Winner of the Hammett Prize
It is 1946, and Adam Miller has come to Venice to visit his widowed mother and try to forget the horrors he has witnessed as a U.S. Army war crimes investigator in Germany. But when he falls in love with Claudia, a Jewish woman scarred by her devastating experiences during World War II, he is forced to confront another Venice, a city still at war with itself, haunted by atrocities it would rather forget. Everyone, including his mother's suave new Venetian suitor, has been compromised by the occupation, and Adam finds himself at the center of a web of deception, intrigue, and unexpected moral dilemmas. When is murder acceptable? What are the limits of guilt? How much is someone willing to pay for a perfect alibi?
Joseph Kanon's Alibi is at once a murder mystery, a love story, and a superbly crafted novel about the nature of moral responsibility.
"synopsis" may belong to another edition of this title.
Joseph Kanon is the author of three previous novels, The Good German, Los Alamos, and The Prodigal Spy. Before becoming a full-time writer, he was a book publishing executive. He lives in New York City.
From Alibi:
The whole room gleamed with gold, dimming now, people hushing, the orchestra starting. Something moved over my finger and I jumped-Claudia's hand, reaching over just to touch.
She didn't turn her head and I saw that her eyes were shiny, her whole attention given over to the music. Now I heard it too. Rodolfo's love song, so beautiful that it seemed no one could have written it, just found it, floating somewhere above the ordinary world. If this was possible, anything was. I looked down at her hand. We could be happy. Why shouldn't it work? Gianni was gone and we had an alibi. The Germans had gotten away with murder, the whole world. Even in Venice, as beautiful as the music, everyone had an alibi, somewhere else when the air raid sirens covered the sounds of people being dragged off. I didn't know. I didn't realize. I had my own life to consider. And, of course, everyone did.
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