Items related to The Missing
The author of The Clearing (“the finest American novel in a long, long time”—Annie Proulx) now surpasses himself with a story whose range and cast of characters is even broader, with the fate of a stolen child looming throughout.
Sam Simoneaux’s troopship docked in France just as World War I came to an end. Still, what he saw of the devastation there sent him back to New Orleans eager for a normal life and a job as a floorwalker in the city’s biggest department store, and to start anew with his wife years after losing a son to illness. But when a little girl disappears from the store on his shift, he loses his job and soon joins her parents working on a steamboat plying the Mississippi and providing musical entertainment en route. Sam comes to suspect that on the downriver journey someone had seen this magical child and arranged to steal her away, and this quest leads him not only into this raucous new life on the river and in the towns along its banks but also on a journey deep into the Arkansas wilderness. Here he begins to piece together what had happened to the girl—a discovery that endangers everyone involved and sheds new light on the massacre of his own family decades before.
Tim Gautreaux brings to vivid life the exotic world of steamboats and shifting currents and rough crowds, of the music of the twenties, of a nation lurching away from war into an uneasy peace at a time when civilization was only beginning to penetrate a hinterlands in which law was often an unknown force. The Missing is the story of a man fighting to redeem himself, of parents coping with horrific loss with only a whisper of hope to sustain them, of others for whom kidnapping is either only a job or a dream come true. The suspense—and the complicated web of violence that eventually links Sam to complete strangers—is relentless, urgently engaging and, ultimately, profoundly moving, the finest demonstration yet of Gautreaux’s understanding of landscape, history, human travail, and hope.
Sam Simoneaux’s troopship docked in France just as World War I came to an end. Still, what he saw of the devastation there sent him back to New Orleans eager for a normal life and a job as a floorwalker in the city’s biggest department store, and to start anew with his wife years after losing a son to illness. But when a little girl disappears from the store on his shift, he loses his job and soon joins her parents working on a steamboat plying the Mississippi and providing musical entertainment en route. Sam comes to suspect that on the downriver journey someone had seen this magical child and arranged to steal her away, and this quest leads him not only into this raucous new life on the river and in the towns along its banks but also on a journey deep into the Arkansas wilderness. Here he begins to piece together what had happened to the girl—a discovery that endangers everyone involved and sheds new light on the massacre of his own family decades before.
Tim Gautreaux brings to vivid life the exotic world of steamboats and shifting currents and rough crowds, of the music of the twenties, of a nation lurching away from war into an uneasy peace at a time when civilization was only beginning to penetrate a hinterlands in which law was often an unknown force. The Missing is the story of a man fighting to redeem himself, of parents coping with horrific loss with only a whisper of hope to sustain them, of others for whom kidnapping is either only a job or a dream come true. The suspense—and the complicated web of violence that eventually links Sam to complete strangers—is relentless, urgently engaging and, ultimately, profoundly moving, the finest demonstration yet of Gautreaux’s understanding of landscape, history, human travail, and hope.
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About the Author:
Tim Gautreaux is the author of two previous novels and two collections of stories. His work has appeared in The Atlantic Monthly, GQ, Harper’s Magazine, and Zoetrope, as well as in volumes of the O. Henry and the Best American Short Story annuals. A professor emeritus in the creative writing program at Southeastern Louisiana University, he lives with his family in Hammond.
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Chapter One
Sam Simoneaux leaned against the ship’s rail, holding on in the snarling wind as his lieutenant struggled toward him
through the spray, grabbing latches, guy wires, valve handles. “Pretty bad belowdecks,” the lieutenant cried out against the
blow.
“That’s a fact. Stinks too bad to eat.”
“I noticed you have a bit of an accent. Where are you from?”
Sam felt sorry for him. The lieutenant was trying to be popular with his men, but none of them could imagine such a white- blond beanpole from a farm in Indiana leading anyone into battle. “I don’t think I have an accent. But you do.”
The lieutenant gave him a startled look. “Me?”
“Yeah. Where I was raised in south Louisiana, nobody talks like you.”
The lieutenant smiled. “Everybody’s got an accent, then.”
Sam looked at the spray running over the man’s pale freckles, thinking that in a heavy frost he’d be nearly invisible. “You come up on a farm?”
“Yeah, sure. My family moved down from Canada about twenty years ago.”
“I was raised on a farm but figured I could do better,” Sam yelled. “The lady down the road from us had a piano and she taught it to me. Moved to New Orleans when I was sixteen to be close to the music.”
The lieutenant bent into the next blast of wind. “I’m with you there. I can’t throw bales far enough to farm.”
“How many days till we get to France?”
“The colonel says three more, the captain, two, the pilot, four.”
Sam nodded. “Nobody knows what’s goin’ on, like usual.”
“Well, it’s a big war,” the lieutenant said. They watched a huge swell climb the side of the rusty ship and engulf a machine- gun crew hunkered down below them in a makeshift nest of sandbags, the deluge flushing men out on deck, where they slid on their bellies in the foam.
The next few days were a lurching penance of bad ocean, flinttopped rollers breaking against the bows and spray blowing by the portholes like broken glass. Inside the ship, Sam slept among the thousands of complaining, groaning, and heaving men, but spent his waking hours at the rails, sometimes with his friend Melvin Robicheaux, a tough little fellow from outside of Baton Rouge. On November 11, 1918, their steamer escaped the mountainous Atlantic and landed at Saint-Nazaire, where the wharves were jammed with people cheering, some dancing together, others running in wild rings.
Robicheaux pointed down over the rusty side of the ship. “How come everybody’s dancin’? They all got a bottle of wine. You think they glad to see us?”
Tugboats and dock locomotives were blowing their whistles through a hanging gauze of coal smoke. As he watched the celebration, Sam felt happy that he’d shown up with his rifle. The French looked like desperate people ecstatic about an approaching rescue. However, as the tugboats whistled and pushed the ship against the dock, he sensed the festival wasn’t for this boatload of soldiers but for some more important event. Hardly anybody was waving at the ship.
Four thousand troops unloaded onto the dock, and when all the men were lined up under the freight sheds and out of the wind, a colonel climbed onto a pile of ammunition crates and announced through a megaphone that an armistice had just been signed and the war was over.
Many cheered, but a portion of the young recruits seemed disappointed that they wouldn’t get to shoot at anybody. The weapons hanging on them, the ammunition stacked around in wooden crates, the cannons still being unloaded by the puffing dock cranes were suddenly redundant. Sam wondered what he would tell his friends back home of his war experience. The most valuable trophies of war were the stories, and this one was good only for a derisive laugh.
Robicheaux poked him in the back with the tip of his bayonet scabbard. “This like that time you tried workin’ at Stein’s?”
“What?”
“Stein, the shoe man.”
“Oh. I guess so.” He had tried for two weeks to get a job at Stein’s Shoe Emporium on Canal Street, but the morning after the old man had finally decided to take him on, Sam showed up for work only to find a wreath on the door and a typed note announcing the death of Solomon Stein and the permanent closure of his shop.
He stood in his ranks for an hour feeling awkward and unnecessary while the officers tried to figure what to do with all these soldiers and their tons of gear. Sam’s long suit was patience, or at least an ability to wait for something good to happen, so he stood there, watching the civilians cheer as the men around him grumbled that they might have to file onto the ship for a lurching voyage back to New Orleans. It was cold, and he was hungry. After a long while, boys pushing carts of food came up and fed each man a miniature loaf of hard bread with a slice of cheese hanging out like a pale tongue. Then they were marched five miles to the edge of the city, where they pitched camp in a bald field that, judging by the stumps and posturing bronze statues, must once have been a landscaped park. An icy breeze flowed down a boulevard feeding into the camp, and Sam fastened the top button on his tunic and closed his coat. He had never felt a wind that cold in his life.
That night he was sure he would freeze to death. Robicheaux, his tent mate, lay on his cot talking nonstop.
“Hey, Simoneaux, I’m thinkin’ of a warm fire, me. Hot potatoes in each pocket. How about you?”
“I’m thinkin’ about those recruiting posters. They made joining up look like a good idea,” he said glumly.
“I liked the one with the Hun molesting them Belgian women.”
Sam raised his head from his cot and looked at him. “You liked it?”
“I mean it made me mad. Made me want to come over and help ’em out.”
“You wanted to make them Belgian women grateful, huh?”
“You bet.”
Sam covered his head. “Sometimes I think about the music. I was sales clerk at Gruenwald’s when I joined up, and we got in all this sheet music full of sunshine, like ‘Over There,’ ‘Somewhere in France Is Daddy,’ ‘Keep Your Head Down, Fritzie Boy.’”
Robicheaux sniffed. “You didn’t think you’d need to keep your head down between your legs to keep your ears from freezin’ off.”
“So far,” Sam said dreamily, “it’s not a happy song.” At home, the war had seemed a colorful musical production, a gay fox- trot in the key of C, but the voyage on the Alex Denkman changed all that. The Denkman was a round- bottom, coal- burning nausea machine, its hull so fouled with giant streamers of rust that the government decided painting a camouflage pattern on it was unnecessary. A boy who’d grown up in Sam’s hometown had died en route of a burst appendix and was buried at sea after a perfunctory prayer. Sam and several other Louisiana men had stood in snow flurries on the fantail and watched the shrouded figure bob in the ship’s rolling wake, refusing to sink, as though the corpse itself didn’t feel right about the lead- cold sea and was trying to drift back toward the warm soil of a Louisiana graveyard. He was a Duplechen boy, his father a wiry little farmer who was good with mules. Sam knew the man and could imagine his sorrow, the vacant place at his table, the forever- broken link. This cold camp seemed a minor inconvenience next to that, and he turned over and went to sleep.
One morning, after a week of camping among the statues, he watched a group of officers drive up in an open motorcar and choose squads of ten to travel to Paris and work in hospitals. Sam drew this duty and was put in charge of guarding a narcotics dispensary.
Sometimes he was sent through the pungent wards to deliver a dose of morphine to a nurse, and the things he saw on these errands aged him. The amputations, the groaning, the smell of infection and illness were proof of how little he knew about the meanness of warfare. At the end of each day, he felt humbled and simple. Sometimes he and his contingent would walk to a café where there was a very bad piano, and Sam would practice for an hour straight. The men didn’t talk about the things they had seen in the wards, because all of it was beyond words. Sam was afraid that talking about it would make pictures stick in his head forever. They all worked in the ward for those too sick to move, and it was so huge that the ten of them combined had never seen half of it, much less the satellite buildings and compounds. There were French hospitals. English hospitals. American hospitals. Nothing in the patriotic posters or sheet music hinted at the blown- away jawbones, the baked eyeballs, or the trembling black rubber tubes dripping pus.
Eventually, because he could speak Cajun French, which to the Parisians sounded like a very bad seventeenth- century patois from the south of France, he was asked to perform some rudimentary interpreting. But every Frenchman he talked to raised his eyebrows in alarm, studied his pleasant face, and asked which colony he came from.
In January he was pulled off hospital duty and teamed up with eight fellow Louisianans under the Indiana lieutenant, for battlefield cleanup in the Argonne. They were told they were going to a forest, and Robicheaux picked up his rifle and said, “Hot damn, maybe we can shoot us a deer and get some good meat.” But days later, when they jumped off the muddy, open truck, they saw a dead and ice- glazed countryside convulsed with shell craters and stippled with exploded trees, a...
Sam Simoneaux leaned against the ship’s rail, holding on in the snarling wind as his lieutenant struggled toward him
through the spray, grabbing latches, guy wires, valve handles. “Pretty bad belowdecks,” the lieutenant cried out against the
blow.
“That’s a fact. Stinks too bad to eat.”
“I noticed you have a bit of an accent. Where are you from?”
Sam felt sorry for him. The lieutenant was trying to be popular with his men, but none of them could imagine such a white- blond beanpole from a farm in Indiana leading anyone into battle. “I don’t think I have an accent. But you do.”
The lieutenant gave him a startled look. “Me?”
“Yeah. Where I was raised in south Louisiana, nobody talks like you.”
The lieutenant smiled. “Everybody’s got an accent, then.”
Sam looked at the spray running over the man’s pale freckles, thinking that in a heavy frost he’d be nearly invisible. “You come up on a farm?”
“Yeah, sure. My family moved down from Canada about twenty years ago.”
“I was raised on a farm but figured I could do better,” Sam yelled. “The lady down the road from us had a piano and she taught it to me. Moved to New Orleans when I was sixteen to be close to the music.”
The lieutenant bent into the next blast of wind. “I’m with you there. I can’t throw bales far enough to farm.”
“How many days till we get to France?”
“The colonel says three more, the captain, two, the pilot, four.”
Sam nodded. “Nobody knows what’s goin’ on, like usual.”
“Well, it’s a big war,” the lieutenant said. They watched a huge swell climb the side of the rusty ship and engulf a machine- gun crew hunkered down below them in a makeshift nest of sandbags, the deluge flushing men out on deck, where they slid on their bellies in the foam.
The next few days were a lurching penance of bad ocean, flinttopped rollers breaking against the bows and spray blowing by the portholes like broken glass. Inside the ship, Sam slept among the thousands of complaining, groaning, and heaving men, but spent his waking hours at the rails, sometimes with his friend Melvin Robicheaux, a tough little fellow from outside of Baton Rouge. On November 11, 1918, their steamer escaped the mountainous Atlantic and landed at Saint-Nazaire, where the wharves were jammed with people cheering, some dancing together, others running in wild rings.
Robicheaux pointed down over the rusty side of the ship. “How come everybody’s dancin’? They all got a bottle of wine. You think they glad to see us?”
Tugboats and dock locomotives were blowing their whistles through a hanging gauze of coal smoke. As he watched the celebration, Sam felt happy that he’d shown up with his rifle. The French looked like desperate people ecstatic about an approaching rescue. However, as the tugboats whistled and pushed the ship against the dock, he sensed the festival wasn’t for this boatload of soldiers but for some more important event. Hardly anybody was waving at the ship.
Four thousand troops unloaded onto the dock, and when all the men were lined up under the freight sheds and out of the wind, a colonel climbed onto a pile of ammunition crates and announced through a megaphone that an armistice had just been signed and the war was over.
Many cheered, but a portion of the young recruits seemed disappointed that they wouldn’t get to shoot at anybody. The weapons hanging on them, the ammunition stacked around in wooden crates, the cannons still being unloaded by the puffing dock cranes were suddenly redundant. Sam wondered what he would tell his friends back home of his war experience. The most valuable trophies of war were the stories, and this one was good only for a derisive laugh.
Robicheaux poked him in the back with the tip of his bayonet scabbard. “This like that time you tried workin’ at Stein’s?”
“What?”
“Stein, the shoe man.”
“Oh. I guess so.” He had tried for two weeks to get a job at Stein’s Shoe Emporium on Canal Street, but the morning after the old man had finally decided to take him on, Sam showed up for work only to find a wreath on the door and a typed note announcing the death of Solomon Stein and the permanent closure of his shop.
He stood in his ranks for an hour feeling awkward and unnecessary while the officers tried to figure what to do with all these soldiers and their tons of gear. Sam’s long suit was patience, or at least an ability to wait for something good to happen, so he stood there, watching the civilians cheer as the men around him grumbled that they might have to file onto the ship for a lurching voyage back to New Orleans. It was cold, and he was hungry. After a long while, boys pushing carts of food came up and fed each man a miniature loaf of hard bread with a slice of cheese hanging out like a pale tongue. Then they were marched five miles to the edge of the city, where they pitched camp in a bald field that, judging by the stumps and posturing bronze statues, must once have been a landscaped park. An icy breeze flowed down a boulevard feeding into the camp, and Sam fastened the top button on his tunic and closed his coat. He had never felt a wind that cold in his life.
That night he was sure he would freeze to death. Robicheaux, his tent mate, lay on his cot talking nonstop.
“Hey, Simoneaux, I’m thinkin’ of a warm fire, me. Hot potatoes in each pocket. How about you?”
“I’m thinkin’ about those recruiting posters. They made joining up look like a good idea,” he said glumly.
“I liked the one with the Hun molesting them Belgian women.”
Sam raised his head from his cot and looked at him. “You liked it?”
“I mean it made me mad. Made me want to come over and help ’em out.”
“You wanted to make them Belgian women grateful, huh?”
“You bet.”
Sam covered his head. “Sometimes I think about the music. I was sales clerk at Gruenwald’s when I joined up, and we got in all this sheet music full of sunshine, like ‘Over There,’ ‘Somewhere in France Is Daddy,’ ‘Keep Your Head Down, Fritzie Boy.’”
Robicheaux sniffed. “You didn’t think you’d need to keep your head down between your legs to keep your ears from freezin’ off.”
“So far,” Sam said dreamily, “it’s not a happy song.” At home, the war had seemed a colorful musical production, a gay fox- trot in the key of C, but the voyage on the Alex Denkman changed all that. The Denkman was a round- bottom, coal- burning nausea machine, its hull so fouled with giant streamers of rust that the government decided painting a camouflage pattern on it was unnecessary. A boy who’d grown up in Sam’s hometown had died en route of a burst appendix and was buried at sea after a perfunctory prayer. Sam and several other Louisiana men had stood in snow flurries on the fantail and watched the shrouded figure bob in the ship’s rolling wake, refusing to sink, as though the corpse itself didn’t feel right about the lead- cold sea and was trying to drift back toward the warm soil of a Louisiana graveyard. He was a Duplechen boy, his father a wiry little farmer who was good with mules. Sam knew the man and could imagine his sorrow, the vacant place at his table, the forever- broken link. This cold camp seemed a minor inconvenience next to that, and he turned over and went to sleep.
One morning, after a week of camping among the statues, he watched a group of officers drive up in an open motorcar and choose squads of ten to travel to Paris and work in hospitals. Sam drew this duty and was put in charge of guarding a narcotics dispensary.
Sometimes he was sent through the pungent wards to deliver a dose of morphine to a nurse, and the things he saw on these errands aged him. The amputations, the groaning, the smell of infection and illness were proof of how little he knew about the meanness of warfare. At the end of each day, he felt humbled and simple. Sometimes he and his contingent would walk to a café where there was a very bad piano, and Sam would practice for an hour straight. The men didn’t talk about the things they had seen in the wards, because all of it was beyond words. Sam was afraid that talking about it would make pictures stick in his head forever. They all worked in the ward for those too sick to move, and it was so huge that the ten of them combined had never seen half of it, much less the satellite buildings and compounds. There were French hospitals. English hospitals. American hospitals. Nothing in the patriotic posters or sheet music hinted at the blown- away jawbones, the baked eyeballs, or the trembling black rubber tubes dripping pus.
Eventually, because he could speak Cajun French, which to the Parisians sounded like a very bad seventeenth- century patois from the south of France, he was asked to perform some rudimentary interpreting. But every Frenchman he talked to raised his eyebrows in alarm, studied his pleasant face, and asked which colony he came from.
In January he was pulled off hospital duty and teamed up with eight fellow Louisianans under the Indiana lieutenant, for battlefield cleanup in the Argonne. They were told they were going to a forest, and Robicheaux picked up his rifle and said, “Hot damn, maybe we can shoot us a deer and get some good meat.” But days later, when they jumped off the muddy, open truck, they saw a dead and ice- glazed countryside convulsed with shell craters and stippled with exploded trees, a...
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- PublisherSceptre
- Publication date2009
- ISBN 10 0340977949
- ISBN 13 9780340977941
- BindingHardcover
- Number of pages368
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Book Description Paperback. Condition: Very Good. The First World War ended the day Sam Simoneaux's regiment reached France, but he saw more than enough of its ravages. Returning to New Orleans, he determines to put mayhem and destruction behind him, and to make a frest start with his wife. But when a little girl is abducted on his watch at a department store, he has no choice but to help find her. Sam takes a guard job on the Mississippi steamboat that her parents work on as musicians, hoping to unearth clues somewhere along the river. As the boat heads upstream and calls in at ever more lawless settlements, offering excursions with dancing and jazz to its rowdy customers, Sam enforces tolerable behaviour on board. It is ashore the danger lies, where he makes a discovery that not only threatens everyone involved but casts new light on the murder of his own family decades earlier. Steeped in the langorous rhythms and music of Prohibition Louisiana, The Missing vividly evokes a ragged frontier nation where violence is normal and the law easy to dodge. But Sam Simoneaux knows right from wrong, and what it means to lose a child. Relentlessly suspenseful and profoundly affecting, this is an enthralling tale of vengeance, conscience and redemption by an exceptional writer. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR001358815
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