Just before her death in 2007 at the age of eighty-four, Grace Paley completed this wise and poignant book of poems. Full of memories of friends and family and incisive observations of life in both her beloved hometown, New York City, and rural Vermont, the poems are sober and playful, experimenting with form while remaining eminently readable. They explore the beginnings and ends of relationships, the ties that bind siblings, the workings of dreams, the surreal strangeness of the aging body―all imbued with her unique perspective and voice. Mournful and nostalgic, but also ruefully funny and full of love, Fidelity is Grace Paley's passionate and haunting elegy for the life she was leaving behind.
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Born in the Bronx in 1922, Grace Paley was a renowned writer and activist. Her Collected Stories was a finalist for both the Pulitzer Prize and the National Book Award. She died in Vermont on August 22, 2007.
When she died this summer at age 84, Paley was widely and rightly remembered as a master of the American short story, an engagé raconteur who mixed earthly humor, Jewish-American heritage, outspoken feminism, antiwar activism and an understated postmodern self-awareness. Those facets did not all appear in Begin Again (2001), a collected poems praised more for honesty than craft; happily, Paley's many fans may find that her best poems were her last. The wry, friendly voices in this posthumous assemblage address her later years with equanimity and humor. As in her short stories, the apparent naïveté of tone plays off the earned wisdom the teller finally conveys. In I Met a Woman on the Plane, Paley listens to a mother of five living children explain that she cannot stop grieving for her sixth, who died. Other poems praise the territories Paley has known, with wit and kindness: Manhattan and Brooklyn streets and the hills of Vermont. Finally, though, this wise and patient collection focuses on old age, presented with an appealing combination of impatience and fortitude: Anyone who gets to be/ eighty years old says thank you/ to the One in charge, Paley says, and then im-/ mediately begins to complain. (Mar.)
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