The beautifully written travel memoir of a Western woman's journey in Iran
In the tradition of Nothing to Declare, Honeymoon in Purdah is a book of sketches gathered over the course of one woman's journey in Iran. Through her, we meet the ordinary and extraordinary people of Iran--men and women whose lives extend beyond Western news stories of of kidnappings, terrorism, and Islamic fundamentalism. Peppered with accounts of Iran's Islamic Revolution and political analyses of the country, Honeymoon in Purdah is a departure from our conventional perception of Iran. Alison Wearing give Iranians the chance to wander beyond headlines and stereotypes and in so doing, reveals the poetry of their lives.
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Twenty years after the Iranian revolution, most westerners still imagine Iran to be a warren of anti-American rhetoric, terrorism, and fanatical repression, especially of women. Not surprisingly, only an unusual woman would choose to travel there, and Alison Wearing is certainly that. "I refused to believe that such a place of unalloyed evil truly existed," she writes. "I like to look for saints where there are said to be demons." Since it is the only country the world traveler could not imagine going to alone, she takes her fussy, gay roommate Ian, along with a fake wedding certificate and a story that they're on their honeymoon. Then she dons a black cloak, scarf, and chador (the full body covering required by Shiite Islam) for a five-month journey from the Caspian Sea (breaking into the Shah's ramshackle summer palace) to the holy city of Qom (and Khomeini's shrine) to a hidden Zoroastrian prayer site (where she faints from heat stroke). From the moment she steps into the country, she's surrounded by Iranians touched by her eagerness to learn about their country. There is the housewife who challenges her to a game of Ping-Pong in her long robe and scarf, offering food to her guests in between killer serves, and the Anglican minister who is "wholly enthralled by the art of living." There is the couple who spirit her away to a mountain oasis when she complains of the heat (leaving a message for Ian, "Mister Canada, we take your wife. We make her cold"), and the mother who tries to marry off her doctor son, joking that Wearing can't leave "not without my doctor" (a reference to the American film Not Without My Daughter).
Wearing has a gift for connecting with others and the humility to let them tell their own stories. She also sees the hilarity in the most absurd situations. As it turns out, so do the Iranians, which makes for some wonderful laughs. Wearing is also a poet, and she unveils the Iranians with innocence and grace--their hospitality, their quick acceptance and easy intimacy, and the real life of women beneath the veil. And while there are strict defenders of the revolution, most are philosophical: "Friends, please forgive us, but our country is not perfect.... it will make us very happy if you enjoy. Keep your hearts in our people, my friends. We are strangers, but we try to be kind." This is a gem of a debut. --Lesley Reed
The result of her journey is a collection of riveting portraits and stories about the generous, irrepressible people she met. With a novelist's love of language and eye for detail, she takes the reader into the homes and hearts of people who welcome her, feed her and send her off on one adventure after another, to hidden places of interest that recall the romance of Persia, on interminable trips into the desert, to fading palaces by the sea. Travelling with a male friend, in the guise of a couple on their honeymoon, she sets out on her own at every opportunity. We meet a sweet, young opium dealer who dreams of America, a playful 8-year-old girl a year away from marriage, an ebullient, heroic Anglican minister, an angel at an airport, even policemen who bring tea - people whose spirit, intelligence and laughter enlighten and impress.
Beautifully written, engaging, fascinating at every turn, Honeymoon in Purdah reveals an Iran rarely seen by Westerners and introduces an exceptional young writer.
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