The Double Tongue is William Golding's last and perhaps most superbly imaginative novel. It is a fictional memoir of an aged prophetess at Delphi, the most sacred oracle of ancient Greece, just prior to Greece's domination by the Roman Empire. As a young girl, Arieka is ugly, unconventional, a source of great shame to her uppity parents, who fear they'll never marry her off. But she is saved by Ionides, the High Priest of the Delphic temple, who detects something of a seer (and a friend) in her and whisks her off to the shrine to become the Pythia - the earthly voice of the god Apollo. Arieka has now spent a lifetime at the mercy of a god, a priest, and her devotees, and has witnessed firsthand the decay of Delphi's fortunes and its influence in the world. Her reflections on the mysteries of the oracle, which her own weird gifts embody, are matched by her feminine insight into the human frailties of the High Priest himself, a true Athenian with a wicked sense of humor, whose intriguing against the Romans brings about humiliation and disaster. This extraordinary short novel, left in draft at the author's death in 1993, is a psychological and historical triumph. Golding has created a vivid and comic picture of ancient Greek society as well as an absolutely convincing portrait of a woman's experience, something rare in the Golding oeuvre. Arieka the Pythia is one of his finest creations.
Left in draft at the author's death in 1993, this extraordinary short novel is a psychological and historical triumph. An aged prophetess at Delphi, the most sacred oracle in ancient Greece, looks back over her strange life as the Pythia, the voice of the god Apollo. Golding was the author of Lord of the Flies, and a Nobel Laureate.
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William Golding (1911–93) was born in Cornwall, England. His first novel, Lord of the Flies, was published in 1954 and became an international bestseller. In 1983, he was awarded the Nobel Prize in Literature.
Nobel Laureate Golding, who died in 1993, explores the disturbing relationships between the mystical, the sacred and the profane in ancient Greece in his 13th and final novel. Narrated by an octogenarian prophetess named Arieka, the book proceeds in rigidly linear form to recount her life from birth onward, employing a distinctly British voice that is mildly philosophical, occasionally graphic, often self-deprecating and generally rather arch. The young Arieka is ugly and dangerously naive, and she apparently possesses mysterious powers and a propensity for mischief that make her impossible to marry off. In late adolescence, she is "adopted" by Ionides, the High Priest at Delphi. Worldly and somewhat cynical, Ionides manages the renowned Delphic oracle like a lucrative tourist site, often fabricating prophecies to soothe the masses. Knowing that Arieka would make an ideal Pythia?the double-tongued Lady, voice of Apollo?he takes her under his care, educating her in a massive bookroom. That Arieka herself is never fully realized as a character is partly the result of her "occupation"?she is, after all, a medium, the human mouthpiece for the prophetic god, and not much else?and in part because she has been left in draft form amid an essentially unfinished narrative. The novel's philosophical framework is in place: questions about faith and exploitation, slavery and freedom abound, as do musings on human societies and their all-too-human perversions. But the plot (and an underdeveloped subplot in which Ionides attempts to subvert Roman rule) feels rushed and inconclusive, and its characters, while articulate, remain curiously soulless.
Copyright 1995 Reed Business Information, Inc.
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