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Both had been taught by their parents to expect little and complain less, yet they are surrounded by a world of interconnection and privilege that is ever out of reach. The narrative offers Miriam first the possibility of passion (illicit and guilt-making) and then a chance for commitment. Since we are in Brooknerland, you can guess how this will turn out. Beatrice is considerably less fortunate. At one point, the two discuss a Colette tale. The more knowing Miriam decides that the author comes out of it better than her characters, because she's the onlooker. Beatrice, surprisingly, has the last word: "There must be some consolation for being an onlooker," she realizes. "The role is not always an enviable one." Out of such seemingly minor moments, Brookner creates a tragedy, her exquisite, controlled sentences sculpting broken lives in which control itself is the culprit. --Kerry Fried
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