They say there are no second acts in American lives, and third acts are almost unheard of. That's part of what makes Brian Wilson's story so astonishing.
As a cofounding member of the Beach Boys in the 1960s, Wilson created some of the most groundbreaking and timeless popular music ever recorded. With intricate harmonies, symphonic structures, and wide-eyed lyrics that explored life's most transcendent joys and deepest sorrows, songs like "In My Room," "God Only Knows," and "Good Vibrations" forever expanded the possibilities of pop songwriting. Derailed in the 1970s by mental illness, drug use, and the shifting fortunes of the band, Wilson came back again and again over the next few decades, surviving and-finally-thriving. Now, for the first time, he weighs in on the sources of his creative inspiration and on his struggles, the exhilarating highs and the debilitating lows.
I Am Brian Wilson reveals as never before the man who fought his way back to stability and creative relevance, who became a mesmerizing live artist, who forced himself to reckon with his own complex legacy, and who finally completed Smile, the legendary unfinished Beach Boys record that had become synonymous with both his genius and its destabilization. Today Brian Wilson is older, calmer, and filled with perspective and forgiveness. Whether he's talking about his childhood, his bandmates, or his own inner demons, Wilson's story, told in his own voice and in his own way, unforgettably illuminates the man behind the music, working through the turbulence and discord to achieve, at last, a new harmony.
"synopsis" may belong to another edition of this title.
Brian Wilson, best known for his work with the Beach Boys, is one of popular music's most revered figures. The main creative force behind some of the most cherished recordings in rock history and one of the most influential composers of the last century, Wilson became a Kennedy Center Honoree in 2007. A father of seven, he lives with his wife in Beverly Hills, California.
BrianWilson.com
Ben Greenman is a contributing writer to the New Yorker and a New York Times bestselling author who has written both fiction and nonfiction. He collaborated with Questlove on the hip-hop memoir Mo' Meta Blues and he cowrote George Clinton's memoir Brothas Be, Yo Like George, Ain't That Funkin' Kinda Hard on You? He lives in Brooklyn with his wife and two children.
My life has been written about over and over again, and that’s mostly okay with me. Other people can talk about my life. Sometimes they’ll get it right and sometimes they’ll get it wrong. For me, when I think back across my own life, there are so many things that are painful. Sometimes I don’t like discussing them. Sometimes I don’t even like remembering them.
But as I get older, the shape of that pain has changed. Sometimes memories come back to me when I least expect them. Maybe that’s the only way it works when you’ve lived the life I’ve lived: starting a band with my brothers that was managed by my father, watching my father become difficult and then impossible, watching myself become difficult and then impossible, watching women I loved come and go, watching children come into the world, watching my brothers get older, watching them pass out of the world. Some of those things shaped me. Others scarred me.
Sometimes it was hard to tell the difference. When I watched my father fly into a rage and take swings at me and my brothers, was that shaping or scarring? When we watched him grow frustrated with his day job and take solace in music, was that shaping or scarring? Those are all memories but I can’t get to them all at once. I’ve had a whole lifetime to take them in. Now I have a whole book to put them out there.
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