"synopsis" may belong to another edition of this title.
The birth of Kate's baby approached and her mother consented to chemotherapy, consented to leaving home, consented to never going home again, where she'd lived all her life. She crossed all those lines in her wheelchair, without a whimper, moving down an airport walkway. In its cage, her little dog made a sound. "Hush," she said.For the balance of MotherKind, the narrative focus shifts between this visit to the country--like time travel to a sepia-toned world of unpolluted streams, flowering meadows, and rural gas stations--and the new life Kate is building with Matt, her unruly stepsons, and newborn Alexander, while Katherine slowly dies upstairs. As Phillips moves back and forth, she emphasizes the continuity of human life, rather than individual endings or beginnings, and functions like thought itself: obsessively returning to a few prized details, puzzling over old mysteries, making occasional random discoveries or unexpected insights, like treasures turned up by a garden hoe. Recalling her sadness and admiration as she watched her mother rolling toward her in the airport wheelchair, Kate is struck by a realization that "all lines of transit came together in a starry radiance too bright to observe," a magical realm where "manly cowboys glanced away from death and rode on through big-skyed plains and sage."
Though her third novel may contain all the emotional ingredients of a made-for-television movie, Phillips avoids tear-jerking through the use of precisely observed details (the plastic medicine spoon for her mother's morphine, the Christmas songs that double as lullabies for little Alexander) and the absence of cliché. She has even side-stepped, at the end, the requisite death-bed scene, knowing that there is almost no way left to write about such moments without recourse to received language and images. MotherKind uncovers the mixed sources of maternal strength in love, habit, and necessity. --Regina Marler
"A passionate but indirect evocation of loss . . . Phillips concentrates on the day-to-day details of ordinary existence suddenly afflicted with extraordinaray pressures and the conflicting tugs of joy and grief."
-- Time
"This deeply felt, profoundly affecting novel, her best so far, exhibits a maturity of vision both keen and wistful.... Phillips explores the intuitive bond between mothers and daughters with unforced grace.... Compassionate and spiritually nourishing."
-- Publishers Weekly (starred review)
"The story brims with vivid pictures of day-to-day family life, revealed largely through dialogue, which Phillips unerringly captures with consummate authenticity."
-- Booklist
"A gorgeous novel...With gentle insight and uncanny feeling, [she] brings [her] fascinating, disparate characters to brilliant, memorable life."
-- Elle
"A stunning meditation on family."
-- Salon.com
"A beautiful and moving work of fiction that celebrates the sacredness of ordinary life."
-- Chicago Tribune
"An abundantly talented writer."
-- The New Yorker
"A pitch-perfect novel...A book on understanding who you are when everything you knew has disappeared...Too few books touch on the ferocity of women's lives, the intense will it takes to shepherd births and deaths without shrinking. MotherKind is the rare one that tells that truth."
-- Detroit Free Press
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