The Madonna of the Future: Essays in a Pluralistic Art World - Hardcover

Danto, Arthur C.

3.9

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9780374106133: The Madonna of the Future: Essays in a Pluralistic Art World

Hardcover

ISBN 10: 0374106134 ISBN 13: 9780374106133

Publisher: Farrar Straus & Giroux, 2000

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Arthur C. Danto's urbane, informed, searching essays about art and the art world are the best record we have of the life of the visual arts in the United States today. The Madonna of the Future finds Danto at the point where all the vectors of the contemporary art world intersect: those of traditional painting, Pop Art, mixed media, and installation art; those of art and philosophy; those of the specialist who comes to the work fully equipped with theory and of the connoisseur who encounters it chiefly through the eyes. In his reviews of major exhibitions and gallery shows, Danto reflects on the work of past masters (Vermeer, Tiepolo), the great painters of the modern period (Dal�, de Kooning, Kline, Rothko, and Johns), and the pluralistic descendants of Andy Warhol who dominate the New York art scene today. Nietzsche, he points out, published an essay called "How to Philosophize with a Hammer"; Danto's own review essays are lessons in how to criticize with a feather, so find and considerate are his judgments of artists and of the nature of art in general.

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About the Author:

Arthur C. Danto is the Johnsonian Professor of Philosophy Emeritus at Columbia University, art critic for The Nation, and author of many books about art and philosophy. He lives in Manhattan with his wife, the artist Barbara Westman.

From Publishers Weekly:

In his 15 years as art critic for the Nation, Danto has managed to negotiate that fine line between theorist and educator, an awkward but necessary combination putting sometimes conflicting demands upon a critic. This latest collection of his musings (whose title pulls a neat double entendre out of a Henry James short story) covers many of the major shows of the last several years: Vermeer, Picasso, John Heartfield, Robert Ryman, Lucien Freud, Willem de Kooning, Nan Goldin, Bruce Nauman, Jasper Johns, and Mark Rothko, among others. (The noteworthy lack of women artists on this list is symptomatic of the major venues in the art world of today.) Danto frames the collection of reviews with two essays: "The Work of Art in the Historical Future" and "Art and Meaning," which recaps Danto's thesis that art "ended" with WarholAmeaning that a certain kind of representational content has been exhaustedAwhich in turn leads to an interesting discussion of "aboutness" as the primary characteristic of contemporary art. The tone lightens for many of the reviews, including one of the recent "Sensation" show using a child's-eye perspective to shake prejudiced adults out of art snobbery. Among the reviews, Danto includes moving tributes to Meyer Schapiro and Clement Greenberg, though one can't help wishing he would also engage the critical work of contemporaries like Dave Hickey, Lucy Lippard or John Yau, among others. Yet whether he is questioning the idea of "purely plastic motivation" relative to Picasso's portraiture, explaining Wittgenstein with reference to Bruce Nauman, musing over Delacroix's placement of tigers in a French landscape or pondering the achievements of a deteriorating de Kooning, Danto increases our awareness of the value of art in our lives. He might even make you wish you had his job, though few of us could do it as well.
Copyright 2000 Reed Business Information, Inc.

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