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Although his parents nicknamed him "the memory boy," former New York Times executive editor Lelyveld can't remember how he earned such a moniker. In this memoir, the author reflects on this detail as well as other familial eccentricities as he sorts through his dying father's belongings. He recalls not just his own past, but that of his rabbi father and Shakespearean scholar mother, as well as political events of their time, like the Scottsboro trials and the Zionist movement. With a reporter's skepticism, Lelyveld investigates his personal history and ponders the nature of memory even as he relates the events of his own life. Although the book's title implies a sweep back into his past and then forward again, Lelyveld actually supplies more fragments than a single, continuous loop. He tends to double back, change subjects, introduce characters that aren't seen again and flip between present and past tense even when dwelling primarily on childhood events. The effect is usually charming, producing a jazzy, stream-of-consciousness atmosphere. But occasionally such time travel provokes a kind of literary motion sickness, as Lelyveld veers from adult feelings to childhood events, and ruminations on whether memory is even trustworthy. On the whole, though, readers will appreciate and connect with the way he tries to unravel his past and examine its details almost as they present themselves—as one would for the paper of record. Photos.
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It is not the habit of newspapermen, even those as accomplished as Lelyveld, a former executive editor of the Times, to write memoirs of the heart. The usual mode is wry, crackling nostalgia (Mencken and Dreiser) or institutional accounting (Arthur Gelb, Max Frankel). At the Times, Lelyveld was known as a brilliant yet shy master of the newsroom, but here he is after something nakedly personal—the secrets of his warring and troubled parents and his own injured youth. At the heart of the story is a misaligned Midwestern marriage—a literary mother and a political father, who was one of the most prominent Reform rabbis in the country. Lelyveld goes about his project of retrieval bravely, with the industry, the scrupulousness, and the ruthlessness of a lifetime's reportorial discipline. The result is a book that does not care to charm, and does not; rather, it arrives at redemption and forgiveness through the meticulous act of finding out, and recording, the truth.
Copyright © 2005 The New Yorker
Lelyveld is a Pulitzer Prize-winning journalist and former executive editor of the New York Times whose intriguing, often traumatic, family history exposes in uncommon ways the nexus between the personal and the political. An accidental memoirist, Lelyveld was impelled to investigate his parents' lives after unearthing, in his ailing father's papers, startling testimony to overlooked aspects of the cold war era. The story of his depressed mother is a study in the confines of traditional domesticity. His rabbi father's varied career sheds light on the Zionist movement, the precarious position of Jews in the Deep South, and power struggles within Jewish organizations. His fractured childhood is a poignant subject, rendered even more resonant by his discovery that a boyhood hero was involved in the civil rights movement, Hollywood, the Communist Party, Soviet espionage, McCarthyism, and the Korean War. Most dramatically, Lelyveld recounts how his father was severely beaten in Mississippi during the "freedom summer," then gave the eulogy for Andrew Goodman, one of the three murdered civil rights workers. Now that this case has been reopened after 40 years, Lelyveld's engrossing look back inspires us to reconsider family legacies and the persistent vulnerability of human rights. Donna Seaman
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