Uses interviews and archival materials to trace the complex patterns of Hitchcock's art and their links with his family background, education, and apprenticeship in Germany
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How is it possible to paint a portrait of an artist who left behind none of the notebooks and journals that provide most biographers with important personal details? After exhaustive researching and interviewing, Donald Spoto came to the conclusion that "Hitchcock's films were indeed his notebooks and journals ... [they] are astonishingly personal documents." This account of Alfred Hitchcock's life reads the mind of the man through the making of his films. Spoto argues powerfully and convincingly that movies like Notorious, Rear Window, Vertigo and Psycho can be appreciated not only as masterpieces of entertainment but also as subtle, revealing autobiography.
DONALD SPOTO is the author of more than fifteen books that have been translated into some twenty languages, including highly praised biographies of Alfred Hitchcock, Tennessee Williams, Laurence Olivier, Marilyn Monroe, and James Dean. He lives in Los Angeles.
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