Life ought to be simple for Detective Inspector Alex Morrow. She's not new to the police force--or to crime--but none of that matters as she's assigned to the case that could make her career.
The case involves a seemingly random attack on a family in a quiet suburb of Glasgow, Scotland. Three armed men slipped from a van into a house, demanding a man who is not, and has never been, inside the front door. In the confusion that ensues, one family member is shot and another kidnapped, the assailants demanding an impossible ransom. Is this an amateur crime gone horribly wrong, or something much more unexpected?
As Alex falls further into the most challenging case of her career, she must manage the complications of police force politics, and a marriage every bit as tangled as the case she's trying to solve. Rich with dark humor and powerful storytelling, STILL MIDNIGHT shows again why Denise Mina's mysteries have earned praise as among the best in the world.
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Denise Mina is the author of Slip of the Knife, The Dead Hour, Field of Blood, Deception, and the Garnethill trilogy, the first installment of which won her the John Creasey Memorial Prize for best first crime novel. She lives in Glasgow.
An Asian merchant is mistakenly abducted by an inept gang of Glaswegian thugs. Detective Sergeant Alex Morrow of the Strathclyde Police catches the case. Morrow is uncomfortable in social situations, often abrasive and pig-headed, filled with confusion about what is "right." When it comes to police work, however, she's spot-on. Morrow interviews witnesses, interrogates suspects, all the while running an inner dialogue confronting her own uncertainties. Grim and darkly amusing, Denise Mina's latest, inspired by a true crime, affords narrator Jane MacFarlane a host of eccentric characters to inhabit. While MacFarlane's voice is a bit soft for the gritty descriptions, her characterizations in dialogue exchanges are lively, vivid, and credible. Mina raises serious social questions about race, politics, and community, and MacFarlane makes the listening distinctive. S.J.H. © AudioFile 2010, Portland, Maine
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