In the illustrious history of the theatrical Fishers, there are two Georges. One is a peculiar but endearing 11-year-old, raised in the seedy world of `70s boarding houses and backstages, now packed off to school for the first time; the other, a garrulous ventriloquist's dummy who belonged to George's grandfather, a favorite traveling act of the British troops in World War II. The two Georges know nothing of each other--until events conspire to unite them in a search to uncover the family's deepest secrets.
Weaving the boy's tale and the puppet's "memoirs," BY GEORGE unveils the fascinating Fisher family--its weak men, its dominant women, its disgruntled boys, and its shocking and dramatic secrets. At once bitingly funny and exquisitely tender, Stace's novel is the unforgettable journey of two young boys separated by years but driven by the same desires: to find a voice, and to be loved.
"By George is one of those rare works of fiction with an essential triple helix -- it's funny, it's clever and it's perfectly woven together with story. If writing is how we imagine not being lonely, as Wesley Stace suggests, then his conjuring trick as a writer is that he brings a large crowd along with him. This is a wonderful follow-up to his debut novel, Misfortune." -- Colum McCann, author of Zoli and Dancer
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Educated at Cambridge, Wesley Stace (also known as John Wesley Harding) cut short his Ph.D. studies to pursue a music career. He has released 8 solo albums and toured as the opening act for The Mighty Lemon Drops, Michelle Shocked, and Bruce Springsteen. His novel, Misfortune, was published by Little, Brown in 2004. He lives in Brooklyn with his wife and daughter.
Singer-songwriter John Wesley Harding, writing under his given name Wesley Stace (Misfortune), crafts a British performing family's saga filled with wit, warmth and imagination. George Fisher is 11 years old in 1973 when his mother, Frankie, enjoying a successful run as Peter Pan, delivers him to Upside Boarding School. George misses his family, particularly his 93-year-old great-grandmother Evangeline, who for many years performed as a ventriloquist—as did her son, Joe. Under the watchful eye of the headmaster, George learns to escape student responsibilities by cheating, throwing his voice and befriending the groundskeeper, who gives him ventriloquism how-to books. George's school-days narrative alternates with another memoiristic voice from 1930, that of Joe's dummy, also called George. While George the schoolboy leaves Upside, eventually finding work in the family business, George the dummy accompanies Joe on the road to entertain troops during WWII. In different eras, boy and dummy each finds his own voice, plus some understanding of a world full of trickery and illusion. Family secrets revealed are not much of a surprise, but Stace amasses enough gently ironic humor (including sly references to Harry Potter and David Copperfield), emotion and insight to carry his voices beautifully. (Aug.)
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*Starred Review* This second novel by the author of Misfortune (2005) wends its way through a labyrinth of familial idiosyncrasies, grudges, and conundrums. As John Wesley Harding, Stace writes lyrics and performs music, and his folksy style infuses an air of warmth and humor to what is essentially the story of a controlling woman who nearly ruins her entire family. The multilinear and multigenerational tale begins with the last days of an elderly vaudeville ventriloquist, Echo Ender, whose onstage success with her dummy, Naughty Narcissus, ensures entry into the entertainment world for future generations of her family. First comes Echo's son, Joe, also a ventriloquist, who has a dummy named George; he's followed by his flamboyant daughter, Frankie, an actress; and then by her withdrawn son, also named George, who develops his own talent for throwing his voice at boarding school. The two Georges one a boy, the other a dummy are the joint narrators in this saga of the backstage failures behind one family's onstage success. The two Georges' stories eventually merge in a surprising conclusion to a novel that most readers will hate to see end. Characters spring to life in the words of the sardonic dummy, whose pointed comments about his wacky family make the book a hoot to read and beg the question, Who's in control, the puppet or the puppet master? Book groups will enjoy sorting out this one! Baker, Jennifer
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