"synopsis" may belong to another edition of this title.
In this stimulating guide, a veteran novelist (The Magician), editor (Stein & Day) and teacher offers a banquet of savvy advice. Unlike Anne Lamott et al., Stein aims not to help his readers wrestle with writerly anguish; rather, he gets on the page, citing examples from writers famous and fledgling, closely analyzing first sentences, creation of character, plotting and dialogue (use "speech markers" to differentiate among characters). Stein concentrates more on fiction?point of view and the creation of love scenes?but his advice on such issues as self-editing and choosing a title applies also to nonfiction. A section on nonfiction contains worthy remarks about adapting fictional techniques (suspense, visual particularity, etc.) but is too brief to be a full guide to journalistic writing or producing an account of a historic event.
Copyright 1995 Reed Business Information, Inc.
"A book of usable solutions" is how the author describes this work. And who better to know than Stein, a writer of fiction (Best Revenge, LJ 7/91) and nonfiction (A Feast for Lawyers, LJ 12/89), a playwright, a writing instructor, and the former editor and publisher of Stein and Day. His expert practical advice frequently applies to the process of writing both compelling fiction and nonfiction in terms of characterization, pacing, revision, evoking emotion, and "liposuctioning flab." Stein's own writing demonstrates the "resonance" and "particularities" he discusses, and his original checklists, writing exercises, and numerous examples encourage the reader/writer to see and do the same. A chapter of help sources and a glossary of terms provide the finishing touch. This book can jump-start anyone's creativity and propel the stodgy writer into the 20th century. Highly recommended for all writing collections.?Cathy Sabol, Northern Virginia Community Coll., Manassas
Copyright 1995 Reed Business Information, Inc.
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