Eli and his family lived in an underground shelter they called the Compound for six years. They thought they were the only survivors of a nuclear attack, but when Eli learned that it was all a twisted experiment orchestrated by his tech-visionary father, he broke the family out. His father died trying to keep them imprisoned.
Now, the family must readjust to life in the real world. Their ordeal has made them so famous, they must stay in hiding―everyone from fatalists preparing for doomsday to the tabloid media wants a piece of them. Even worse, their father's former adviser continues to control the company Eli and his twin brother are the heirs of.
As Eli tries to determine who the family can trust, he learns the nightmare of the Compound―and his father's experiment―might not be over. The Fallout is S.A. Bodeen's highly anticipated, thrilling sequel that will keep readers on the edge of their seats.
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S. A. Bodeen is the author of The Garden and The Compound, which earned her an ALA Quick Pick for Young Adults, a Bank Street Best Children's Book of the Year, and a Publishers Weekly "Flying Start." She is also the author of several picture books, including Elizabeti's Doll, winner of the Ezra Jack Keats Award. Bodeen grew up on a dairy farm in Wisconsin. Her first friends were cows, which she named after characters in books. From there she went on to be a Peace Corps volunteer in East Africa, and has lived in seven states, as well as a remote Pacific island. She adores books and is a big fan of cheese. She lives in Oregon.
Gr 7-10-This book picks up in the weeks after the shocking events at the end of The Compound (Feiwel & Friends, 2008) and basically recounts the fallout of the family members' escape from the compound, where they were locked away for six years, and the death of its brilliant but unstable patriarch. Justifiably shell-shocked, most of the Yanakakis clan, believing the world as they knew it has fallen, concentrate on shielding themselves from the intrusive media and survival nuts who want to know their story. Pages are devoted to them settling in to a new home, but nothing much really happens. Eli has been reunited with his twin, who avoided imprisonment at the faked Armageddon, and the narrative reveals what everyone eats and wears, and how they pass the time. Mom is furious that her husband's henchman, Phil, is in charge of YK Industries until the boys become 25, and they go to the company to make a show of interest. Eli randomly picks from many charitable involvements a folder detailing the Progeria Institute's grants and demands a visit to the facility. Lackluster plot elements are thrown in: an adopted older sister's interest in her birth parents; trips to Costco, a Mariner's game, and the aquarium; stomach flu; and people posting online with sightings of them. None is particularly compelling. Eventually a threat of sorts to Eli and two of his siblings results in abduction and some discoveries, but few readers will experience shock or dismay on the characters' behalf.-Suzanne Gordon, Lanier High School, Sugar Hill, GAα(c) Copyright 2013. Library Journal. LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
In this follow-up to The Compound (2008), Eli, his mother, and his siblings have been reunited with his twin and their grandmother after spending 2,000 days believing their world had been obliterated by nuclear attack. It was a lie, one of many told by Eli’s brilliant but amoral father. Now, while trying to deal with the fallout (so to speak), Eli comes to believe that the horrors may not be over and that his father is still alive and hatching his next plan to control both his family and the world. Eli’s first-person narration increases the immediacy of this standalone psychological thriller. Though the prose can be didactic, the emotion and pacing are realistic, and Bodeen does a fine job conveying the characters’ paranoia and readjustment while living in the public eye after a sensational media event. Hints that the mad-scientist father is still on the loose, and enough action to offset the introspection, should make this appealing for a wide readership. Grades 8-11. --Cindy Welch
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