Three months after he’s undergone surgery to remove a brain tumor, retired police detective Mike Garrity’s cancer is in remission. It’s great news, but when you’ve been planning to only live for a few months, you don’t normally worry about savings. A return to health also means a return to the workforce, and whether he likes it or not, Mike’s going to have to adjust to the role of private investigator.
He's also bounced back into a romance with a member of his cancer support group, Debbie Watson. But while Mike may be celebrating his victory over cancer, Debbie’s just been handed a grim prognosis. Desperate, she asks him for help with what might be her last request: tracking down the son she put up for adoption twenty years ago.
Debbie’s son is not the only lost child Mike has been asked to trace. A high school friend of his daughter has died of an overdose. The boy’s father is convinced that the death was not a suicide and, though the case is officially closed, the officer in charge has his own doubts about its conclusion.
Back at work and stumbling headlong into a new relationship, Mike should have a lot to look forward to. But all is not as it seems, and he’s about to find out that cancer isn’t the only thing trying to kill him.
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Thomas B. Cavanagh has written award-winning children’s television shows for Nickelodeon, the Walt Disney Company, and many others. He is author of the novel Murderland as well as the first Mike Garrity novel, Head Games, which won the Florida Book Awards 2007 Gold Medal for Popular Fiction and was named a 2007 “Killer Book” Selection by the Independent Mystery Bookseller’s Association. He lives in Central Florida with his family. For more information, please visit his Web site at www.thomasbcavanagh.com.
The protagonist of a hard-boiled detective series must have a shtick. John D. MacDonald’s Travis McGee lived on a houseboat and drove a 1930s Rolls-Royce made over into a pickup truck called Miss Agnes. Cavanagh’s Mike Garrity has a brain tumor named Bob. Garrity’s tumor focuses the reader’s attention on the inevitability of a visit from the grim reaper, whose robed presence adds a real-life dimension rarely found in genre fiction. This time, though, Garrity’s tumor has been successfully excised, but Bob remains central to the story, as Garrity has a fling with Debbie, an attractive but hopeless cancer victim whose doctor has just taken her off all medication. She tasks Garrity with finding her suddenly-gone-missing, let-out-for-adoption-at-birth son. Another prodigal whose mystery he must unravel is that of a supposed suicide whose body was found pumped full of Xanax in a Super Target parking lot. With the clarity of Robert B. Parker and the complexity of Michael Connolly, Prodigal Son disturbs and charms at the same time. --Steve Glassman
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