This groundbreaking book spans the fields of art history, material culture, and gender studies in its examination of a range of objects from Italian Renaissance society. Addressing painted and sculpted portraits, marriage and betrothal gifts, and paxes, Adrian W. B. Randolph uses themes such as family and individual memory, windows, perspectival space, and touch to investigate how these items were experienced at the time, particularly by women. Rather than focusing on the social contexts of the objects, this original study deals with the objects themselves, asking how individuals lived with, looked at, and responded to complex things that at the time hovered between the nascent category of art and the everyday. Accompanied by beautiful and engaging accounts and illustrations of late-14th- and 15th-century Italian art, this compelling and thought-provoking argument makes the case for an alternate account of art and experience that challenges many conceptions about Renaissance art.
"synopsis" may belong to another edition of this title.
Offering an alternative account of art and experience, this book spans the fields of art history, material culture, and gender studies in its examination of how a variety of Italian Renaissance objects were lived with, looked at, and responded to in their time.
Adrian W. B. Randolph is Leon E. Williams Professor of Art History at Dartmouth College.
"About this title" may belong to another edition of this title.
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Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Condition: Used - Very Good. 2015. Hardcover. Cloth, dj. Quarto. vii & 327 pp. Illustrated. Slight shelf wear to dust jacket. Very Good. Seller Inventory # C66170
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Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. Seller Inventory # M0300204787Z3
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Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Grey-green cloth/boards. Illus. dj with white lettering on dark green spine. 328 pp., full of beautiful illustrations. "This groundbreaking book spans the fields of art history, material culture, and gender studies in its examination of a range of objects from Italian Renaissance society. Addressing painted and sculpted portraits, marriage and betrothal gifts, and paxes, Adrian W. B. Randolph uses themes such as family and individual memory, windows, perspectival space, and touch to investigate how these items were experienced at the time, particularly by women. Rather than focusing on the social contexts of the objects, this original study deals with the objects themselves, asking how individuals lived with, looked at, and responded to complex things that at the time hovered between the nascent category of art and the everyday. Accompanied by beautiful and engaging accounts and illustrations of late-14th- and 15th-century Italian art, this compelling and thought-provoking argument makes the case for an alternate account of art and experience that challenges many conceptions about Renaissance art." Fine contents, but cover corners are bumped, and lower back corner of dj is torn (and repaired) as a result. Light rubbing to back of dj as well. Seller Inventory # 160603
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Seller: Book Deals, Tucson, AZ, U.S.A.
Condition: Very Good. Very Good condition. Shows only minor signs of wear, and very minimal markings inside (if any). 2.78. Seller Inventory # 353-0300204787-vrg
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Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Condition: New; still in shrink wrap. Grey-green cloth/boards. Illus. dj with white lettering on dark green spine. 328 pp., full of beautiful illustrations. "This groundbreaking book spans the fields of art history, material culture, and gender studies in its examination of a range of objects from Italian Renaissance society. Addressing painted and sculpted portraits, marriage and betrothal gifts, and paxes, Adrian W. B. Randolph uses themes such as family and individual memory, windows, perspectival space, and touch to investigate how these items were experienced at the time, particularly by women. Rather than focusing on the social contexts of the objects, this original study deals with the objects themselves, asking how individuals lived with, looked at, and responded to complex things that at the time hovered between the nascent category of art and the everyday. Accompanied by beautiful and engaging accounts and illustrations of late-14th- and 15th-century Italian art, this compelling and thought-provoking argument makes the case for an alternate account of art and experience that challenges many conceptions about Renaissance art.". Seller Inventory # 147231
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Seller: Book Deals, Tucson, AZ, U.S.A.
Condition: New. New! This book is in the same immaculate condition as when it was published 2.78. Seller Inventory # 353-0300204787-new
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Seller: book-link, Nufringen, BW, Germany
hardcover. Condition: Wie neu. 327 Seiten; *** Neuwertig und ungelesen! NR-02-XL-9-38 Sprache: Deutsch Gewicht in Gramm: 2. Seller Inventory # 28104
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Seller: Michael Fehlauer - Antiquariat, Muenster, Germany
Dust Jacket Condition: mit Schutzumschlag. Lexikon 8°. VII, 327 S.; 121 meist farb. Abb.; Grauer OPbd mit Rückentitel, Fadenh., OUmschlag; 1256 gr. Sprache: Englisch, Ein sehr gutes Exemplar. Seller Inventory # 27075
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