The fourteenth century reflects two contradictory images: on the one hand, a glittering time of crusades and castles, cathedrals and chivalry, and the exquisitely decorated Books of Hours; and on the other, a time of ferocity and spiritual agony, a world of chaos and the plague. Barbara Tuchman reveals both the great rhythms of history and the grain and texture of domestic life as it was lived. Here are the guilty passions, loyalties and treacheries, political assassinations, sea battles and sieges, corruption in high places and a yearning for reform, satire and humor, sorcery and demonology, and lust and sadism on the stage. Here are proud cardinals, beggars, feminists, university scholars, grocers, bankers, mercenaries, mystics, lawyers and tax collectors, and, dominating all, the knight in his valor and "furious follies," a "terrible worm in an iron cocoon."
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In this sweeping historical narrative, Barbara Tuchman writes of the cataclysmic 14th century, when the energies of medieval Europe were devoted to fighting internecine wars and warding off the plague. Some medieval thinkers viewed these disasters as divine punishment for mortal wrongs; others, more practically, viewed them as opportunities to accumulate wealth and power. One of the latter, whose life informs much of Tuchman's book, was the French nobleman Enguerrand de Coucy, who enjoyed the opulence and elegance of the courtly tradition while ruthlessly exploiting the peasants under his thrall. Tuchman looks into such events as the Hundred Years War, the collapse of the medieval church, and the rise of various heresies, pogroms, and other events that caused medieval Europeans to wonder what they had done to deserve such horrors.
Anyone who has read THE GUNS OF AUGUST or STILWELL AND THE AMERICAN EXPERIENCE IN CHINA, knows that Barbara Tuchman was one of the most gifted American writers of this century. Her subject was history, but her profiles of great men and great events are drawn with such power that reading Tuchman becomes a riveting experience
In A DISTANT MIRROR, Barbara Tuchman illuminates the Dark Ages. Her description of medieval daily life, the role of the church, the influence of the Great Plagues, and the social and political conventions that make this period of history so engrossing, are carefully woven into an integrated narrative that sweeps the reader along.
I am a particular devotee of medieval and pre Renaissance music, so Barbara Tuchman's brilliant analysis of this period has special meaning for me - and I hope for many others.
George Davidson, Director of Production, The Ballantine Publishing Group
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