“Riveting . . . While I Was Gone [celebrates] what is impulsive in human nature.”
–The New York Times
“Miller weaves her themes of secrecy, betrayal, and forgiveness into a narrative that shines.”
–Time
Jo Becker has every reason to be content. She has three dynamic daughters, a loving marriage, and a rewarding career. But she feels a sense of unease. Then an old housemate reappears, sending Jo back to a distant past when she lived in a communal house in Cambridge, Massachusetts. Drawn deeper into her memories of that fateful summer in 1968, Jo begins to obsess about the person she once was. As she is pulled farther from her present life, her husband, and her world, Jo struggles against becoming enveloped by her past and its dark secret.
“[While I Was Gone] swoops gracefully between the past and the present, between a woman’s complex feelings about her husband and her equally complex fantasies–and fears–about another man. . . . [Miller writes] well about the trials of faith.”
–The New York Times Book Review
“Quietly gripping . . . Jo shines steadily as the flawed and thoroughly modern heroine. As in her 1986 novel, The Good Mother, Miller shows how impulses can fracture the family.”
–USA Today
“Marvelous . . . poignant . . . powerful.”
–Seattle Times/Post Intelligencer
"synopsis" may belong to another edition of this title.
In her still startling debut, The Good Mother, Sue Miller explored the premium we put on passion--and the terrible burden it places on a mother and child. Her fourth novel, While I Was Gone, is another study in familial crime and punishment. But this time, her wife and good mother is accessory to more than emotional malfeasance. Jo Becker has everything a woman could desire: a loving spouse, contented children, and a nice dog or two. When her New England veterinary practice takes on a new client, however, her past comes back to haunt her. Long ago, it seems, Jo had escaped her family and identity for a commune in Cambridge. Her Aquarian illusions came to an abrupt, bloody end when one of her housemates was brutally murdered.
Now this unhappy era returns in the person of Eli Mayhew, who had been the odd man out in Jo's boho household. His appearance is both tantalizing and upsetting: "Inside, I slowed down. I felt numbed. I had two last patients, and then I told Beattie to go home, that I'd close up.... I refiled the last charts, sprayed and wiped the examining table. I reviewed my list of routine surgeries for Wednesday. All the while I was thinking of Eli Mayhew, and of Dana and Larry and Duncan and me, and our lives in the house. Of the horrible way it had all ended." Sue Miller's fine novel is a penetrating--and sensuous--portrait of a woman besieged by her conscience. While I Was Gone also demonstrates that in the face of distance and betrayal, a little knowledge can be a dangerous thing indeed. --Winnie Wheaton
"[A] riveting new nove ...The narrative pacing is masterly, building tension even in the most psychologically subtle passages ...The scenes are emotionally textured ...But most impressive is the complex portrait of the protagonist...While I Was Gone celebrates what is impulsive in human nature."--Christopher Lehmann-Haupt, The New York Times
"This is gripping, close-to-the-bone fiction...For the narrator, keeping part of herself secret becomes central to her identity...While I Was Gone urges us to consider, very carefully, what's best told and what's best kept private."--Dan Cryer, Newsday
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