Rosenbaum explores the mind of Hitler's explainers and, through them, the mind of Hitler himself. He gives details of his encounters over a ten-year period with such figures as Hugh Trevor Roper, Alan Bullock, Claude Lanzmann and Emile Fackenheim. He reveals both new and forgotten material which help explain one of history's greatest enigmas.
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Debates concerning the historical and moral significance of Adolf Hitler have gone on since the beginning of his rise to power in Germany. In the decades after his bunker suicide, those debates elevated to arguments over the very nature and existence of evil. An integral part of the arguments has been the ongoing attempt to understand the why of Hitler. In this engaging work of literary journalism, Ron Rosenbaum travels the world to converse with some of the historians, philosophers, filmmakers, and others who have attempted to make sense of Hitler's actions, to find a root cause for the Holocaust.
Rosenbaum methodically examines the evidence for and against all the major hypotheses concerning the origin of Hitler's character. He sifts through all the rumors--including his alleged Jewish ancestry and what biographer Alan Bullock refers to as "the one-ball business"--and the attempts to derive some psychological cause from them. Various Hitlers emerge: Hitler as con man and brutal gangster, Hitler the unspeakable pervert, Hitler the ladies' man, Hitler as modernist artist working in the medium of evil....
But Rosenbaum's portrayals of those who would define Hitler are as fascinating as the shifting perspectives on the führer. Here we see the brave journalists of the Munich Post who attempted to reveal Hitler's evil to the world as early as the 1920s. We witness Shoah director Claude Lanzmann's imperious attempts to stifle analysis of Hitler and the Holocaust, branding such historical inquiries as "obscene." We see the effects, on a frazzled Daniel Jonah Goldhagen, of the controversy surrounding the publication of his Hitler's Willing Executioners. We see the interior crises of Hitler apologist David Irving and philosopher-novelist George Steiner, among others, as they struggle with the ramifications of their work and thought. And, best of all, we have Rosenbaum to serve as an informed, intimate, and on occasion witty guide. In White Noise, Don DeLillo depicted the satirical academic discipline of "Hitler studies;" Ron Rosenbaum breathes a life into the field that no fiction can match. --Ron Hogan
Ron Rosenbaum grew up on Long Island, New York. A graduate of Yale with a degree in English literature, he left Yale Graduate School to write full-time. His essays and journalism have appeared in Harper's, Esquire, The New Republic, Vanity Fair, and The New Yorker; he's done eight cover stories for the New York Times Magazine. He is the author of four previous books, including one novel and three collections of his essays and journalism, most recently Travels with Dr Death and Other Unusual Investigations.
The Pulitzer Prize-winning writer and historian Thomas Powers called him "one of the few distinctive voices of modern American literary journalism." His work has been characterized by the essayist Phillip Lopate as combining "the skills of a terrific investigative reporter and an accomplished literary stylist with an idiosyncratic streak all his own."
More than ten years ago, he began investigating certain unresolved controversies among Hitler biographers, and ultimately embarked on an odyssey that took him from Vienna and Munich to London, Paris, and Jerusalem. The book that emerged combines original research and dramatic face-to-face encounters with historians, philosophers, psychologists, and theologians as they attempt to account for the elusive figure of Adolf Hitler and the meanings projected upon him by his explainers.
Currently Ron Rosenbaum writes for the New York Times Magazine, and The New York Observer, and teaches a course on literary journalism at the Columbia Graduate School of journalism.
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