This book explores Shakespeare films as interpretations of Shakespeare's plays as well as interpreting the place of Shakespeare on screen within the classroom and within the English curriculum. Shakespeare on screen is evaluated both in relation to the play texts and in relation to the realms of popular film culture. The book focuses on how Shakespeare is manipulated in film and television through the representation of violence, gender, sexuality, race and nationalism. Cartmell discusses a wide range of films, including Orson Welles' Othello (1952), Kenneth Branagh's Much Ado About Nothing (1993), Peter Greenaway's Prospero's Books (1991), Baz Luhrmann's William Shakespeare's Romeo and Juliet (1996) and John Madden's Shakespeare in Love (1998).
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Deborah Cartmell is Professor of English and Associate Pro Vice-Chancellor, Research, at De Montfort University, UK. A founding member of many organisations (including Literature on Screen and the Association of Adaptation Studies), she is Secretary of the Council for College and University English. As well as being general editor of the Screen Adaptations series, in 2010 she authored Screen Adaptations: Jane Austen's Pride and Prejudice (2010).
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Hardcover. Condition: new. Hardcover. This is an exploration of Shakespeare films as interpretations of Shakespeare's plays as well as interpreting the place of Shakespeare on screen within the classroom and within the English curriculum. Shakespeare on screen is evaluated both in relation to the play texts and in relation to the realms of popular film culture. The book focuses on how Shakespeare is manipulated in film and television through the representation of violence, gender, sexuality, race and nationalism. Cartmell discusses a wide range of films, including Orson Welles' "Othello" (1952), Kenneth Branagh's "Much Ado About Nothing" (1993), Peter Greenaway's "Prospero's Books" (1991), Baz Luhrmann's "William Shakespeare's Romeo and Juliet" (1996) and John Madden's "Shakespeare in Love" (1998). This book explores Shakespeare films as interpretations of Shakespeare's plays as well as interpreting the place of Shakespeare on screen within the classroom and within the English curriculum. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780333652114
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Buch. Condition: Neu. Interpreting Shakespeare on Screen | Deborah Cartmell | Buch | Einband - fest (Hardcover) | Englisch | 2000 | Bloomsbury 3PL | EAN 9780333652114 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. Seller Inventory # 133617463
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Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book explores Shakespeare films as interpretations of Shakespeare's plays as well as interpreting the place of Shakespeare on screen within the classroom and within the English curriculum. Shakespeare on screen is evaluated both in relation to the play texts and in relation to the realms of popular film culture. The book focuses on how Shakespeare is manipulated in film and television through the representation of violence, gender, sexuality, race and nationalism. Cartmell discusses a wide range of films, including Orson Welles' Othello (1952), Kenneth Branagh's Much Ado About Nothing (1993), Peter Greenaway's Prospero's Books (1991), Baz Luhrmann's William Shakespeare's Romeo and Juliet (1996) and John Madden's Shakespeare in Love (1998). Seller Inventory # 9780333652114
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