An enchanting story of twins, fame, and heartache by the much-praised author of Lullabies for Little Criminals
Heather O'Neill charmed readers in the hundreds of thousands with her sleeper hit, Lullabies for Little Criminals, which documented with a rare and elusive magic the life of a young dreamer on the streets of Montreal. Now, in The Girl Who Was Saturday Night, she returns to the grubby, enchanted city with a light and profound tale of the vice of fame and the ties of family.
Nineteen years old, free of prospects, and inescapably famous, the twins Nicolas and Nouschka Tremblay are trying to outrun the notoriety of their father, a French-Canadian Serge Gainsbourg with a genius for the absurd and for winding up in prison. "Back in the day, he could come home from a show with a paper bag filled with women's underwear. Outside of Québec nobody had even heard of him, naturally. Québec needed stars badly."
Since the twins were little, Étienne has made them part of his unashamed seduction of the province, parading them on talk shows and then dumping them with their decrepit grandfather while he disappeared into some festive squalor. Now Étienne is washed up and the twins are making their own almost-grown-up messes, with every misstep landing on the front pages of the tabloid Allo Police. Nouschka not only needs to leave her childhood behind; she also has to leave her brother, whose increasingly erratic decisions might take her down with him.
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Heather O'Neill is a contributor to This American Life, and her work has appeared in The New York Times Magazine, among other publications. Her novel Lullabies for Little Criminals, an international bestseller, won the Paragraphe Hugh McLennan Prize for Fiction and the Canada Reads competition in 2007; was short-listed for six prizes, including the Orange Prize for Fiction and the Governor General's Literary Award; and was long-listed for the International IMPAC Dublin Literary Award. She lives in Montreal, Canada.
*Starred Review* The girl of the title is Nouschka Tremblay; she and her twin brother, Nicholas, are the 19-year-old children of Étienne Tremblay, a once-famous folksinger and composer who, though his career is now in eclipse, is still celebrated. The twins, high-school dropouts and adrift, are famous, too, their every move reported in the tabloids. Set in Montreal in the 1990s, the story, told by Nouschka, follows her attempts to straighten out her life even as her brother’s becomes ever more erratic. Raised by their elderly grandfather, the twins live together on the edge of poverty, and Nicholas has resorted to petty thievery to support himself. Meanwhile, Nouschka has become a student in night school, hoping to receive her high-school diploma, go on to college, and become a writer. Her plans are interrupted when she falls in love with Raphael, who may be schizophrenic. Complications ensue. O’Neill (Lullabies for Little Criminals, 2006) has written a marvelously intriguing novel of a family in dissolution, each member of which is richly and memorably characterized. A secondary theme involving the Quebec separatist movement evokes the possible separation of the intense bond that has characterized the twins’ lives. The book is beautifully written, particularly rich in simile and metaphor (“The pink clouds in the sky were delicates soaking in the sink”; “The notes from the piano were like raindrops falling on the lake”). Compulsively readable, The Girl Who Was Saturday Night is a delight for any night. --Michael Cart
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