seventeenth century, master- pieces by Titian, Raphael and Leonardo, among others, were the object of fervent pursuit on the part of a network of art connoisseurs. Francis Haskell traces the fate of the collections extracted from Italy, Spain and France by King Charles I and his circle, which, after a brief stay in Britain, were largely dispersed after the Civil War to princely galleries across the Continent. From vivid case studies of individual collectors, advisers and artists, and acute analysis of personality and motive, Haskell challenges received ideas about this episode in British cultural life and traces some of the factors that forever changed the artistic map of Europe. (MP). Seller Inventory # Batch-FM425-VG-9735
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