Somebody with a Little Hammer: Essays - Hardcover

Gaitskill, Mary

Hardcover

ISBN 10: 0307378225 ISBN 13: 9780307378224

Publisher: Pantheon, 2017

Synopsis

From one of the most singular presences in American fiction comes a searingly intelligent book of essays on matters literary, social, cultural, and personal. Whether she’s writing about date rape or political adultery or writers from John Updike to Gillian Flynn, Mary Gaitskill reads her subjects deftly and aphoristically and moves beyond them to locate the deep currents of longing, ambition, perversity, and loneliness in the American unconscious. She shows us the transcendentalism of the Talking Heads, the melancholy of Björk, the playfulness of artist Laurel Nakadate. She celebrates the clownish grandiosity and the poetry of Norman Mailer’s long career and maps the sociosexual cataclysm embodied by porn star Linda Lovelace. And in the deceptively titled “Lost Cat,” she explores how the most intimate relationships may be warped by power and race. 

Witty, tender, beautiful, and unsettling, Somebody with a Little Hammer displays the same heat-seeking, revelatory understanding for which we value Gaitskill’s fiction.

About this title

About the Author

MARY GAITSKILL is the author of the story collections Bad Behavior, Because They Wanted To (nominated for the PEN/Faulkner Award), and Don’t Cry, and the novels The Mare, Veronica (nominated for the National Book Award), and Two Girls, Fat and Thin. Her stories and essays have appeared in The New Yorker, Harper’s, Artforum, and Granta, among many other journals, as well as in The Best American Short Stories and The O. Henry Prize Stories.

Excerpt. © Reprinted by permission. All rights reserved.

The Trouble with Following the Rules
 
On “date rape,” “victim culture,” and personal responsibility
 
In the early 1970s, I had an experience that could be described as “date rape,” even if it didn’t happen when I was on a date. I was sixteen and staying in the apartment of a slightly older girl I’d just met in a seedy community center in Detroit, where I was just passing through. I’d been in her apartment for a few days when an older guy (he was probably in his mid-twenties) came over and asked us if we wanted to drop some acid. In those years, doing acid with strangers was consistent with my idea of a possible good time, so I shared a tab with them. When I started peaking, my hostess decided she had to go see her boyfriend, and there I was, alone with this guy, who, suddenly, was in my face.
 
He seemed to be coming on to me, but I wasn’t sure. LSD is a potent drug, and on it, my perception was just short of hallucinatory. On top of that, he was black and urban-poor, which meant that I, being very inexperienced and suburban-white, did not know how to read him the way I might have read another white kid from my own milieu. I tried to distract him with conversation, but it was hard, considering that I was having trouble with logical sentences, let alone repartee. During one long silence, I asked him what he was thinking. Avoiding my eyes, he replied, “That if I wasn’t such a nice guy, you could really be getting screwed.” This sounded to me like a threat, albeit a low-key one. But instead of asking him to explain himself or leave, I changed the subject. Some moments later, when he put his hand on my leg, I let myself be drawn into sex because I could not face the idea that if I said no, things might get ugly. I don’t think he had any idea of how unwilling I was—the cultural unfamiliarity cut both ways—and I suppose he may have thought that white girls just kind of lie there and don’t do or say much. My bad time was made worse by his extreme gentleness; he was obviously trying very hard to turn me on, which, for reasons I didn’t understand, broke my heart. Even as inexperienced as I was, I could see that he wanted a sweet time.
 
For some time after, I described this event as “the time I was raped.” I knew when I said it that the description wasn’t accurate, that I had not said no, and that I had not been physically forced. Yet it felt accurate to me. In spite of my ambiguous, even empathic feelings for my unchosen partner, unwanted sex on acid is a nightmare, and I did feel violated by the experience. At times I even elaborately lied about what had happened, grossly exaggerating the threatening words, adding violence—not out of shame or guilt, but because the pumped-up version was more congruent with my feelings of violation than the confusing facts. Every now and then, in the middle of telling an exaggerated version of the story, I would remember the actual man and internally pause, uncertain why I was saying these things or why they felt true— and then I would continue with the story. I am ashamed to admit this, because it is embarrassing and because it conforms to the worst stereotypes of white women. I am also afraid the admission could be taken as evidence that women lie “to get revenge.” My lies were told far from the event (I’d left Detroit), and not for revenge, but in service of what I felt to be the metaphorical truth—although what that truth was is not at all clear to me, then or even now.
 
***
 
I remember my experience in Detroit, including the aftermath, every time I hear or read yet another discussion of what constitutes “date rape.” I remember it when yet another critic castigates “victimism” and complains that everyone imagines himself or herself to be a victim and that no one accepts responsibility anymore. I could imagine telling my story as a verification that rape occurs by subtle threat as well as by overt force. I could also imagine casting myself as one of those crybabies who want to feel like victims. Both stories would be true and not true. The complete truth is more complicated than most of the intellectuals who have written scolding essays on victimism seem willing to accept. I didn’t even begin to understand my own story fully until I described it to an older woman many years later, as proof of the unreliability of feelings. “Oh, I think your feelings were reliable,” she replied. “It sounds like you were raped. It sounds like you raped yourself.” I didn’t like her tone, but I immediately understood what she meant, that in failing to even try to speak up for myself, I had, in a sense, done violence to myself.
 
I don’t say this in a tone of self-recrimination. I was in a difficult situation: I was very young and unready to deal with such an intense culture clash of poverty and privilege, such contradictory levels of power and vulnerability, let alone ready to deal with it on drugs. But the difficult circumstances alone do not explain my inability to speak for myself. I was unable to effectively stand up for myself because I had never been taught how.
 
When I was growing up in the sixties, I was taught by the adult world that good girls did not have sex outside marriage and bad girls did. This rule had clarity going for it, but little else; as it was presented to me, it allowed no room for what I actually might feel, what I might want or not want. Within the confines of this rule, I didn’t count for much, and so I rejected it. Then came the less clear “rules” of cultural trend and peer example, which said that if you were cool, you wanted to have sex as much as possible with as many people as possible. This message was never stated as a rule, but, considering how absolutely it was woven into the social etiquette of the day (at least in the circles I care about), it may as well have been. It suited me better than the adult’s rule—it allowed me my sexuality at least—but again it didn’t take into account what I might actually want or not want.
 
The encounter in Detroit, however, had nothing to do with being good or bad, cool or uncool. It was about someone wanting something I didn’t want. Since I had only learned how to follow rules or social codes that were somehow more important than I was, I didn’t know what to do in a situation where no rules obtained and that required me to speak up on my own behalf. I had never been taught that my behalf mattered. And so I felt helpless, even victimized, without really knowing why.
 
My parents and my teachers believed that social rules existed to protect me and that adhering to these rules constituted social responsibility. Ironically, my parents did exactly what many commentators recommend as a remedy for victimism. They told me that they loved me and that I mattered a lot, but this was not the message I got from the way they conducted themselves in relation to authority and social convention—which was not only that I didn’t matter but that they didn’t matter. In this, they were typical of other adults I knew, as well as of the culture around them. When I began to have trouble in school, both socially and academically, a counselor exhorted me to “just play the game”— meaning to go along with everything from social policy to the adolescent pecking order—regardless of what I thought of “the game.” My aunt, with whom I lived for a short while, actually burned my jeans and T-shirts because they violated what she understood to be the standards of decorum. A close friend of mine lived in a state of war with her father because of her hippie clothes and hair—which were, of course, de rigueur among her peers. Upon discovering that she had been smoking pot, he had her institutionalized.
 
Many middle-class people—both men and women—have learned to equate responsibility with obeying external rules. And when the rules no longer quite apply, they don’t know what to do—much like the enraged, gun-wielding protagonist of the movie Falling Down, played by Michael Douglas, who ends his ridiculous trajectory by helplessly declaring, “I did everything they told me to.” If I had been brought up to reach my own conclusions about which rules were congruent with my particular experience of the world, those rules would’ve had more meaning for me. Instead, I was usually given a set of static pronouncements. For example, when I was thirteen, I was told by my mother that I couldn’t wear a short skirt because “nice girls don’t wear short skirts above the knee.” I countered, of course, by saying that my friend Patty wore skirts above the knee. “Patty is not a nice girl,” replied my mother. But Patty was nice. My mother is a very intelligent and sensitive person, but it didn’t occur to her to define for me what she meant by “nice” and what “nice” had to do with skirt length, and how the two definitions might relate to what I had observed to be nice or not nice—and then let me decide for myself. It’s true that most thirteen-year-olds aren’t interested in, or much capable of, philosophical discourse, but that doesn’t mean that adults can’t explain themselves more completely to children. Part of becoming responsible is learning how to make a choice about where you stand in respect to the social code and then holding yourself accountable for your choice. In contrast, many children who grew up in my milieu were given abstract absolutes that were placed before us as if our thoughts, feelings, and observations were irrelevant.

About this edition

• Publisher: Pantheon
• Publication date: 2017
• ISBN 10: 0307378225
• ISBN 13: 9780307378224
• Binding: Hardcover
• Edition number: 1
• Number of pages: 288