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It's a well-known phenomenon that a common loss doesn't necessarily bring people together. Employing a Rashomon-like alternation of voices, McFarland explores the same events from both Deckard's and Sarah's point of view. These two devastated people have nothing but good will toward each other, and both are worried about 8-year-old Harry and perplexed by his withdrawal and regression. Somehow, though, they can't avoid giving--and taking--offense.
An intensely subjective and surreal tone illuminates the interior lives of both of these characters. Sarah guiltily takes sleeping pills and muscle relaxants that make her "too groggy to drive the car and a little apprehensive in the kitchen, among sharp knives and open flames." Deckard, meanwhile, is having trouble with "a struggle for proper nouns, a tendency to leave his apartment without the keys, the habit of arriving in a room clueless about what brought him there." He's also haunted by his memories of Vietnam, a part of the novel that takes on a life of its own and leaves the reader wanting more. Indeed, there's an immediacy and an edgy humor to this side of the story that's missing from Sarah's more pastel journey. But Singing Boy is everywhere a work of unclichéd compassion, with the sometimes surprising revelation of goodness discovered in unexpected places. --Victoria Jenkins
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Book Description Paperback. Condition: Brand New. reprint edition. 309 pages. 8.00x5.50x1.00 inches. In Stock. Seller Inventory # 0312420625