“The inventive writers and illustrators who crafted these transporting stories just may convince you to trash your BlackBerry and buy some stamps.”
–Frank Warren, author of PostSecret
You’ve seen them at flea markets and in antique shops and used-book stores across the country: Vintage postcards inscribed with handwritten notes, evocative messages that capture a thought, an expression, a concern, a snapshot of someone’s life once upon a time. Jason Rodriguez, acclaimed editor of Elk’s Run, collected a remarkable array of these correspondences, dispersed them among thirty-three of comics’ greatest creators, and asked each to craft a story about the person who sent it. The result is a vividly imagined, gorgeously rendered graphic anthology illustrating tales of romance, adventure, hardship, and mystery. In Postcards, these gifted artists share some of the richest and most inventive work of their careers.
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Jason Rodriguez is the editor of Elk’s Run, which was a finalist for the Harvey Award, and the critically acclaimed anthology Western Tales of Terror.
The premise behind this anthology is clever: editor Rodriguez bought a batch of vintage picture postcards, gave them to various cartoonists from varying backgrounds and commissioned 16 short stories inspired by the brief, sometimes cryptic messages written on each card, preceded by reproductions of the cards themselves. The biggest names in the book are Harvey Pekar and Joyce Brabner, who, true to form, write about the postcard that introduced the two of them; the most engaging piece, though, is Stuart Moore and Michael Gaydos's deadpan but deeply silly tale of traveling tic-tac-toe hustlers. Other highlights include Phillip Hester's elaboration on an Easter card, concerning an unlikely spiritual awakening, and Joshua Hale Fialkov and Micah Farritor's subdued sketch about a pair of Americans in France during the Great Depression. Unfortunately, many stories lapse into sentimentality (like the saccharine contributions by Tom Beland and James W. Powell) or stretch the book's premise awkwardly. One piece somehow twists a whimsical postcard into a brutal horror story; another is an unfunny parody of old superhero comics. And curiously, only a few stories address the images on the cards at all or do much with the peculiar and evocative visual style of those pictures. (June)
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