A first novel of the first order—provocative, exuberant, wickedly clever—that reimagines the conspiracies and coincidences leading to the mysterious 1988 plane crash that killed Pakistan’s dictator General Zia ul-Haq.
At the center is Ali Shigri: Pakistan Air Force pilot and Silent Drill Commander of Fury Squadron. His father, one of Zia’s colonels, committed suicide under suspicious circumstances. Ali is determined to understand what or who pushed his father to such desperation—and to avenge his death.
What he quickly discovers is a snarl of events: Americans in Pakistan, Soviets in Afghanistan, dollars in every hand. But Ali remains patient, determined, a touch world-weary (“You want freedom and they give you chicken korma”), and unsurprised at finding Zia at every turn. He mounts an elaborate plot for revenge with an ever-changing crew (willing and not) that includes his silk-underwear-and-cologne-wearing roommate; a hash-smoking American lieutenant with questionable motives; the chief of Pakistan’s secret police, who mistakenly believes he’s in cahoots with the CIA; a blind woman imprisoned for fornication; Uncle Starchy, the squadron’s laundryman; and, not least of all, a mango-besotted crow. General Zia—devout Muslim and leering admirer of non-Muslim cleavage—begins every day by asking his chief of security: “Who’s trying to kill me?” and the answer lies in a conspiracy trying its damnedest to happen . . .
Intrigue and subterfuge combine with misstep and luck in this darkly comic book about love, betrayal, tyranny, family—and a world that unexpectedly resembles our own.
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Mohammed Hanif heads the BBC’s Urdu service. He graduated from the Pakistan Air Force Academy and has since worked as a journalist and playwright. He lives in London.
Compared to the works of Joseph Heller and Salman Rushdie, Mohammed Hanif’s debut novel is a darkly comic send-up of power and corruption. Hanif’s prose is rich with detail and insight, and he skillfully juxtaposes humor with chilling images of torture and, surprisingly enough, touching scenes between Shigri and Obaid. Critics attributed Hanif’s misstepsâ€"a lack of depth and persuasivenessâ€"to his inexperience. This is a debut novel, and an ambitious one at that. Even the San Francisco Chronicle calls the novel “clever,†and the Sunday Times admits that Hanif “show[s] undoubted promise as a writer.†Mangoes may not be a perfect creation, but its satire and political commentary make it a worthwhile read.
Copyright © 2004 Phillips & Nelson Media, Inc.
Starred Review. Pakistan's ongoing political turmoil adds a piquant edge to this fact-based farce spun from the mysterious 1988 plane crash that killed General Zia, the dictator who toppled Zulfikar Ali Bhutto, father of recently assassinated Benazir Bhutto. Two parallel assassination plots converge in Hanif's darkly comic debut: Air Force Junior Under Officer Ali Shigri, sure that his renowned military father's alleged suicide was actually a murder, hopes to kill Zia, who he holds responsible. Meanwhile, disgruntled Zia underlings scheme to release poison gas into the ventilation system of the general's plane. Supporting characters include Bannon, a hash-smoking CIA officer posing as an American drill instructor; Obaid, Shigri's Rilke-reading, perfume-wearing barracks pal, whose friendship sometimes segues into sex; and, in a foreboding cameo, a lanky man with a flowing beard, identified as OBL, who is among the guests at a Felliniesque party at the American ambassador's residence. The Pakistan-born author served in his nation's air force for several years, which adds daffy verisimilitude to his depiction of military foibles that recalls the satirical wallop of Catch 22, as well as some heft to the sagely absurd depiction of his homeland's history of political conspiracies and corruption. (May)
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It is 1988, and Pakistan’s military government is flush with success. Its coffers are full of U.S. weapons and American dollars, CIA agents are everywhere, and the Russians are beginning to withdraw from Afghanistan. Military strongman General Zia ul Huk is the darling of CIA director Bill Casey, and Pakistan; Air Force underofficer Ali Shigri, a young man of “good family,” is plotting to assassinate Zia. Shigri has just learned that Zia and his deputies are responsible for the “suicide” of his father, the much-respected Colonel Shigri. Ali comes under suspicion by the country’s dreaded ISI (Interservices Intelligence), and a painful end seems preordained. First-novelist Hanif, who spent seven years in the Pakistani Air Force and currently runs the Urdu service for the BBC, has crafted a clever black comedy about military culture, love, tyranny, family, and the events that eventually brought us to September 11, 2001. His depictions of Zia, Pakistani military life, the machinations of Pakistani military pols, and CIA cowboys are believable and convincingly detailed. Other elements of the book are purely fanciful, but they also work. Entertaining and illuminating. --Thomas Gaughan
There is something about these bloody squadron leaders that makes them think that if they lock you up in a cell, put their stinking mouth to your ear, and shout something about your mother, they can find all the answers. They are generally a sad lot, these leaders without any squadrons to lead. It's their own lack of leadership qualities that stops them mid-career, nowhere for them to go except from one training institute to another, permanent seconds in command to one commander or the other. You can tell them from their belts, loose and low, straining under the weight of their paunches. Or from their berets, so carefully positioned to hide that shiny bald patch. Schemes for part-time M.B.A.'s and a new life are trying hard to keep pace with missed promotions and pension plans.
Look at the arrangement of fruit salad on my tormentor's chest, above the left pocket of his uniform shirt, and you can read his whole biography. A faded paratrooper's badge is the only thing that he had to leave his barracks to earn. The medals in the first row just came and pinned themselves to his chest. He got them because he was there. The Fortieth Independence Day medal. The Squadron Anniversary medal. Today-I-did-not-jerk-off medal. Then the second row, fruits of his own hard labour and leadership. One for organising a squash tournament, another for the great battle that was tree-plantation week. The leader with his mouth to my ear and my mother on his mind has had a freebie to Mecca and is wearing a haj medal, too.
As Obaid used to say, "God's glory. God's glory. For every monkey there is a houri."
The 2nd OIC is wasting more of his already-wasted life trying to break me down with his bad breath and his incessant shouting. Doesn't he know that I actually invented some of the bullshit that he is pouring into my ear? Hasn't he heard about the Shigri treatment? Doesn't he know that I used to get invited to other squadrons in the middle of the night to make the new arrivals cry with my three-minute routine about their mothers? Does he really think that "fuck your fucking mother," even when delivered at strength 5, still has any meaning when you are weeks away from the president's annual inspection and becoming a commissioned officer?
The theory used to be damn simple: Any good soldier learns to shut out the noise and delink such expressions from their apparent meaning. I mean, when they say that thing about your mother, they have absolutely no intention--and I am certain no desire, either--to do what they say they want to do with your mother. They say it because it comes out rapid-fire and sounds cool and requires absolutely no imagination. The last syllable of mother reverberates in your head for a while as it is delivered with their lips glued to your ear. And that is just about that. They have not even seen your poor mother.
Anybody who breaks down at the sheer volume of this should stay in his little village and tend his father's goats or should study biology and become a doctor, and then they can have all the bloody peace and quiet they want. Because as a soldier, noise is the first thing you learn to defend yourself against, and as an officer, noise is the first weapon of attack you learn to use.
Unless you are in the Silent Drill Squad.
Look at the parade square during the morning drill and see who commands it. Who rules? There are more than a thousand of us, picked from a population of 130 million, put through psychological and physical tests so strenuous that only one in a hundred applicants makes it, and when this cream of our nation, as we are constantly reminded we are, arrives here, who leads them? The one with the loudest voice, the one with the clearest throat, the one whose chest can expand to produce a command that stuns the morning crows and makes the most stubborn of cadets raise their knees to waist level and bring the world to a standstill as their heels land on the concrete.
Or at least that is what I believed before Lieutenant Bannon arrived with his theories about inner cadence, silent commands, and subsonic drill techniques. "A drill with commands is just that--a drill," Bannon is fond of saying. "A drill without commands is an art. When you deliver a command at the top of your voice, only the boys in your squadron listen. But when your inner cadence whispers, the gods take notice."
Not that Bannon believes in any god.
I wonder whether he'll visit me here. I wonder whether they will let him into this cell.
The 2nd OIC is exhausted from his business with my mother and I can see an appeal to my better sense on its way. I clench my stomach muscles against the impending "cream of the nation" speech. I don't want to throw up. The cell is small and I have no idea how long I am going to be here.
"You are the cream of our nation," he says, shaking his head. "You have been the pride of our Academy. I have just recommended you for the sword of honour. You are going to receive it from the president of Pakistan. You have two choices: graduate with honour in four weeks or go out front-rolling to the sound of drums. Tomorrow. Clap. Clap. Tony Singh-style." He brings his hands together twice, like those Indian film extras in a qawwali chorus.
They did that to Tony Singh. Drummed the poor bugger out. I never figured out what the hell Tony Singh was doing in the air force of the Islamic Republic anyway. Before meeting Tony Singh (or Sir Tony, as we had to call him, since he was six courses senior to us), the only Tony I knew was our neighbour's dog and the only Singh I had seen was in my history textbook, a one-eyed maharaja who ruled Punjab a couple of centuries ago. I thought the partition took care of all the Tonys and the Singhs, but apparently some didn't get the message.
Tony Singh didn't get the message even when they found a transistor radio in his dorm and charged him with spying. "Top of the Pops" was Sir Tony's defence. They reduced the charge to unofficerlike behaviour and drummed him out anyway.
A lone drummer--a corporal who, after carrying the biggest drum in the Academy band all his life, had begun to look like one--led the way, keeping a thud, thud, thud-a-dud marching beat. More than one thousand of us lined both sides of Eagles Avenue, which leads from the guardroom to the main gate.
"At ease," came the command.
Tony Singh emerged from the guardroom, having spent a couple of nights in this very cell. His head was shaved, but he still wore his uniform. He stood tall and refused to look down or sideways.
"Clap," came the command.
We started slowly. The 2nd OIC removed Sir Tony's belt and the ranks from his shoulder flaps and then he took a step forward and whispered something into Sir Tony's ear. Sir Tony went down on his knees, put both his hands on the road, and did a front roll without touching his shaved head on the ground.
The bugger was trying to be cocky even when his ass was raised to the skies.
His journey was painfully slow. The drumbeat became unbearable after a while. Some cadets clapped more enthusiastically than others.
I glanced sideways and saw Obaid trying hard to control his tears.
"Sir, I swear to God I have no knowledge of Cadet Obaid's whereabouts," I say, trying to tread the elusive line between grovelling and spitting in his face.
The 2nd OIC wants to get home. An evening of domestic cruelty and Dallas beckons him. He waves my statement in front of me. "You have one night to think this through. Tomorrow it goes to the commandant, and the only thing he hates more than his men disappearing is their clever-dick collaborators. He is looking forward to the president's visit. We are all looking forward to the visit. Don't fuck it up."
He turns to go. My upper body slumps. He puts one hand on the door handle and turns; my upper body comes back to attention. "I saw your father once, and he was a soldier's bloody soldier. Look at yourself." A leery grin appears on his lips. "You mountain boys get lucky because you have no hair on your face."
I salute him, using all my silent drill practice to contain the inner cadence, which is saying, Fuck your mother, too.
I wonder for a moment what Obaid would do in this cell. The first thing that would have bothered him is the smell the 2nd OIC has left behind. This burnt onions, homemade yogurt gone bad smell. The smell of suspicion, the smell of things not quite having gone according to plan. Because our Obaid, our Baby O, believes that there is nothing in the world that a splash of Poison on your wrist and an old melody can't take care of.
He is innocent in a way that lonesome canaries are innocent, flitting from one branch to another, the tender flutter of their wings and a few millilitres of blood keeping them airborne against the gravity of this world that wants to pull everyone down to its rotting surface.
What chance would Obaid have with this 2nd OIC? Baby O, the whisperer of ancient couplets, the singer of golden oldies. How did he make it through the selection process? How did he manage to pass the Officerlike Qualities Test? How did he lead his fellow candidates through the mock jungle-survival scenarios? How did he bluff his way through the psychological profiles?
All they needed to do was pull down his pants and see his silk briefs with the little embroidered hearts on the waistband.
Where are you, Baby O?
Lieutenant Bannon saw us for the first time at the annual variety show, doing our dove and hawk dance. This was before the commandant replaced these variety shows with Quran Study Circles and After-Dinner Literary Activities. As third-termers, we had to do all the shitty fancy-dress numbers, and seniors got to lip-synch to George Michael songs. We were miming to a very macho revolutionary poem. I, the imperialist eagle, swooped down on Obaid's Third World dove; he fought back...
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