This comprehensive study of the evolution of Finnish art music from continental predecessors and native folk music traces the development of Sibelius's musical language from his first major work, Kullervo, the first genuine Finnish recitative, to the last tone poem, Tapiola. De Gorog asserts the importance of En Saga, Sibelius's first major, purely orchestral work, as a composition that affirms the composer's belief in both rhythm and in the variation method (the germ motif technique). The impact of folk music on the germ motif technique as well as on melody, phrase construction, and harmony are also analyzed. Although Sibelius's use of rhythm was more restrained than that of Bartok, Stravinsky, or Prokofiev, similarities in basic trends and folk music influences are noted by de Gorog. From Sibelius to Sallinen emphasizes the importance of various aspects of Finnish culture, the historical events that shaped that culture, and Finnish nationalism in the evolution of Finnish music in general. It also delineates the major sources of inspiration for Sibelius's unique musical idiom. The volume clarifies Sibelius's position as founder of Finnish art music and considers the evolution of trends established by him in the works of younger Finnish composers.
The first three chapters provide an historical prism through which to view Finnish culture and music, discuss Finnish music prior to Sibelius, and relate Finnish nationalism to the composer's philosophy and music. Chapters 4 through 7 focus on Sibelius, his compositions, and their lasting impact. Two final chapters address instrumental music after Sibelius and stage and vocal music in Finland. A discography provides ready access and full information on the works and completes the volume as an informative resource for students, teachers, researchers, musicologists, and performers as well as a valuable addition to university music libraries and conservatories.
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LISA DE GOROG is a writer with a special interest in cultural history and musicology. A native of Finland, she has taught both subjects in Finland and in Athens, Georgia, where she currently resides. Her previous works include La Sinonimia en La Celestina and Concordancias del Arcipreste de Talavera, both with Ralph de Gorog.
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Book Description Hardcover. Condition: new. Hardcover. This comprehensive study of the evolution of Finnish art music from continental predecessors and native folk music traces the development of Sibelius's musical language from his first major work, "Kullervo", the first genuine Finnish recitative, to the last tone poem, "Tapiola". De Gorog asserts the importance of "En Saga", Sibelius's first major, purely orchestral work, as a composition that affirms the composer's belief in both rhythm and in the variation method (the germ motif technique). The impact of folk music on the germ motif technique as well as on melody, phrase construction, and harmony are also analyzed. Although Sibelius's use of rhythm was more restrained than that of Bartok, Stravinsky, or Prokofiev, similarities in basic trends and folk music influences are noted by de Gorog. "From Sibelius to Sallinen" emphasizes the importance of various aspects of Finnish culture, the historical events that shaped that culture, and Finnish nationalism in the evolution of Finnish music in general. It also delineates the major sources of inspiration for Sibelius's unique musical idiom.The volume clarifies Sibelius's position as founder of Finnish art music and considers the evolution of trends established by him in the works of younger Finnish composers. Lisa De Gorog is a writer with a special interest in cultural history Celestina" and "Concordancias del Arciprests de Talavera", both with Ralph de Gorog. A study of Sibelius' music - his influences, use of native folk sources, belief in both rhythm and variation (the "germ motif") - placed in the context of the historical and cultural events that shaped Finnish nationalism. His standing as a composer and place in Finnish art are assessed. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780313267406
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Book Description Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. A study of Sibelius music - his influences, use of native folk sources, belief in both rhythm and variation (the germ motif ) - placed in the context of the historical and cultural events that shaped Finnish nationalism. His standing as a composer and pla. Seller Inventory # 446882121
Book Description Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This comprehensive study of the evolution of Finnish art music from continental predecessors and native folk music traces the development of Sibelius's musical language from his first major work, Kullervo, the first genuine Finnish recitative, to the last tone poem, Tapiola. De Gorog asserts the importance of En Saga, Sibelius's first major, purely orchestral work, as a composition that affirms the composer's belief in both rhythm and in the variation method (the germ motif technique). The impact of folk music on the germ motif technique as well as on melody, phrase construction, and harmony are also analyzed. Although Sibelius's use of rhythm was more restrained than that of Bartok, Stravinsky, or Prokofiev, similarities in basic trends and folk music influences are noted by de Gorog. From Sibelius to Sallinen emphasizes the importance of various aspects of Finnish culture, the historical events that shaped that culture, and Finnish nationalism in the evolution of Finnish music in general. It also delineates the major sources of inspiration for Sibelius's unique musical idiom. The volume clarifies Sibelius's position as founder of Finnish art music and considers the evolution of trends established by him in the works of younger Finnish composers. Seller Inventory # 9780313267406