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9780375424465: Measuring the World: A Novel

Synopsis

The young Austrian writer Daniel Kehlmann conjures a brilliant and gently comic novel from the lives of two geniuses of the Enlightenment.

Toward the end of the eighteenth century, two young Germans set out to measure the world. One of them, the Prussian aristocrat Alexander von Hum-boldt, negotiates savanna and jungle, travels down the Orinoco, tastes poisons, climbs the highest mountain known to man, counts head lice, and explores every hole in the ground. The other, the barely socialized mathematician and astronomer Carl Friedrich Gauss, does not even need to leave his home in Göttingen to prove that space is curved. He can run prime numbers in his head. He cannot imagine a life without women, yet he jumps out of bed on his wedding night to jot down a mathematical formula. Von Humboldt is known to history as the Second Columbus. Gauss is recognized as the greatest mathematical brain since Newton. Terrifyingly famous and more than eccentric in their old age, the two meet in Berlin in 1828. Gauss has hardly climbed out of his carriage before both men are embroiled in the political turmoil sweeping through Germany after Napoleon’s fall.

Already a huge best seller in Germany, Measuring the World marks the debut of a glorious new talent on the international scene.

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About the Author

Daniel Kehlmann was born in 1975 in Munich, the son of a director and an actress. He attended a Jesuit college in Vienna, traveled widely, and has won several awards for previous novels and short stories, most recently the 2005 Candide Award. His works have been translated into more than twenty languages, and Measuring the World became an instant best seller in several European countries. Kehlmann is spending the fall of 2006 as writer-in-residence at New York University’s Deutsches Haus. He lives in Vienna.

Reviews

Measuring the World has sat on the German bestseller list for more than a year and sold more than 750,000 copies. In the American book market, that would require a teenage wizard or at least a conspiracy of crooked Jesuits. But 31-year-old Daniel Kehlmann is entertaining his countrymen with a story about Enlightenment-era scientists and references to isothermal lines and modular arithmetic. This sounds like something to be printed on graph paper, but it's actually more zany than brainy, and laughter almost drowns out the strains of despair running beneath the story.

Two very different scientists are about to meet at a conference in Berlin in 1828. The first is an exasperated curmudgeon named Carl Friedrich Gauss, a genius known "since his first youth as the Prince of Mathematics." At 21, he published a treatise on something called "number theory" (don't ask) that people in the know still consider as fundamental as Newton's Principia. He couldn't be more vexed about having to travel to the conference -- or even to get out of bed -- but "in a moment of weakness," he accepted an invitation from Alexander von Humboldt, whose famous travels around the world founded the field of biogeography.

These two real-life luminaries of German science are the twin subjects of this quirky, charming novel. After their meeting in Berlin -- forced to stand rigid for 15 minutes so that Monsieur Daguerre can record the historic moment with his amazing new camera -- the story switches, chapter by chapter, between moments of each scientist's life.

The son of a humble gardener, Gauss was freakishly precocious. He deduced the process of combustion a few minutes after walking into a room lit with candles; he effortlessly devised a formula for determining the date of Easter; on his first hot-air balloon ride, he realized that all parallel lines meet and that space is curved. Gauss comes to earth-shattering realizations about astronomy as easily as the rest of us figure out how to use a doorknob.

But work, war, other people -- they're all just maddening distractions. In one hilarious scene, he breaks away from consummating his marriage to jot down a new formula. Because he has a clear vision of what will be possible in the future, everything about the present day annoys him: not being able to travel by airplane or use anesthetics during surgery or peer through a space-based telescope. "It was both odd and unjust," he thinks, "that you were born into a particular time and held prisoner there whether you wanted it or not."

His counterpart is equally brilliant but driven by wanderlust and entirely free of complaint. Humboldt -- a highly repressed homosexual -- hopes to measure everything on the planet, perhaps as a way of mastering a world that he can't seem to participate in normally: "Whenever things were frightening," he writes, "it was a good idea to measure them."

Humboldt's harrowing travels through South America are the funniest parts of the novel. Impervious to pain, he experiences everything with childlike wonder. When zapped by electric eels, for instance, he plunges back into the river and grabs them with both hands until he's so numb and senseless he can barely record the results in his journal. "What a stroke of luck . . . what a gift!" he gushes. When he finds a new poison in the jungle, he drinks different amounts to determine its toxicity. (Then he tries it on monkeys, keeping them alive through mouth-to-mouth resuscitation.) Humboldt's enthusiasm endows him with an armor of naiveté that protects him from cannibals, crocodiles and shipwreck, and his outrageously dangerous travels are the perfect subject for Kehlmann's lightly surreal style, a mixture of comedy, romance and the macabre, with flashes of magical realism that read like Borges in the Black Forest.

Toward the end, the novel's latent sadness rises to the surface. Gauss is eventually consumed with bitterness, while Humboldt grows so famous, so burdened with honors and ceremonies, that he's unable to do any productive work at all. His judgment on the ancient Mexican city of Teotihuacán rings out with horrible, prophetic irony: "So much civilization and so much horror . . . . What a combination! The exact opposite of everything that Germany stood for." After this witty celebration of the country's scientific geniuses, their sad fate is all the more haunting.

Reviewed by Ron Charles
Copyright 2006, The Washington Post. All Rights Reserved.



Loosely based on the lives of 19th-century explorer Alexander von Humboldt and a contemporary, mathematician Carl Friedrich Gauss, Kehlmann's novel, a German bestseller widely heralded as an exemplar of "new" German fiction, injects musty history with shots of whimsy and irony. Humboldt voyages to South America to map the Orinoco River, climb the Chimborazo peak in Ecuador and measure "every river, every mountain and every lake in his path." Gauss is the hedgehog to Humboldt's fox, leaping out of bed on his wedding night to jot down a formula and rarely leaving his hometown of Göttingen. The two meet at a scientific congress in 1828, when Germany is in turmoil after the fall of Napoleon. Other luminaries appear throughout the novel, including a senile Immanuel Kant, Louis Daguerre and Thomas Jefferson. The narrative is notable for its brisk pacing, lively prose and wry humor (curmudgeonly Gauss laments, for instance, how "every idiot would be able to... invent the most complete nonsense" about him 200 years hence), which keenly complements Kehlmann's intelligent, if not especially deep, treatment of science, mathematics and reason at the end of the Enlightenment. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

*Starred Review* In 1828, scientist-explorer Alexander von Humboldt (1769-1859) summons the great mathematician Carl Gauss (1777-1855) to join his party to Berlin, where he is to be feted before embarking on an expedition across Russia to the Urals. The perpetually testy Gauss, whose great trial in life is that everyone else thinks so slowly, which makes virtually any kind of human interaction infuriatingly boring for him (though he does fancy a fine young figure), would go back to sleep, but his wife, Minna, whom he barely tolerates, rousts him out and gets him on the road with youngest son Eugen. They no sooner arrive at Humboldt's mansion than Kehlmann diverges to recap his two principals' lives and careers in chapters alternately concerned with globe-trotting aristocrat Humboldt and genius-from-the-gutter Gauss, who willingly leaves home only to earn a living and escape Minna. The uncomfortable humor of being, in Gauss' case, too brilliant (he frequently bemoans having to live before the innovations he foresees can be constructed or even understood); in Humboldt's, too focused (he scrupulously abjures whole theaters of human experience to concentrate on measuring), suffuses Kehlmann's heady historical novel, which may especially delight science-fiction connoisseurs. Ray Olson
Copyright © American Library Association. All rights reserved

Excerpt. © Reprinted by permission. All rights reserved.

The Journey

In September 1828, the greatest mathematician in the country left his hometown for the first time in years, to attend the German Scientific Congress in Berlin. Naturally he had no desire to go. He had been declining to accept for months, but Alexander von Humboldt had remained adamant, until in a moment of weakness and the hope that the day would never come, he had said yes.

So now Professor Gauss was hiding in bed. When Minna told him he must get up, the coach was waiting and it was a long journey, he wrapped his arms around the pillow and tried to make his wife disappear by closing his eyes. When he opened them again and Minna was still there, he told her she was a hindrance, and limited, and the misfortune of his old age. When that didn’t work either, he pushed back the coverlet and set his feet on the floor.

Bad-temperedly, he performed the most minimal ablutions and went downstairs. In the parlor, his son Eugen was waiting with a bag packed. As Gauss caught sight of him, he flew into a rage: he broke a jug that was standing on the windowsill, stamped his foot, and struck out wildly. He wasn’t even to be calmed when Eugen to one side of him and Minna to the other laid their hands on his shoulders and swore that he would be well taken care of, he would soon be home again, and everything would be over in no time, just like a bad dream. Only when his ancient mother, disturbed by the noise, emerged from her room to pinch his cheek and ask what had happened to her brave boy did he pull himself together. Without warmth he said goodbye to Minna, and absentmindedly stroked the heads of his daughter and youngest son. Then he allowed himself to be helped into the coach.

The journey was a torture. He called Eugen a failure, took the knobbed stick away from him, and jabbed it full force at his foot. For a time he stared out of the window, a frown on his face, then asked when his daughter was finally going to get married. Why didn’t anyone want her, what was the problem?

Eugen pushed back his long hair, kneaded his red cap with both hands, and didn’t want to answer.

Out with it, said Gauss.

To be honest, said Eugen, his sister wasn’t exactly pretty.

Gauss nodded; the answer seemed a plausible one. He said he wanted a book.

Eugen gave him the one he had just opened: Friedrich Jahn’s German Gymnastics. It was one of his favorites.

Gauss tried to read, but seconds later he was already glancing up to complain about the newfangled leather suspension on the coach; it made you feel even sicker than usual. Soon, he explained, machines would be carrying people from town to town at the speed of a shot. Then you’d do the trip from Göttingen to Berlin in half an hour.

Eugen shrugged.

It was both odd and unjust, said Gauss, a real example of the pitiful arbitrariness of existence, that you were born into a particular time and held prisoner there whether you wanted it or not. It gave you an indecent advantage over the past and made you a clown vis-à-vis the future.

Eugen nodded sleepily.

Even a mind like his own, said Gauss, would have been incapable of achieving anything in early human history or on the banks of the Orinoco, whereas in another two hundred years each and every idiot would be able to make fun of him and invent the most complete nonsense about his charac- ter. He thought things over, called Eugen a failure again, and turned his attention to the book. As he read, Eugen in his distress turned his face fixedly to the window, to hide his look of mortification and anger.

German Gymnastics was all about exercise equipment. The author expounded at length on this or that piece of appara- tus which he had invented for swinging oneself up or around on. He called one the pommel horse, another the beam, and another the vaulting horse.

The man was out of his mind, said Gauss, opened the window, and threw the book out.

That was his book, cried Eugen.

Quite so, said Gauss, dropped off to sleep, and didn’t stir until they reached the stop at the frontier that evening and the horses were being changed.

While the old horses were being unhitched and the new ones harnessed up, they ate potato soup in an inn. The only other guest, a thin man with a long beard and hollow cheeks, inspected them furtively from the next table. Everything pertaining to the body, said Gauss, who to his irritation had been dreaming about gym apparatus, was the true source of all humiliation. He had always considered it a sign of God’s malicious sense of humor that a spirit such as his should be trapped in a sickly body while a common or garden-variety creature like Eugen was, to all intents and purposes, never ill.

He had had a severe attack of smallpox when he was a child, said Eugen. He had almost died. You could still see the scars!

True, said Gauss, he’d forgotten. He pointed to the post horses outside the window. It was actually quite funny that the rich needed twice as much time to make a journey as the poor. If you used post horses, you could change them after every section. If you had your own, you had to wait until they were fresh again.

So what, said Eugen.

Naturally, said Gauss, if you didn’t think that much, this would seem obvious. As would the fact that young men carry sticks, and old men don’t.

Students carry a knobbed stick, said Eugen. It had always been that way and always would be.

Probably, said Gauss, and smiled.

They spooned up their soup in silence until the gendarme from the frontier post came in to ask for their passports. Eugen gave him his permit: a certificate from the Court which said that although he was a student he was harmless and was permitted to set foot on Prussian soil if accompanied by his father. The gendarme looked at him suspiciously, inspected the pass, nodded, and turned to Gauss. Gauss had nothing.

No passport, asked the gendarme, astonished, no piece of paper, no official stamp, nothing?

He had never needed such a thing, said Gauss. The last time he crossed the border from Hannover had been twenty years ago. There hadn’t been any problems then.

Eugen tried to explain who they were, where they were going, and at whose bidding. The Scientific Congress was taking place under the auspices of the crown. As guest of honor, his father’s invitation came, so to speak, directly from the king.

The gendarme wanted a passport.

There was no way he could know, said Eugen, but his father was honored in the most distant countries, he was a member of all Academies, had been known since his first youth as the Prince of Mathematics.

Gauss nodded. People said it was because of him that Napo- leon had decided not to bombard Göttingen.

Eugen went white.

Napoleon, repeated the gendarme.

Indeed, said Gauss.

The gendarme demanded his passport again, louder than before.

Gauss laid his head down on his arms and didn’t move. Eugen nudged him but it did no good. He didn’t care, said Gauss, he wanted to go home, he didn’t give a hoot.

The gendarme fidgeted uneasily with his cap.

Then the man from the next table joined in. All this would end! Germany would be free, and good citizens would live unmolested and travel sound in mind and body, and would have no further need of bits of paper.

The incredulous gendarme asked for his passport.

That was exactly what he meant, cried the man, and dug around in his pockets. Suddenly, he leapt to his feet, knocking over his chair, and bolted outside. The gendarme gaped at the open door for several seconds before pulling himself together and going in pursuit.

Gauss slowly raised his head. Eugen suggested that they set off again immediately. Gauss nodded and ate the rest of his soup in silence. The little gendarme’s hut was empty, both officers having gone after the man with the beard. Eugen and the coachman together pried the barrier up into the air. Then they drove onto Prussian soil.

Gauss was in good order now, almost cheerful, and talking about differential geometry. It was almost impossible to imagine where the investigation into curved space would lead next. Eugen should be glad he was so mediocre, sometimes such questions could be terrifying. Then he talked about how bitter his youth had been. His own father had been hard and dismissive, so Eugen should think himself lucky. He had started to count before he could talk. Once his father had made an error when he was counting out his monthly pay, and this had made Gauss start to cry. As soon as his father caught the mistake, he immediately fell quiet again.

Eugen looked impressed, even though he knew the story wasn’t true. His brother Joseph had made it up and spread it around. His father must have heard it recounted so often that he had begun to believe it himself.

Gauss’s conversation turned to chance, the enemy of all knowledge, and the thing he had always wished to overcome. Viewed from up close, one could detect the infinite fineness of the web of causality behind every event. Step back and the larger patterns appeared: Freedom and Chance were a question of distance, a point of view. Did he understand?

Sort of, said Eugen wearily, looking at his pocket watch. It didn’t keep very good time, but he thought it must be between four-fifty and five in the morning.

But the laws of probability, Gauss went on, pressing both hands against his aching back, weren’t conclusive. They were not part of the laws of nature, and there could be exceptions. Take an intellect like his own, for example, or a win at a game of chance, which an...

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Original-Pappband. Condition: Gut. Dust Jacket Condition: Guter Umschlag. 259 Seiten, auf englisch, englische Ausgabe des Romans " Dier Vermessung der Welt ". Auf Titel mit Widmung signiert von dem deutschen Schriftsteller Daniel Kehlmann (*1975). minimale Gebrauchsspuren. signed by author. Size: 8°. Vom Autor signiert. Buch. Seller Inventory # 008358

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