Ten years ago, fifteen-year-old Jade Flynn and three other girls were forced to become the sole occupants of the fourth floor of St Nicholas Care Home for Children. Forced to take part in 'special community projects'. Forced to work for a man they nicknamed 'The Geezer'. Until a shocking event made them rebel. Steal something that didn't belong to them. They ran. They disappeared.Now Jade is living a respectable life as Jackie Jarvis. She's getting married, and her three best friends are her bridesmaids. Until the Geezer turns up. He'll kill them, unless they do one last job for him - then they can return to their everyday lives. But can they trust him This time if they disappear they won't be coming back...
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Born and bred in the East End of London, Dreda Say Mitchell has seen it all from the inside. After a string of jobs as a waitress, chambermaid and catering assistant she realised her dream of becoming a teacher. During this time she saw a new generation of East Enders grappling with the same problems she had but in an even more violent and unforgiving world. Dreda's books are inspired by the gritty, tough and criminal world she grew up in. She still lives in London's East End. In 2016, she became a Reading Ambassador for the Reading Agency to promote literacy and libraries.
Website: www.dredasaymitchell.com
Facebook: /dredasaymitchell
Twitter: @DredaMitchell
'An interesting, original novel, worth reading, even if you don't get half the references and in real life would block your ears to the noise'―Literary Review
'Mitchell's plot is elaborate but tightly played, with a backbeat of racial abuse. Killer Tune lays the breezy muscial name-checking of Hornby's High Fidelity over a well-crafted murder mystery.'―Financial Times
'KILLER TUNE is a sharply observed, incisive and moving story of radical politics, conflicting loyalties and unfinished business.'―Guardian
'Great read written by a great girl'―MARTINA COLE
'Dreda Say Mitchell is an exciting new talent and her second novel, KILLER TUNE, shows her distinctive take on current urban noir.... The narrative throbs with energy and has a refreshing directness'―Sunday Telegraph
'As good as it gets . . . Mitchell is English fiction's brightest new voice'―Lee Child
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