From the best-selling author of Persepolis comes this gloriously entertaining and enlightening look into the sex lives of Iranian women. Embroideries gathers together Marjane’s tough-talking grandmother, stoic mother, glamorous and eccentric aunt and their friends and neighbors for an afternoon of tea drinking and talking. Naturally, the subject turns to love, sex and the vagaries of men.
As the afternoon progresses, these vibrant women share their secrets, their regrets and their often outrageous stories about, among other things, how to fake one’s virginity, how to escape an arranged marriage, how to enjoy the miracles of plastic surgery and how to delight in being a mistress. By turns revealing and hilarious, these are stories about the lengths to which some women will go to find a man, keep a man or, most importantly, keep up appearances.
Full of surprises, this introduction to the private lives of some fascinating women, whose life stories and lovers and will strike us as at once deeply familiar and profoundly different from our own, is sure to bring smiles of recognition to the faces of women everywhere–and to teach us all a thing or two.
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Marjane Satrapi was born in 1969 in Rasht, Iran, and currently lives in Paris. She has written several children’s books and her commentary and comics appear in newspapers and magazines around the world, including The New York Times and The New Yorker. She is also the author of the internationally best-selling and award-winning comic book autobiography in two parts, Persepolis and Persepolis 2.
This slight follow-up to Satrapi's acclaimed Persepolis books explores the lives of Iranian women young and old. The book begins with Satrapi arriving for afternoon tea at her grandmother's house. There, her mother, aunt and their group of friends tell stories about their lives as women, and, more specifically, the men they've lived with and through. One woman tells a story about advising a friend on how to fake her virginity, a scheme that goes comically wrong. Another tells of escaping her life as a teenage bride of an army general. Satrapi's mother tells an anecdote of the author as a child; still others spin yarns of their sometimes glamorous, sometimes difficult, lives in Iran. The tales themselves are entertaining, though the folksiness and common themes of regret and elation feel familiar. Satrapi's artwork does nothing to elevate her source material; her straightforward b&w drawings simply illustrate the stories, rather than elucidating or adding meaning to them. Characters are hard to distinguish from each other, and Satrapi's depictions of gestures and expressions are severely limited, hampering any attempt at emotional resonance. This work, while charming at times, feels like an afterthought compared to Satrapi's more distinguished work on Persepolis and its sequel. (Apr.)
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