Items related to Day of the Bees
In this story of an astonishing love, Thomas Sanchez portrays the violence, hope, and grandeur of lives transformed by war and exile. At the heart of the novel are Zermano, a world-famous Spanish painter, and his beautiful French muse, Louise Collard -- whose lives are torn apart by the German invasion of France in World War II. Leaving Louise in Vichy-controlled Provence, Zermano returns to occupied Paris. But while he eventually goes on to celebrity and fortune, Louise disappears into obscurity.
Fifty years later, after Louise's death, an American scholar arrives in the south of France seeking the truth about the lovers' tempestuous romance and sudden separation. Why did the painter abandon the young beauty? What was the cause of her lifelong reclusiveness? What dark mysteries were being concealed by the ill-fated couple? By chance, the professor finds a cache of correspondence -- Zermano's letters to Louise in her remote mountain village, and her intentionally unmailed letters to him in Paris. In their vivid, wrenching contents he uncovers secrets that Louise kept even from Zermano about her wartime experience: the dangers of her participation in the Resistance, and her complicity with one of its leaders, the Fly; her struggles to elude a sadistic officer who hunts her for political and personal reasons; her lyrical intimacy with a mystical beekeeper. Louise is forced to make a fateful decision between the love for her man, and the ultimate sacrifice for her country.
In a powerful climax, the scholar is compelled to journey to Mallorca, where Zermano is rumored to be living in self-imposed exile. Determined to reveal Louise's fate to the painter, our narrator does not suspect that he, too, will be forced to confront the enigma of his own desire.
Fifty years later, after Louise's death, an American scholar arrives in the south of France seeking the truth about the lovers' tempestuous romance and sudden separation. Why did the painter abandon the young beauty? What was the cause of her lifelong reclusiveness? What dark mysteries were being concealed by the ill-fated couple? By chance, the professor finds a cache of correspondence -- Zermano's letters to Louise in her remote mountain village, and her intentionally unmailed letters to him in Paris. In their vivid, wrenching contents he uncovers secrets that Louise kept even from Zermano about her wartime experience: the dangers of her participation in the Resistance, and her complicity with one of its leaders, the Fly; her struggles to elude a sadistic officer who hunts her for political and personal reasons; her lyrical intimacy with a mystical beekeeper. Louise is forced to make a fateful decision between the love for her man, and the ultimate sacrifice for her country.
In a powerful climax, the scholar is compelled to journey to Mallorca, where Zermano is rumored to be living in self-imposed exile. Determined to reveal Louise's fate to the painter, our narrator does not suspect that he, too, will be forced to confront the enigma of his own desire.
"synopsis" may belong to another edition of this title.
Review:
The narrator of Thomas Sanchez's fourth novel teaches art history in America, but he dreams of Europe--or more specifically, of Spain. The Professor (as he identifies himself) specializes in a Spanish painter of the 1940s, Francisco Zermano, to whom he has devoted a spate of scholarly articles. He also spends hours staring at the man's paintings, trying to imagine the stories behind them. This iconographic detective is particularly curious about one bit of recurrent imagery: the body of a beautiful woman, which is rumored to belong to Louise Collard, the painter's muse.
From the Publisher:
As Day of the Bees opens, in fact, Louise has just died alone in a small provincial village, and the Professor rushes to France to learn more about her role in Zermano's life. There he finds a pile of correspondence--and a revelation. According to legend, the artist treated Louise cruelly and abandoned her. Yet the letters reveal a deep and doomed love, one which is forever shattered when Louise is raped by a platoon of enemy soldiers (whom she later describes in her letters as "bees," a wonderfully eerie motif). Zermano, already beaten with a tire iron, is forced to watch the entire event. Here Louise recalls how the rape ruined her life, and its paradoxical resemblance to the redemption of true erotic love:
I have discovered something unnerving--that a woman in sexual ecstasy with her man forgets all detail; when it's over she wants to return and explore this abyss that still makes her tremble. The same thing can happen when she is raped, but for a different reason. Where joy once deleted memory, horror now destroys it. In two acts in her life can a woman lose all consciousness: in the act of lovemaking, and in rape, its cruel parody.After discovering Louise's letters, many of them never sent, the Professor embarks on a search for the aging Zermano, hoping to help set the record straight. In these chapters, the violent and tragic love story at the heart of Day of the Bees is nicely counterbalanced by an obsessive academic's comedy of errors. Like most of his kind, the narrator is late for trains, professorial to the bitter end, and devoted to (in every sense of the word) ghosts. --Emily White
One afternoon I had lunch in a small village in an isolated part of Provence with an expatriate American woman. When the lunch was over, I asked my hostess if she knew of a famous artist's mistress/muse who had lived in the village since the outbreak of the Second World War. The rumor was that the woman had actually been cruelly abandoned there by the artist. The expatriate assured me the muse was not only alive, but lived next door. "Then," I asked, "you must be good friends?" The expatriate answered, "Oh no, she never speaks to me, never speaks to any women. She only speaks to men--three men: the grocer, the pharmacist, and the postman. She lives so close, and yet is such a larger-than-life mystery."
This story stayed with me, and I often wondered what happened between the artist and his muse. Why would a famous painter abandon such a young beauty? Why her reclusiveness over the years? What if he had not abandoned her, but she had abandoned him? I became fascinated as to the truth; not the historical reality of these two people, but the fateful consequence of their passion. What fatal secrets were being concealed? What historical events combined to abort such profound love?
During that summer in Provence I also became fascinated by the story of another woman. She had arrived in France at the turn of the century, an orphan from Russia; her only identity, ironically, was a small crucifix on a chain around her neck (crucifixes were sometimes placed on orphaned children who were smuggled out of Russia during this time to protect them from virulent anti-Semitism). As a young woman, she was active in the French underground during World War II, the only woman in her cell of Resistance fighters. The cell was betrayed, the men shot, and the woman crucified, nails pounded through her hands to the door of the village church. This story fused in my mind with that of the abandoned muse, and together they provided an emotional map for what is now, after ten years of writing, Day of the Bees.
This story stayed with me, and I often wondered what happened between the artist and his muse. Why would a famous painter abandon such a young beauty? Why her reclusiveness over the years? What if he had not abandoned her, but she had abandoned him? I became fascinated as to the truth; not the historical reality of these two people, but the fateful consequence of their passion. What fatal secrets were being concealed? What historical events combined to abort such profound love?
During that summer in Provence I also became fascinated by the story of another woman. She had arrived in France at the turn of the century, an orphan from Russia; her only identity, ironically, was a small crucifix on a chain around her neck (crucifixes were sometimes placed on orphaned children who were smuggled out of Russia during this time to protect them from virulent anti-Semitism). As a young woman, she was active in the French underground during World War II, the only woman in her cell of Resistance fighters. The cell was betrayed, the men shot, and the woman crucified, nails pounded through her hands to the door of the village church. This story fused in my mind with that of the abandoned muse, and together they provided an emotional map for what is now, after ten years of writing, Day of the Bees.
"About this title" may belong to another edition of this title.
- PublisherKnopf
- Publication date2000
- ISBN 10 0375401628
- ISBN 13 9780375401626
- BindingHardcover
- Edition number1
- Number of pages320
- Rating
Buy New
Learn more about this copy
US$ 42.00
Shipping:
US$ 3.00
Within U.S.A.
Other Popular Editions of the Same Title
Top Search Results from the AbeBooks Marketplace
Stock Image
Day of the Bees
Published by
Alfred a Knopf Inc, Westminister, Maryland, U.S.A.
(2000)
ISBN 10: 0375401628
ISBN 13: 9780375401626
New
Soft cover
First Edition
Quantity: 1
Seller:
Rating
Book Description Soft cover. Condition: New. Dust Jacket Condition: New. 1st Edition. RARE Uncorrected Proof--Not for Sale. 1st Edition. New copy. Never read. Trade paperback format. Bottom left back cover has a crease. 5 pages also have the crease. Collector's Copy. Seller Inventory # 000901
Buy New
US$ 42.00
Convert currency
Stock Image
DAY OF THE BEES
Seller:
Rating
Book Description Condition: New. New. In shrink wrap. Looks like an interesting title! 1.75. Seller Inventory # Q-0375401628
Buy New
US$ 76.51
Convert currency