Sotheby's - bidding for class - Hardcover

LACEY, Robert

Hardcover

ISBN 10: 0316644471 ISBN 13: 9780316644471

Publisher: Little, Brown, 1998

Synopsis

This volume explores the history of Sotheby's auction house, tracing its beginnings back to 1744. It was in the latter half of the 19th century, when economic instability forced the aristocrats to sell off many of their treasures, that Sotheby's began to lay the foundations of the modern art market. The Sotheby's-Christie's rivalry intensified in the early-1900s and they have been battling it out ever since over the likes of Cezanne, Picasso, Van Gogh and Monet. Lacey takes the reader through the unprecedented boom of the 1980s, when Van Gogh's "Irises" went for $53.9 million, and examines the catastrophic effects of an inflation still being felt today.

About this title

Review:

Piles of money, international power plays, cutthroat business tactics, unique personalities, and the politics of social class--that should be enough for a really juicy read, don't you think? But why stop there when you can also have smuggling, Swiss bank accounts, espionage, royal families, and mansions on the Riviera? Did anyone mention art? This riveting history of Sotheby's, the world's richest auction house, has that too, of course, but mainly as a lifestyle accessory.

With impeccable style, a deft touch with the telling detail, and an elegant way of delivering gossip with the proper journalistic distance, Robert Lacey has plotted a company history that reads like a thriller. There are unbusinesslike gems on nearly every page: "The tasty young ladies of 'Client Advisory' [a new Sotheby's department] were the next step in the process--the conversion of the rich and curious into solid bidders and buyers." Business and pleasure sometimes mingle: "Puzzled as to why the accounts department, which incurred regular bills for weekend overtime, was taking so long to produce figures, [the new corporate manager] asked John Cann, the director of administration, to investigate. 'They are having orgies,' Cann reported. 'They are coming in on Sundays and having sex.'"

But such stories are just the baubles on Lacey's minutely detailed history of Sotheby's rise from its humble origins in the rare-books trade of 1744 to the public company of today. Lacey is good on the art part, which, although essential to the story, is also somewhat ephemeral. He provides thoughtful cameos of the eccentric connoisseurs of old masters, Italian glass, Georgian silver, or Oriental furniture whose brilliance and sensitivity gave the auction business its special cachet. Of the highborn Peter Wilson, Sotheby's longtime chairman and a legend in every corner of the art world, for example, Lacey writes: "He would roll a carved ivory netsuke worth a few pounds between his fingers with the same delight with which he greeted an old master worth tens of thousands, for the secret of PCW's eye was his ability to be genuinely interested in almost anything." In Lacey's capable hands, the reader finds every facet of this story equally spellbinding. --Margaret Moorman

From Kirkus Reviews:

If the world's oldest auction house is still reeling from the art smuggling sting in Peter Watson's Sotheby's: The Inside Story (1997), it won't enjoy Lacey's gossipy, page-turning history. Lacey, author of books on Grace Kelly (Grace, 1994) Henry Ford's automotive empire (Ford: The Man and the Machine, 1986), and Meyer Lansky's gangster life (Little Man, 1991), is triply equipped to deal with Sotheby's colorful directors and employees, its schemes to get the highest prices (whether for van Gogh's Irises or Jackie O's costume jewelry), and its sharp, sometimes dubious business practices in pursuing its ruthless rivalry with Christie's. While Sotheby's origins go back to Samuel Baker, a bookseller who opened his business in 1733, credit for originating modern auctioneeringparticularly for cultivating the intangible value of ``taste'' and profiting from itgoes to James Christie, who began in 1766. The two houses coexisted peacefully until a change in Sotheby's ownership in 1908 introduced real competition, and here Lacey's account takes off into something like Evelyn Waugh's Vile Bodies crossed with Tom Wolfe's Bonfire of the Vanities. Sotheby's new owners quickly changed it from a collegial, somewhat pokey enterprise into a suave, cosmopolitan clearinghouse for Old Masters and objets d'art. The real force behind Sotheby's modern transformation, and its shifting into ethical gray areas, was Peter Wilson, who joined in 1936. The mercurial Wilson, ambitious and irresistibly charming, won over the wealthy as clients and customers during the postwar art boom and established Sotheby's in America with the takeover of Parke-Bernet, New York City's premier auction house. Wilson also not only turned a blind eye to objects of questionable provenance, but even engaged in rules-bending directly, with the sale of the Sevso Roman silver for which three countries claimed ownership. As smooth, beguiling, and speedy as any auctioneer's patter, Lacey's account mounts in excitement, ending in Sotheby's successful sale of a slice of the duke and duchess of Windsor's wedding cake. (b&w photos, not seen) (Author tour) -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.

About this edition

• Publisher: Little, Brown
• Publication date: 1998
• ISBN 10: 0316644471
• ISBN 13: 9780316644471
• Binding: Hardcover
• Edition number: 1
• Number of pages: 354