In this sequel to White Mare's Daughter, the people of the horse goddess once more face the threat of war.
Generations ago, the people of the White Mare migrated westward, through the great forests, until they met and clashed with the people of the cities of the Mother. They brought war to the cities, but in the end they made peace through alliance and marriage.
But now war threatens again.
Now there is something rumbling across the plains, coming from the East: a dreadful new weapon wielded by the tribes of the east as they once again begin to push westward. Rhian, a potter's daughter with the gift of seeing, has dreamed of these terrifying war chariots. Emrys, the King's son, has seen them at the edge of his kingdom.
Together, they must try to find a way to defend the Cities of the Mothers from a new invasion.
Tarr's series of books about the people of the Horse Goddess is a great and powerful saga from the mists of time. The tales she tells are the root of every legend, the heart of every myth. Judith Tarr has created a vividly believable tale of destiny you will never forget.
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Judith Tarr is the author of more than twenty widely praised novels, including The Throne of Isis, White Mare's Daughter, and Queen of Swords, as well as five previous volumes in the Avaryan Chronicles: The Hall of the Mountain King, The Lady of Han-Gilen and A Fall of Princes (collected in one volume as Avaryan Rising), Arrows of the Sun, and Spear of Heaven. A graduate of Yale and Cambridge University, Judith Tarr holds degrees in ancient and medieval history, and breeds Lipizzan horses at Dancing Horse Farm, her home in Vail, Arizona.
Tarr, a historian turned historical fantasist, follows White Mare's Daughter with another richly imagined tale of priestess/warrior culture clash. The Bronze Age city of Lir, founded by the matriarchal horse-goddess worshippers of the prequel, faces an impending war against invaders armed with the most fearsome device ever: the chariot. The story begins when ill omens persuade Lir's Priestess Mother to reject her long-awaited baby daughter, who is then raised in obscurity by a potter and his wife. Rhian grows up intelligent and willful, the wind whispering visions to her, her dreams filled with images of a powerfully destructive war machine. Riding off from her village astride the living goddess White Mare after she is passed over by a priestess recruiter, Rhian joins forces with Prince Emry, her brother by birth as well as in arms. They travel to the land of their enemies, where the king has fallen victim to the witchery of his young wife, Etena, despite the courageous efforts of his first wife, Aera, and his sons, Minas and Dais. Disguised as traders, Rhian and Emry master the art of building chariots and the politics of patriarchal polygamy. Knowing they will someday meet in battle, Rhian and Etena make a daring trade Emry for Minas. Full of adventure and romance, Tarr's tale tops her usual fare (The Queen of Swords, etc.) through its ingenious evocation of early civilizations sharing knowledge, culture and family. Lir's matriarchal utopia will please feminists and romantics alike, while the war scenes will satisfy others' thirst for blood and justice. (June) Forecast: Xena devotees albeit those with long attention spans are the ideal market for this one. But the cover art, featuring a trio of fecund horses, barely hints at what's inside.
Copyright 2001 Reed Business Information, Inc.
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