A memoir of the ballet dancer, tracing her childhood, dance career, and marriage to photographer Bert Stern, includes portraits of dance figures in her life
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This unusual, fascinating, and at times almost surreal autobiography chronicles the life of Allegra Kent, one of the most famous--and notorious--of Balanchine's prima ballerinas. The most blatantly erotic of Balanchine ballets were written for her pliant and chilly dance method. This book has it all: art, dance, infidelity, sexual intrigue, histrionics, eccentric outbursts, nose jobs, philosophy, and Krishnamurti. Entirely entertaining and intriguing for both dance enthusiasts and those who don't know a plié from a jeté.
Autobiography of one of Balanchine's finest ballerinas
"What a witty, evocative writer Ms. Kent is!"--New York Times
"A daffy and unexpectedly poignant autobiography. . . . [Kent] repossesses as a writer the unpredictable charm of her dancing. She is zanily elegant . . . frequently stranded, broke, desperate, abused, or abandoned, yet well served by a fey kind of gumption."--Kirkus Reviews
"In [Balanchine's] garden of unearthly delights, Allegra Kent as the most enchanting bloom of all. . . . Through Kent's own wise and courageous recollections . . . we see her unique spirit and almost see again her glorious dancing."--Vanity Fair
"[Kent's] writing is as varied, lucid, and troubling as her dancing. . . . To ask whether she knows how much she has inadvertently told us is merely to frame one more time the terms of her peculiar mystery."--Wall Street Journal
"As distinctly riveting as she ever was on stage."--Dance Magazine
"Kent, one feels, has never known quite where or who she is. . . . Born Iris Cohen in 1937, she had an early life that was the crazy kind you might find in the fiction of Flannery O'Connor. . . . [She writes,] '[Mr. B.] saw in me the psychological raw materials that could be molded and remolded into images of sensuality--unrealized and restrained, but there, just under the surface. The star inside the sapphire.' This is not only a convincing analysis of a difficult concept, it is beautiful writing."--Washington Post
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