Alhambra Alhambra charts the rise of American and British/French fur enterprises in North America and the Pacific Northwest, foregrounding John Jacob Astor’s ambitions to fuse Atlantic and Pacific trade into a continental network. Drawing on narratives of overland and sea journeys, the text follows the Tonquin's voyage to the Columbia River, the Missouri crossing, and the perilous wintering camps of traders and voyageurs across the Missouri basin, Wind River country, and the Rocky Mountains. Through portraits of Hunt, Lisa, Crooks, and a constellation of traders, interpreters, and Native leaders (including Arickaras, Sioux, Crow, Cheyenne, and Nez Perce bands), the work blends biography, company politics, and ethnographic observation. It depicts the logistical trials of crossing mountains and rivers, intertribal diplomacy, and the fraught competition between the American Fur Company and the Northwest Company, all set against the dawn of imperial rivalry with Britain and the shaping of Pacific commerce. The narrative ultimately frames Astoria as a bold but precarious experiment in empire-building.
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