As Olivia de Haviland Hand returns home to explore the Cherokee half of her family history, she encounters instead a tangle of lives and loves
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Long-time fans, especially those familiar with the Hand clan (previously introduced in Net of Jewels, 1992; I Cannot Get You Close Enough, 1990; The Anna Papers, 1988), will feel right at home with Gilchrist's latest meditation on love, sex, and family. Olivia de Haviland Hand, daughter of Daniel, a wealthy North Carolinian, decides to spend the summer after her freshman year in college with her maternal grandparents, who raised her. (Her mother, a Cherokee from Oklahoma, died in childbirth.) Olivia (Via) goes to Oklahoma and ends up reconnecting with her high school sweetheart, Bobby. When he asks her to marry him, she is forced to examine her feelings about love, sex, marriage, and motherhood. Via's 20-year-old half-sister, Jessie, is in New Orleans awaiting the birth of her first child by her cousin/husband, King, who is himself trying to grow quickly into responsible fatherhood. Via and Jessie's Aunt Helen (Daniel's sister) has left her husband and kids to pursue happiness in Boston with Irish poet Mike, whom she met after the suicide of her sister, Anna, fatally ill with cancer. Helen is trying to reconcile with her kids without giving up her new life, at the same time pressuring her brother Daniel to turn over a new leaf. Daniel, meanwhile, is languishing in Carolina deep in mid-life crisis, drinking the summer away, missing his daughters, ignoring his current lover, Margaret, until eventually he, too, sees the ``light'' of love and the possibility of a different future. Starcarbon is soap at its most elegant. Sex as life force comes through at every turn. Yet the novel's lyricism and Gilchrist's distinctive, flowing voice keeps one engaged throughout, even when the various storylines begin to lag in interest. -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.
Gilchrist returns to the world of the quirky and passionate Hand family. We last heard about the Hands in I Cannot Get You Close Enough (1990), when Daniel, a handsome, moneyed, yet chronically lonely man, is stunned to find out that he has a second daughter, the feisty, half-Cherokee Olivia de Havilland Hand. Gilchrist picks up the story of Olivia just after she completes her first year of college. Olivia is torn between love for her father and the allure of his luxurious Charlotte digs, and the happier, more down-to-earth realm of her childhood, her maternal grandparents' home in Tahlequah, Oklahoma. She also misses her high-school sweetheart, Bobby Tree, who's been working up at Starcarbon Ranch in Montana, as in love with Olivia as ever. Love, of course, is Gilchrist's theme, and she explores its radiance and obliqueness in a constellation of related couples. Olivia's sister Jessie is struggling to make her fledgling marriage work, while their aunt Helen is fighting off the guilt of having left her children and husband for a well-known poet, and a doctor turned teacher is battling an entrenched fear of intimacy that is holding up her relationship with a physicist. As Gilchrist dramatizes each couple's courtship, she ponders the riddles of how one can love another without losing oneself and how one can separate the truth about a relationship from fears of being hurt, abandoned, or betrayed. As she searches for answers among her charming, frankly lusty, and crazily alive characters, Gilchrist gives her readers moments of intense pleasure. This is a feel-good novel utterly free of pandering or sentimentalism. Donna Seaman
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