Items related to A Star for Mrs. Blake
The United States Congress in 1929 passed legislation to fund travel for mothers of the fallen soldiers of World War I to visit their sons’ graves in France. Over the next three years, 6,693 Gold Star Mothers made the trip. In this emotionally charged, brilliantly realized novel, April Smith breathes life into a unique moment in American history, imagining the experience of five of these women.
They are strangers at the start, but their lives will become inextricably intertwined, altered in indelible ways. These very different Gold Star Mothers travel to the Meuse-Argonne American Cemetery to say final good-byes to their sons and come together along the way to face the unexpected: a death, a scandal, and a secret revealed.
None of these pilgrims will be as affected as Cora Blake, who has lived almost her entire life in a small fishing village off the coast of Maine, caring for her late sister’s three daughters, hoping to fill the void left by the death of her son, Sammy, who was killed on a scouting mission during the final days of the war. Cora believes she is managing as well as can be expected in the midst of the Depression, but nothing has prepared her for what lies ahead on this unpredictable journey, including an extraordinary encounter with an expatriate American journalist, Griffin Reed, who was wounded in the trenches and hides behind a metal mask, one of hundreds of “tin noses” who became symbols of the war.
With expert storytelling, memorable characters, and beautiful prose, April Smith gives us a timeless story, by turns heartwarming and heartbreaking, set against a footnote of history––little known, yet unforgettable.
They are strangers at the start, but their lives will become inextricably intertwined, altered in indelible ways. These very different Gold Star Mothers travel to the Meuse-Argonne American Cemetery to say final good-byes to their sons and come together along the way to face the unexpected: a death, a scandal, and a secret revealed.
None of these pilgrims will be as affected as Cora Blake, who has lived almost her entire life in a small fishing village off the coast of Maine, caring for her late sister’s three daughters, hoping to fill the void left by the death of her son, Sammy, who was killed on a scouting mission during the final days of the war. Cora believes she is managing as well as can be expected in the midst of the Depression, but nothing has prepared her for what lies ahead on this unpredictable journey, including an extraordinary encounter with an expatriate American journalist, Griffin Reed, who was wounded in the trenches and hides behind a metal mask, one of hundreds of “tin noses” who became symbols of the war.
With expert storytelling, memorable characters, and beautiful prose, April Smith gives us a timeless story, by turns heartwarming and heartbreaking, set against a footnote of history––little known, yet unforgettable.
"synopsis" may belong to another edition of this title.
About the Author:
April Smith is the author of the successful novels featuring FBI Special Agent Ana Grey as the central character. She is also an Emmy-nominated television writer and producer. In her research for A Star for Mrs. Blake, she traveled to Maine, New York City, Paris, Verdun, and the Meuse-Argonne American Cemetery. Her home base is Santa Monica, California, where she lives with her husband.
Excerpt. © Reprinted by permission. All rights reserved.:
Excerpted from the hardcover edition
1
February
Cora Blake was certainly not planning on going to Paris that spring. Or ever in her lifetime. She was the librarian in a small town on the tip of an island off the coast of Maine, which didn’t mean she’d never traveled. She did spend two years at Colby College in Waterville and visited family in Portland, went to Arizona once, and if you counted yachting, knew most of the New England coast. Her mother had been the great adventurer, married to a sea captain who’d taken her all around the world. Cora was born off the coast of Rio de Janeiro, which might account for her venturesome spirit, but now she roamed only in books. Summer people from North Carolina and Boston would stop by the quaint old library building to chat, and wonder how she could stand to live in such a tiny place with those terrible winters.
“I have everything I want right on the island,” she’d say. “We’re so off the beaten path, you’ve got to be satisfied with the way it is.”
Since the crash of ’twenty-nine the county had stopped paying her salary, but Cora kept on librarying anyway, two days and one morning a week, for free. She did it for the sociability and out of duty to her readers, but she was as hard up for cash as anybody. That’s why when the whistle started blowing at the break of dawn out at Healy’s cannery, it sounded to Cora Blake like Gabriel himself swinging out on the horn.
It was 5:00 a.m. in the pit of February. The cannery had been silent for more than two weeks, but now the whistle was loud and clear, piercing the bleat of the foghorn. Wake up! it shrilled. There’s work! and throughout the village women rose up out of warm beds wondering how much work there would be and how long they might be gone doing it. The length of the job depended on the catch. Clams, as long as they’re watered down at night, will be fine until the next day—but fish has to be put up right away or it will spoil. They could end up packing twenty-four hours straight, which nobody would moan about at a time when the Great Depression had taken away so many jobs, but they had just thirty minutes to dress and put out food for the family before the second whistle started up, scolding them to get out the door. By then the worker-transportation bus would be leaving from in front of the post office, and if you missed it, well, good night and good luck.
In the top bedroom of one of the old stonecutter’s cottages facing the harbor—mustard-yellow, with squares for windows like a child would draw—Cora was rapidly calculating four meals ahead. Life had changed since she’d left Tide’s End Farm, a hundred acres that had been in the family since 1759. Five years ago, her mother, Luella, and older sister, Avis, had passed from cholera, and Cora moved to town in order to look after her nieces, Sarah, fourteen, Laura, twelve, and Kathleen, ten. Now the farm lay derelict and far from her mind. There were the three girls plus her brother-in-law to cook for, and all she had in quantity was beans.
Most people can’t tell the difference between one bean and another. Most don’t give a hoot. North of Ellsworth anyway, a lot of folks were making it through hard times on the Marafax beans supplied by the federal government, chewy amber-colored little things that prudent types cooked only with salt. Cora had gone up to the city and gotten some, along with margarine you had to mix by hand with yellow coloring, so it didn’t look like dental wax. They still had turnips and squash in the cellar hay mow.
She woke Sarah, who was sprawled beside her in a dead pile under the quilts, and gave her the lowdown. Aunt Cora was going on a pay streak and, as the oldest, Sarah would be in charge of the household, most of which was laid up with flu. Sarah didn’t move. She wasn’t sick, but her eyes remained shut on principle.
“Can I make biscuits?” she asked.
“I don’t want to see a speck of wasted flour when I get home,” Cora warned. “And no cigarettes. Don’t think I won’t know, because I can smell them on you.”
The girl uttered something befitting a half-asleep adolescent, but Cora was already across the frigid bedroom. It was impossible to keep warm without coal. Her brother-in-law, Big Ole Uncle Percy, had started cutting wood off someone else’s parcel, but what could you do? Rags stuffed under the doors did nothing to stop the glacial drafts that swept down from Nova Scotia. She looked to the window to gauge the day; the glass was scrolled with the roseate frost of dawn. Outside the snow was fresh and it was well below freezing, but Cora was cheered to see there would be sun.
She pulled a pair of woolen stockings from the cedar chest. They had been patched up so often they had acquired the combined character of the three generations who had worn them, which meant they belonged to nobody, and were seen by Cora not with sentiment, but as a handy something to be pulled over her shoes, followed by galoshes that had been resewn where the rubber split.
Entering the icy kitchen, Cora was grateful for the millionth time to her pragmatic mother. She had sailed through the Panama Canal as Captain Frederick Harding’s wife on the windjammer Lara Leigh, delivering molasses and timber and sometimes chartered for the pleasure of wealthy businessmen in Florida, but it was hardly as glamorous as it sounded. Her duties were to cook, sew, and clean the cabin, and to be pleasant company for the wives at the yacht clubs where they moored. When they returned to Tide’s End Farm, Luella raised Cora and her sister with the self-reliance she’d learned at sea. She taught them, for example, that no matter if you were tired and falling off your feet, you always got the stove ready before you went to bed. Mostly it was an island tradition for the man of the house to lay the fire, but Captain Harding would be gone on voyages for months, and so it became a mother-daughter ritual every night to whittle sticks of winter pine into clean-smelling curls.
“No need for kerosene a’tall,” her mother would say with satisfaction.
When she was little, it was Cora’s job to stack the kindling neatly in the fire box, a thing she loved to do, because once the iron door was latched, the day would come to a quiet close with the reassuring knowledge that Mother had taken care of today, tonight, and tomorrow. Every night she did the same for her nieces, using the sharp old jackknife to turn out perfect spirals before their captivated eyes. It still gave her a feeling of being in safekeeping. And in the morning the stove always lit with just one match.
She got the kettle steaming and this she poured into another kettle of those reliable beans. She lit a lantern on the oilcloth-covered table. The light fell on the lush jacket illustration of Treasure Island, which was sitting on top of the pile she’d brought home for the kids who were sick in bed. One thing about librarying is you can take home whatever you please off the shelves, and since she was the only one keeping the place open, Cora felt perfectly in the right doing so. Treasure Island was one of her favorites. She dragged her fingertips over the book as if to take it all in, even the feel of the type. She knew the story by heart—her father had read it out loud to her, she’d read it to her son, Sammy, and later on he’d read it back to Grandpa Harding—about young Jim Hawkins and his indomitable mother, who runs the Admiral Benbow Inn. One day a mysterious old sailor named Pew shows up to end his days in peace by the sea, but he’s given the terrible “black spot,” a warning that means death, and sure enough, the pirates attack the inn, and Jim and his mother barely escape—
The second whistle startled her back to life, and she hastily swallowed a last bite of corn bread. What had she been dreaming of? She checked to be sure the beans were simmering nicely, took her mackinaw from its peg, and closed the kitchen door firmly against the wind.
Her eyes watered as the cold hit. It wasn’t just the cold, but the blinding attack of whiteness that mirrored off the ice-encrusted snow. Navigating the granite slope from the doorstep to Main Street was perilous, especially buffeted by a screaming northeast wind. She caught on to a clothesline and edged down. Rows of whitecaps marched across the harbor. Icicles hung off the pier, sharp as staves. The frost-blue sky wheeled above, hard in the light of a heatless sun. Her nose ran and teeth ached from the bitter temperature. Nothing moved in the village except snow-smoke billowing off the roofs of the chain of severe wooden cottages implausibly anchored to a finger of rock. Their closed white faces took the pummeling directly off the ocean and said nothing. It was as if everything had frozen into a crystal of itself and Cora Blake was the only warm and living thing.
Then she saw that she had missed the bus. Because there was certainly no bright red little puffer waiting in front of the post office; no black exhaust stains on the snow, or tire tracks, either, had she been composed enough to notice. Cora almost cried. Being late, she had just thrown away a dollar and a half, tossed it to the breeze. Marooned at the snowbound post office with no way to get out to the factory, she raged at her dawdling over a child’s book, numb fingers clenched inside the pockets of the plaid mackinaw so worn it might have come from the Scottish Highlands with her forebears.
Hell, she would walk.
The shore road was open to rolling gusts off the harbor that pierced the poor wool of the ancient mackinaw and swept clouds of dry snow off the wooden sidewalk ahead. A skiff had broken loose, tossed up and smashed against the wharf. But the square-built lobster boats rode the twenty-foot waves like smart-aleck tough guys, chins out. Cora put one foot in front of the other, eyes fixed on the crest of Peaks Hill, methodically getting past the hooded shapes of the variety store, barbershop, the notions and yard goods store—all shuttered with snow—the sawmill, the Odd Fellows Hall out on the bend, until the village was at her back and the wind died wailing in the spruce.
It would be deep snowfall all the way to the point. Cora was hoping for an easy trek on the tire tracks left by the bus, but there were none—erased by whirling devils of ice particles? Or had she gotten off the road entirely? She took in the silence, unafraid. It went with a certain hum in her head that was always there, a nameless sense of direction that seemed to come from the earth up through the soles of her feet. She became aware of jaybirds. Evergreens standing in unspoiled snow up to their skirts. She noticed a patch of shadows, dug up by something, possibly moose. Closer, she saw they were shoe prints, multiple tracks heading east. Cora thrashed forward, snow sliding down the galoshes. At the top of Peaks Hill she saw a small group of cannery workers trudging through the endless white like anxious refugees. By the time she’d reached them, she was sweating in the woolens and couldn’t feel her toes.
They were women dressed as she was, in heavy dark skirts down to their ankles and hodgepodge layers of tattered coats.
“Where is the bus?” Cora asked, breathless.
“Ain’t no bus. Not no more,” snapped Essie Jordan. With her long bland face sticking out beneath a cap that was crocheted with green filigree, she resembled a bunch of celery.
“What happened to it?”
“Mr. Healy says gasoline’s too expensive. So we walk.”
“We walk,” echoed Cora, grateful to join the march of plain-featured, hardworking ladies in homespun clothes that smelled of cow dung and pine pitch, ages twelve to sixty, trooping along in the snow to do the filthy factory work of the republic—slow, resolute, keeping in a tight group to buffer the wind, the young ones breaking trail for the rest.
It was another mile to where the continental bedrock ends, a rocky ledge that slopes into the water, the cannery looking like it was about to slide off the tip. She thought about a cup of tea with sugar when the sandwich man came. It was just a distraction of mind. She wouldn’t spend two cents on herself for a cup of tea.
After a while the sun bowed out behind a bank of fog and the air grew dense and bitter cold. Nearing the ocean, the drifts thinned away, showing outcrops of basalt lying sideways in the empty fields where they’d been dumped a millennium ago, and soon there was more road than snow beneath their feet. When the shape of a somber little chapel appeared in the mist, they knew they had reached the farthest crossroads, and from there it was just half a mile to go along a cobble beach before they caught sight of the smokestack and double roof of the cannery.
Cora was to cut the heads and tails off sardines with a scissors. It was a job she had done since childhood, and her nieces would have been there too, if they weren’t home sick. The first thing she did was to tape her fingers because you had to press hard against the scissors in order to make two strong cuts that severed the spine. More than two cuts would make Mr. Healy mad. The fish flipped around dangerously, suffocating on air. The heads were used for bait and went into one bucket, the bodies another. The buckets were tended by the littlest girls. This was how one day at the cannery Cora’s older sister, Avis, nearly cut off a thumb when she was eight, chasing a dying sardine. Their mother, Luella, was on the labeling machine down the other end, and Mr. Healy wanted her to stay put, so he said nothing about the accident, shoving Avis out the door and telling her to run home, halfway bleeding to death.
Luella was incensed when she found out, and told Mrs. Healy what her husband had done. The next day he showed up with a bag of peppermints for Avis, but it was only because Luella was a fast packer and saved him money in the long run. Cora had inherited the knack. When the racks holding trays of cooked sardines started coming out of the ovens on that February day, Mr. Healy moved Cora Blake to the canning line. She could do fifty cans in half an hour despite the stench and the rivers of gurry—gray sludge of wasted fish heads and entrails—they were forced to stand in. For every tray you finished you put a wooden token in the jar. Cora wasn’t sorry to put those scissors down; her sleeves were already all stiffened up with the juices and lifeblood.
The cannery shook with the impact of waves breaking just below. Spume off the whitecaps spit right through gaps in the rotted wood. Inside it was cold as an icebox, except for scalding fits of steam when the oven doors were opened. Despite tolerating the treacherous conditions, Mr. Healy enforced the regulation that employees must wear aprons and coverings over their hair. None were provided, so women brought their own—bandannas and boudoir caps would do—resulting in some odd costumes. Cora kept the mackinaw on, along with a sunbonnet tied beneath her chin, so the ribbons wouldn’t get caught in the machinery.
It was just her luck to be on the assembly line across from Mrs. Celery Face, Essie Jordan, president of the Martha Washington Benevolent Society. Martha Washington was a temperance society, which meant a hodgepodge of angry wives who were fed up with living with drunken men. The men wouldn’t listen to them, so they turned to other women, in the hope that collective female power would get them to behave. Some, like Essie Jordan, seemed mad as hell at just about everything. Her small cunning blue eyes said, I’m still here and don’t you forget it!
“I’m telling you for your own good,” Essie said. She had to shout above the clatter. “Your brother-in-law is askin’ for it, right out flaunting the law.”
“Just what are you referring to?”
Wit...
1
February
Cora Blake was certainly not planning on going to Paris that spring. Or ever in her lifetime. She was the librarian in a small town on the tip of an island off the coast of Maine, which didn’t mean she’d never traveled. She did spend two years at Colby College in Waterville and visited family in Portland, went to Arizona once, and if you counted yachting, knew most of the New England coast. Her mother had been the great adventurer, married to a sea captain who’d taken her all around the world. Cora was born off the coast of Rio de Janeiro, which might account for her venturesome spirit, but now she roamed only in books. Summer people from North Carolina and Boston would stop by the quaint old library building to chat, and wonder how she could stand to live in such a tiny place with those terrible winters.
“I have everything I want right on the island,” she’d say. “We’re so off the beaten path, you’ve got to be satisfied with the way it is.”
Since the crash of ’twenty-nine the county had stopped paying her salary, but Cora kept on librarying anyway, two days and one morning a week, for free. She did it for the sociability and out of duty to her readers, but she was as hard up for cash as anybody. That’s why when the whistle started blowing at the break of dawn out at Healy’s cannery, it sounded to Cora Blake like Gabriel himself swinging out on the horn.
It was 5:00 a.m. in the pit of February. The cannery had been silent for more than two weeks, but now the whistle was loud and clear, piercing the bleat of the foghorn. Wake up! it shrilled. There’s work! and throughout the village women rose up out of warm beds wondering how much work there would be and how long they might be gone doing it. The length of the job depended on the catch. Clams, as long as they’re watered down at night, will be fine until the next day—but fish has to be put up right away or it will spoil. They could end up packing twenty-four hours straight, which nobody would moan about at a time when the Great Depression had taken away so many jobs, but they had just thirty minutes to dress and put out food for the family before the second whistle started up, scolding them to get out the door. By then the worker-transportation bus would be leaving from in front of the post office, and if you missed it, well, good night and good luck.
In the top bedroom of one of the old stonecutter’s cottages facing the harbor—mustard-yellow, with squares for windows like a child would draw—Cora was rapidly calculating four meals ahead. Life had changed since she’d left Tide’s End Farm, a hundred acres that had been in the family since 1759. Five years ago, her mother, Luella, and older sister, Avis, had passed from cholera, and Cora moved to town in order to look after her nieces, Sarah, fourteen, Laura, twelve, and Kathleen, ten. Now the farm lay derelict and far from her mind. There were the three girls plus her brother-in-law to cook for, and all she had in quantity was beans.
Most people can’t tell the difference between one bean and another. Most don’t give a hoot. North of Ellsworth anyway, a lot of folks were making it through hard times on the Marafax beans supplied by the federal government, chewy amber-colored little things that prudent types cooked only with salt. Cora had gone up to the city and gotten some, along with margarine you had to mix by hand with yellow coloring, so it didn’t look like dental wax. They still had turnips and squash in the cellar hay mow.
She woke Sarah, who was sprawled beside her in a dead pile under the quilts, and gave her the lowdown. Aunt Cora was going on a pay streak and, as the oldest, Sarah would be in charge of the household, most of which was laid up with flu. Sarah didn’t move. She wasn’t sick, but her eyes remained shut on principle.
“Can I make biscuits?” she asked.
“I don’t want to see a speck of wasted flour when I get home,” Cora warned. “And no cigarettes. Don’t think I won’t know, because I can smell them on you.”
The girl uttered something befitting a half-asleep adolescent, but Cora was already across the frigid bedroom. It was impossible to keep warm without coal. Her brother-in-law, Big Ole Uncle Percy, had started cutting wood off someone else’s parcel, but what could you do? Rags stuffed under the doors did nothing to stop the glacial drafts that swept down from Nova Scotia. She looked to the window to gauge the day; the glass was scrolled with the roseate frost of dawn. Outside the snow was fresh and it was well below freezing, but Cora was cheered to see there would be sun.
She pulled a pair of woolen stockings from the cedar chest. They had been patched up so often they had acquired the combined character of the three generations who had worn them, which meant they belonged to nobody, and were seen by Cora not with sentiment, but as a handy something to be pulled over her shoes, followed by galoshes that had been resewn where the rubber split.
Entering the icy kitchen, Cora was grateful for the millionth time to her pragmatic mother. She had sailed through the Panama Canal as Captain Frederick Harding’s wife on the windjammer Lara Leigh, delivering molasses and timber and sometimes chartered for the pleasure of wealthy businessmen in Florida, but it was hardly as glamorous as it sounded. Her duties were to cook, sew, and clean the cabin, and to be pleasant company for the wives at the yacht clubs where they moored. When they returned to Tide’s End Farm, Luella raised Cora and her sister with the self-reliance she’d learned at sea. She taught them, for example, that no matter if you were tired and falling off your feet, you always got the stove ready before you went to bed. Mostly it was an island tradition for the man of the house to lay the fire, but Captain Harding would be gone on voyages for months, and so it became a mother-daughter ritual every night to whittle sticks of winter pine into clean-smelling curls.
“No need for kerosene a’tall,” her mother would say with satisfaction.
When she was little, it was Cora’s job to stack the kindling neatly in the fire box, a thing she loved to do, because once the iron door was latched, the day would come to a quiet close with the reassuring knowledge that Mother had taken care of today, tonight, and tomorrow. Every night she did the same for her nieces, using the sharp old jackknife to turn out perfect spirals before their captivated eyes. It still gave her a feeling of being in safekeeping. And in the morning the stove always lit with just one match.
She got the kettle steaming and this she poured into another kettle of those reliable beans. She lit a lantern on the oilcloth-covered table. The light fell on the lush jacket illustration of Treasure Island, which was sitting on top of the pile she’d brought home for the kids who were sick in bed. One thing about librarying is you can take home whatever you please off the shelves, and since she was the only one keeping the place open, Cora felt perfectly in the right doing so. Treasure Island was one of her favorites. She dragged her fingertips over the book as if to take it all in, even the feel of the type. She knew the story by heart—her father had read it out loud to her, she’d read it to her son, Sammy, and later on he’d read it back to Grandpa Harding—about young Jim Hawkins and his indomitable mother, who runs the Admiral Benbow Inn. One day a mysterious old sailor named Pew shows up to end his days in peace by the sea, but he’s given the terrible “black spot,” a warning that means death, and sure enough, the pirates attack the inn, and Jim and his mother barely escape—
The second whistle startled her back to life, and she hastily swallowed a last bite of corn bread. What had she been dreaming of? She checked to be sure the beans were simmering nicely, took her mackinaw from its peg, and closed the kitchen door firmly against the wind.
Her eyes watered as the cold hit. It wasn’t just the cold, but the blinding attack of whiteness that mirrored off the ice-encrusted snow. Navigating the granite slope from the doorstep to Main Street was perilous, especially buffeted by a screaming northeast wind. She caught on to a clothesline and edged down. Rows of whitecaps marched across the harbor. Icicles hung off the pier, sharp as staves. The frost-blue sky wheeled above, hard in the light of a heatless sun. Her nose ran and teeth ached from the bitter temperature. Nothing moved in the village except snow-smoke billowing off the roofs of the chain of severe wooden cottages implausibly anchored to a finger of rock. Their closed white faces took the pummeling directly off the ocean and said nothing. It was as if everything had frozen into a crystal of itself and Cora Blake was the only warm and living thing.
Then she saw that she had missed the bus. Because there was certainly no bright red little puffer waiting in front of the post office; no black exhaust stains on the snow, or tire tracks, either, had she been composed enough to notice. Cora almost cried. Being late, she had just thrown away a dollar and a half, tossed it to the breeze. Marooned at the snowbound post office with no way to get out to the factory, she raged at her dawdling over a child’s book, numb fingers clenched inside the pockets of the plaid mackinaw so worn it might have come from the Scottish Highlands with her forebears.
Hell, she would walk.
The shore road was open to rolling gusts off the harbor that pierced the poor wool of the ancient mackinaw and swept clouds of dry snow off the wooden sidewalk ahead. A skiff had broken loose, tossed up and smashed against the wharf. But the square-built lobster boats rode the twenty-foot waves like smart-aleck tough guys, chins out. Cora put one foot in front of the other, eyes fixed on the crest of Peaks Hill, methodically getting past the hooded shapes of the variety store, barbershop, the notions and yard goods store—all shuttered with snow—the sawmill, the Odd Fellows Hall out on the bend, until the village was at her back and the wind died wailing in the spruce.
It would be deep snowfall all the way to the point. Cora was hoping for an easy trek on the tire tracks left by the bus, but there were none—erased by whirling devils of ice particles? Or had she gotten off the road entirely? She took in the silence, unafraid. It went with a certain hum in her head that was always there, a nameless sense of direction that seemed to come from the earth up through the soles of her feet. She became aware of jaybirds. Evergreens standing in unspoiled snow up to their skirts. She noticed a patch of shadows, dug up by something, possibly moose. Closer, she saw they were shoe prints, multiple tracks heading east. Cora thrashed forward, snow sliding down the galoshes. At the top of Peaks Hill she saw a small group of cannery workers trudging through the endless white like anxious refugees. By the time she’d reached them, she was sweating in the woolens and couldn’t feel her toes.
They were women dressed as she was, in heavy dark skirts down to their ankles and hodgepodge layers of tattered coats.
“Where is the bus?” Cora asked, breathless.
“Ain’t no bus. Not no more,” snapped Essie Jordan. With her long bland face sticking out beneath a cap that was crocheted with green filigree, she resembled a bunch of celery.
“What happened to it?”
“Mr. Healy says gasoline’s too expensive. So we walk.”
“We walk,” echoed Cora, grateful to join the march of plain-featured, hardworking ladies in homespun clothes that smelled of cow dung and pine pitch, ages twelve to sixty, trooping along in the snow to do the filthy factory work of the republic—slow, resolute, keeping in a tight group to buffer the wind, the young ones breaking trail for the rest.
It was another mile to where the continental bedrock ends, a rocky ledge that slopes into the water, the cannery looking like it was about to slide off the tip. She thought about a cup of tea with sugar when the sandwich man came. It was just a distraction of mind. She wouldn’t spend two cents on herself for a cup of tea.
After a while the sun bowed out behind a bank of fog and the air grew dense and bitter cold. Nearing the ocean, the drifts thinned away, showing outcrops of basalt lying sideways in the empty fields where they’d been dumped a millennium ago, and soon there was more road than snow beneath their feet. When the shape of a somber little chapel appeared in the mist, they knew they had reached the farthest crossroads, and from there it was just half a mile to go along a cobble beach before they caught sight of the smokestack and double roof of the cannery.
Cora was to cut the heads and tails off sardines with a scissors. It was a job she had done since childhood, and her nieces would have been there too, if they weren’t home sick. The first thing she did was to tape her fingers because you had to press hard against the scissors in order to make two strong cuts that severed the spine. More than two cuts would make Mr. Healy mad. The fish flipped around dangerously, suffocating on air. The heads were used for bait and went into one bucket, the bodies another. The buckets were tended by the littlest girls. This was how one day at the cannery Cora’s older sister, Avis, nearly cut off a thumb when she was eight, chasing a dying sardine. Their mother, Luella, was on the labeling machine down the other end, and Mr. Healy wanted her to stay put, so he said nothing about the accident, shoving Avis out the door and telling her to run home, halfway bleeding to death.
Luella was incensed when she found out, and told Mrs. Healy what her husband had done. The next day he showed up with a bag of peppermints for Avis, but it was only because Luella was a fast packer and saved him money in the long run. Cora had inherited the knack. When the racks holding trays of cooked sardines started coming out of the ovens on that February day, Mr. Healy moved Cora Blake to the canning line. She could do fifty cans in half an hour despite the stench and the rivers of gurry—gray sludge of wasted fish heads and entrails—they were forced to stand in. For every tray you finished you put a wooden token in the jar. Cora wasn’t sorry to put those scissors down; her sleeves were already all stiffened up with the juices and lifeblood.
The cannery shook with the impact of waves breaking just below. Spume off the whitecaps spit right through gaps in the rotted wood. Inside it was cold as an icebox, except for scalding fits of steam when the oven doors were opened. Despite tolerating the treacherous conditions, Mr. Healy enforced the regulation that employees must wear aprons and coverings over their hair. None were provided, so women brought their own—bandannas and boudoir caps would do—resulting in some odd costumes. Cora kept the mackinaw on, along with a sunbonnet tied beneath her chin, so the ribbons wouldn’t get caught in the machinery.
It was just her luck to be on the assembly line across from Mrs. Celery Face, Essie Jordan, president of the Martha Washington Benevolent Society. Martha Washington was a temperance society, which meant a hodgepodge of angry wives who were fed up with living with drunken men. The men wouldn’t listen to them, so they turned to other women, in the hope that collective female power would get them to behave. Some, like Essie Jordan, seemed mad as hell at just about everything. Her small cunning blue eyes said, I’m still here and don’t you forget it!
“I’m telling you for your own good,” Essie said. She had to shout above the clatter. “Your brother-in-law is askin’ for it, right out flaunting the law.”
“Just what are you referring to?”
Wit...
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- Publication date2014
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- ISBN 13 9780307958846
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