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Synopsis
Examining the various boundaries of American artistic tolerance, chapters address the societal and legal responses to rock and rap music. Artistic expression has historically clashed with mainstream views, resulting in apprehension acted upon internally and externally, especially when expression is aimed toward children or young adults. This work studies the mass media content and programming in network television, Rolling Stone magazine, and the New York Times reviews and spot news concerning rock and rap music. The National Endowment for the Arts, the FCC, and the music industry's internal responses to parents and adults are discussed as well. Inhibitions and censoring, it is argued, stem from adult concerns for a healthy functioning society and from anxiety about the impact of sexual explicitness and uncontrolled behavioral expression on adolescents. This work attempts to explain why societal intolerance has a pattern of limiting the lyrics and sounds of rock and rap music.
Uniquely combining both societal and legal viewpoints on censorship of America's popular music culture, these essays address issues of concern to various scholars including those studying mass media, censorship, and American popular culture. Legal appendices are included as useful references, such as the National Endowments for the Arts Obscenity and Rejections Sections.
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Book Description
An examination of the societal and legal responses to rock and rap music.
About the Author
BETTY HOUCHIN WINFIELD is a professor of journalism and an adjunct professor of political science at the University of Missouri-Columbia.
SANDRA DAVIDSON is an attorney and is currently a professor with the University of Missouri School of Journalism.
"About this title" may belong to another edition of this title.
- PublisherGreenwood Press
- Publication date1999
- ISBN 10 0313307059
- ISBN 13 9780313307058
- BindingHardcover
- LanguageEnglish
- Edition number1
- Number of pages144
- EditorSandra Davidson, Betty Houchin Winfield
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Bleep! Censoring Rock and Rap Music (Contributions to the Study of Popular Culture) #68
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Hardcover. Condition: As New. 1st Edition. AS NEW CONDITION, SIGNED AND INSCRIBED (see below) by editors to at the time CHANCELLOR OF UNIV. OF MISSOURI, RICHARD WALLACE, by BETTY HOUCHIN WINFIELD AND SANDRA DAVIDSON, (also, on title page, Chancellor's-Office stamp, Bleep! Censoring Rock and Rap Music (Contributions to the Study of Popular Culture, Number 68. Pub. Greenwood Press. Note: Three of eight editors and contributors of essays were teaching at the time at Univ. of Missouri (Including Michael Budd). (Inscription: "Chancellor Wallace, Who makes sure that the Columbia campus is open to a wide range of ideas even controversial ones, Respectfully, Betty H. Winfield and Sandy Davidson, October 15, 1999"). Seller Inventory # ABE-1642991329052
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Hardcover. Condition: new. Hardcover. Examining the various boundaries of American artistic tolerance, chapters address the societal and legal responses to rock and rap music. Artistic expression has historically clashed with mainstream views, resulting in apprehension acted upon internally and externally, especially when expression is aimed toward children or young adults. This work studies the mass media content and programming in network television, Rolling Stone magazine, and the New York Times reviews and spot news concerning rock and rap music. The National Endowment for the Arts, the FCC, and the music industry's internal responses to parents and adults are discussed as well. Inhibitions and censoring, it is argued, stem from adult concerns for a healthy functioning society and from anxiety about the impact of sexual explicitness and uncontrolled behavioral expression on adolescents. This work attempts to explain why societal intolerance has a pattern of limiting the lyrics and sounds of rock and rap music.Uniquely combining both societal and legal viewpoints on censorship of America's popular music culture, these essays address issues of concern to various scholars including those studying mass media, censorship, and American popular culture. Legal appendices are included as useful references, such as the National Endowments for the Arts Obscenity and Rejections Sections. This work studies the mass media content and programming in network television, Rolling Stone magazine, and the New York Times reviews and spot news concerning rock and rap music. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780313307058
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Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Examining the various boundaries of American artistic tolerance, chapters address the societal and legal responses to rock and rap music.Über den AutorBETTY HOUCHIN WINFIELD is a professor of journalism and an adjunct professor . Seller Inventory # 446884556
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