A Handbook to Luck - Hardcover

Garcia, Cristina

Hardcover

ISBN 10: 030726436X ISBN 13: 9780307264367

Publisher: Knopf, 2007

Synopsis

From the acclaimed author of Monkey Hunting (“A miracle of poetic compression . . . An epic of anecdotes, a vista of brief and beautiful glimpses” —Los Angeles Times Book Review), a lyrical, haunting, deeply moving new novel.

Late 1960s. We meet three children: Enrique Florit, from Cuba, living in southern California with his flamboyant magician father . . . Marta Claros, getting by in the slums of San Salvador, forced to leave school to help support her family, her beloved older brother having already left home . . . Leila Rezvani, a well-to-do surgeon’s daughter in Tehran, her mother concerned only with appearances, her father an often foolishly vocal opponent of the Shah.

As we follow them across the next twenty years—the narrative moving among their lives—we see Enrique, a math whiz from a young age, sacrificing his dream of attending MIT to filial duty, and the dream of passionate love to the exigencies of reality . . . Marta, fleeing war in El Salvador, making her way illegally into the United States and finding wholly unexpected possibilities . . . Leila, allowing the expectations of her mother to pull her into an arranged marriage and the constricted life of women in postrevolutionary Iran. We see chance draw Leila and Marta into Enrique’s life—Leila and Enrique loving and losing each other, Marta the means to renewed hope for Enrique—and, throughout, “good luck or bad tilting life one way or another” for all of them.

With its cast of vividly drawn characters, its graceful movement through time and the psychological shifts between childhood and adulthood, and its subtle revelation of the essential hopes and doubts of ordinary people whose lives are made extraordinary by circumstance both tragic and joyful, A Handbook to Luck is Cristina García’s most beautiful, elegiac, and deeply emotional novel yet.

About this title

About the Author

Cristina García was born in Havana and grew up in New York City. Her first novel, Dreaming in Cuban, was nominated for a National Book Award and has been widely translated. Ms. García has been a Guggenheim Fellow, a Hodder Fellow at Princeton University, and the recipient of a Whiting Writers' Award. She lives in California's Napa Valley with her daughter and husband.

Excerpt. © Reprinted by permission. All rights reserved.

Enrique Florit

Enrique Florit climbed the stairs to the roof of his apartment building, which was eye level with the top of the street's jacaranda trees. It had rained that afternoon and dark puddles stained the cement and the peeling tar paper. When Enrique opened the doors of the wire-mesh cages, the doves fluttered to his shoulders and outstretched arms. Five months ago, he and his father had bought the doves and dyed their feathers a rainbow of pastels. Now Enrique poured their daily seed, freshened their water, listened to the low blue murmurings in their throats.

His father had introduced the doves into his act on New Year's Eve. He performed every other weekend at a cocktail lounge in Marina del Rey and needed the doves to compete with the top-billed magician's unicycle-riding parrot. Papi tried to upstage the parrot by having his doves ride a battery-operated motorcycle across a tiny tightrope. Enrique attended the New Year's Eve show. The doves performed unpredictably, sometimes riding on cue, sometimes cooing indifferently from the rim of his father's top hat. A couple flew out of the room altogether.

Yet each time Papi strode across the stage in his tuxedo and plum-colored velvet cape, Enrique's heart rose an inch in his chest. He overheard a woman with teased-up hair say to her table companions: Ooooh, he looks just like that Ricky Ricardo! In California, nobody heard much about Cuba except for Ricky Ricardo, the hijackings to Havana, and, of course, El Comandante himself.

Enrique coaxed the doves back into their cages one by one. The sunset reddened the hovering dust. A propeller plane took off from the airport to the south. It puttered high over the ocean before turning toward land. During their first months in Los Angeles, Papi had kept a suitcase packed in case they needed to return to Cuba in a hurry. He listened to the Spanish-language radio stations and played boleros every night before bed. He read El Diario for any news of El Comandante's fall and kept their clocks three hours ahead, on Havana time. After a while they grew accustomed to waiting.

Their apartment on Seventeenth Street looked out over an alley dominated by an unruly bougainvillea. They were only a mile from the beach, and the ocean air mildewed their walls and linoleum floors. Enrique liked to go to the Santa Monica pier on his skateboard and watch the Ferris wheel and the Mexicans with their fishing rods and empty, hopeful buckets. Papi slept in their one bedroom and Enrique curled up on the living room couch at night. Mamá's coral rosary hung on a nail over the television, next to a circus poster from Varadero. In the poster, an elephant with a jeweled headdress stood on its hind legs warily eyeing the ringmaster. An orange tiger roared in the background.

Enrique shared the bedroom's cramped closet with his father. Papi's frayed tuxedos were hung up neatly, massive and forlorn looking when emptied of his ample flesh. His shoes looked equally despondent, parked in a double row by Enrique's extra pair of sneakers. Only the white ruffled shirts, starched and at attention, gave off an optimistic air.

Once Papi had been famous throughout the Caribbean. He'd performed regularly in the Dominican Republic and Panama and as far south as coastal Colombia. El Mago Gallego. That was his stage name then. Of course, this was long before Enrique's mother died, long before the Cuban Revolution soured, long before they left their house in Cárdenas with its marble floors and its ceiling-to-floor shutters and the speckled goose named Pato who guarded their yard.

When Mamá was still alive, Enrique, in embroidered Chinese pajamas and pretending to water a slowly growing sunflower, sometimes joined his parents on stage. For a year after she died, Enrique barely spoke. He stayed in his Tía Adela's bedroom, where the fierce light shone through the curtains and the bedspread was embroidered with hummingbirds. Outside her window, bunches of bananas ripened before his eyes.

His aunt put a little bell by his bed so that Enrique could summon her whenever he wanted. She brought him horchata and miniature cakes with pineapple jam. She fussed over him, too, layering on extra sweaters and a woolen scarf to keep him warm. Tía Adela believed that everything wrong with the body could be treated with heat. In the mornings Enrique woke up breathless and sputtering, convinced that he was drowning. His aunt took him to see Dr. Ignacio Sebrango, a pulmonary specialist with carbuncled arms, who said that Enrique's condition was psychological and had nothing to do with the excellent health of his lungs.

Enrique's biggest fear was that he might forget his mother altogether. She'd died when he was six and that was three whole years ago. He replayed memories of her over and over again until they seemed more like an old movie than anything real. Everyone had told him that he was the spitting image of Mamá. They both had small frames and fine black hair and skin the color of cinnamon. Only his eyes, a hazel bordering on blue, were like his father's.

Sometimes Enrique played with his mother's engraved silver bracelet, which he'd snuck out of Cuba in his travel satchel, or tossed it on one of her empty perfume bottles like a carnival game. Or he unfolded her fan from Panama, meticulously painted with an image of the Indian goddess of love. There were a few photographs, too. In his most treasured one, Mamá sat on their veranda in the shade of an acacia reading A Passage to India, her favorite book. Most of all Enrique missed her scent, a gentle mixture of jasmine and sweat.

There was leftover Chinese food and four heads of wilted lettuce in the refrigerator, remnants of Papi's brief attempt to improve their diet. Enrique grabbed the carton of milk and poured himself a glass. Then he sat at the kitchen table and tried to make sense of his social studies homework. He was confused by the variety of North American Indian tribes. The history of Cuba's Indians was simple in contrast: once there were Taínos; now there were none. Enrique suspected that his fourth-grade teacher, Mr. Wonder, deliberately mispronounced his name. He made "Florit" sound like some kind of tropical fungus.

After a year and a half in Los Angeles, Enrique spoke English perfectly. His mother, who'd grown up in Panama and was the daughter of the country's water commissioner, had taught Enrique the little English she knew. This gave him an advantage over his father but it didn't account for Papi's terrible trouble with the language. His father tortured each sentence, forcing English into the rapid staccato of Cuban Spanish. He called things he and she, instead of it, and pronounced his j's like y's. His vocabulary was good but his speed and pronunciation made it impossible for anyone to understand him.

Papi blamed his accent for stalling his career. A magician's sleight of hand, he told Enrique, was entirely dependent on his ability to focus an audience's attention. If people couldn't understand what he was saying--"Speak English!" some drunk invariably shouted during his performances--how could they be manipulated? Papi said that magic was largely a matter of making ordinary things appear extraordinary with a touch of smoke and illusion.

Enrique wished they had stayed in Miami with the other Cubans. At least his father could have performed for them in Spanish, not that the exiles were in any mood for magic these days. Their idea of entertainment would be seeing El Comandante hanging from a Havana lamppost. But everybody had told them that California was the place to go for a career in show business. Papi had begged him to join his magic act again but Enrique had refused. He comforted himself by imagining Mamá watching over his life from the sidelines, urging him to say no.

Lately, his father talked about moving to Las Vegas. He knew Cubans from the casinos back home who were working on the Strip as pit bosses, blackjack dealers, nightclub managers. Papi was also acquainted with a few mobsters who'd moved their gambling operations there after the Cubans kicked them out of Havana. Las Vegas was growing fast, he said, and soon would become the world capital of magic. Where else could a man start the day with fifty dollars in his pocket and end up a millionaire by nightfall?

Enrique turned on the television, forcing the thick knob from one station to the next. There were Abbott and Costello reruns on Channel 9, but he wasn't interested. They only made him laugh when he was sick. He had a slight cough and his neck ached. If he was lucky, he might catch the flu and get to stay home from school for a week. His ribs hurt after a scuffle in the playground. No big deal, just the usual uneven swap of punches with the bully from Ocean Park. It wasn't easy being the new kid (almost everybody else had known each other since kindergarten), and dark-skinned, and the second-shortest boy in the class.

The six o'clock news didn't change much. Whenever Enrique saw President Johnson on television, he remembered the American tourists who used to go to Varadero Beach before the revolution and rudely called everyone "boy." Every day more U.S. soldiers were being killed in Vietnam, fighting the Communists. Enrique lost track of how many thousands so far. Why weren't the Americans fighting the Communists in Cuba? What was the difference? And whatever had happened to the men who'd fought in the Bay of Pigs? Why didn't he hear about them? Enrique was suspicious of facts. As far as he could tell, nobody could be sure of anything except numbers, or something you could hold in your own two hands.

His paternal grandparents and his aunt had remained in Cuba by choice. Abuelo Arturo still strolled down Avenida Echeverría in his waistcoat and long-chained pocket watch and Abuela Carmen rode around town in a horse-drawn carriage, joining her friends for guayaba pastries on the til...

About this edition

• Publisher: Knopf
• Publication date: 2007
• ISBN 10: 030726436X
• ISBN 13: 9780307264367
• Binding: Hardcover
• Edition number: 1
• Number of pages: 272