From the much-loved author of Who’s Irish? and The Love Wife, a world-sized novel set in a small New England town.
Hattie Kong—the spirited offspring of a descendant of Confucius and an American missionary to China—has, in her fiftieth year of living in the United States, lost both her husband and her best friend to cancer. It is an utterly devastating loss, of course, and also heartbreakingly absurd: a little, she thinks, “like having twins. She got to book the same church with the same pianist for both funerals and did think she should have gotten some sort of twofer from the crematorium.”
But now, two years later, it is time for Hattie to start over. She moves to the town of Riverlake, where she is soon joined by an immigrant Cambodian family on the run from their inner-city troubles, as well as—quite unexpectedly—by a just-retired neuroscientist ex-lover named Carter Hatch. All of them are, like Hattie, looking for a new start in a town that might once have represented the rock-solid base of American life but that is itself challenged, in 2001, by cell-phone towers and chain stores, struggling family farms and fundamentalist Christians.
What Hattie makes of this situation is at the center of a novel that asks deep and absorbing questions about religion, home, America, what neighbors are, what love is, and, in the largest sense, what “worlds” we make of the world.
Moving, humorous, compassionate, and expansive, World and Town is as rich in character as it is brilliantly evocative of its time and place. This is a truly masterful novel—enthralling, essential, and satisfying.
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Allegra Goodman Reviews World and Town
Allegra Goodman’s novels include The Cookbook Collector, Intuition and Kaaterskill Falls. Her fiction has appeared in The New Yorker and Best American Short Stories. She is a winner of the Whiting Writer’s Award and a fellowship at the Radcliffe Institute for Advanced Study. She lives with her family in Cambridge, Massachusetts. Read her review of World and Town:
Gish Jen sets her novel in a small Vermont town, but extends her reach to the larger world when she writes about Hattie Kong and her new neighbors, a Cambodian family trying to start over after suffering from the traumas of war and the temptations of American city life.
Hattie has retreated to Riverlake in part for solitude, but she finds herself caught up in her neighbors’ struggles. Teenagers Sarun and Sophy try to forge American identities, even as their parents fear for their lives and souls. Slowly, Hattie begins to understand her neighbors’ history, and she sees that they are living with ghosts from their terrible past. At the same time, Hattie’s first love, Carter, appears on the scene, and she must come to terms with ghosts of her own.
I love the voices in this book--each compelling, each contributing to the layered story. I love Gish Jen’s sense of history as both personal and political, intimate and communal. The novel is powerful but also subtle and wise in its use of multiple points of view. It’s a book that begins with grief: Hattie is mourning her husband and her best friend, her neighbors grieve for what they lost in Cambodia. But grief is only a beginning. This is really a novel about survival and reconciliation.
Another writer might fall into sentimentality, bathos, or wish-fulfilling fantasy, but Gish never condescends to her characters. Their traumas and their mistakes, their self-deceptions, and their hard-earned victories read as utterly real. You will find yourself swept up and completely absorbed by this polyphonic and immensely moving novel. The world is Gish Jen’s stage. Her town becomes a theater in the round.
Gish Jen is the author of three previous novels and a book of stories. Her honors include the Lannan Literary Award for fiction and the Mildred and Harold Strauss Living Award from the American Academy of Arts and Letters. She lives with her husband and two children in Cambridge, Massachusetts.
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