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So what made the grade? There are treasures from John Cheever ("The Five-Forty-Eight"), James Thurber ("The Catbird Seat"), Maeve Brennan ("I See You, Bianca"), Isaac Bashevis Singer ("The Cafeteria"), Jamaica Kincaid ("Poor Visitor"), and many others. The uptown neighborhoods appear to be more generously represented--a token, perhaps, of the magazine's well-heeled, fur-bearing readership--but from early Updike to middle-period Tama Janowitz, there are plenty of excursions south of Fourteenth Street. It's not, however, a simple matter of geography, but a kind of urban metaphysics at work. There are numerous and overlapping New Yorks represented in this collection: you'll find John Cheever's postwar paradise cheek-by-jowl with Ann Beattie's yuppie stomping ground. Then there's James Stevenson's vision of a flooded Gotham:
We are on the roof now. I have no idea what time it is, but it is daylight. The lower buildings have been submerged, the tall office buildings stand like tombstones above the heaving waves. There are whitecaps toward Central Park. An ocean liner stood by the Pan Am building for a while, then moved out to sea.... The water is swirling around the skylights now. The wind shifts. The waves are coming straight in from the Atlantic.Even in this postapocalyptic setting, New York stubbornly remains itself. A wonderful town indeed--and a wonderful collection to celebrate it. --Anita Urquhart
--"Poor Visitor," by Jamaica Kincaid
"After I got my hair cut at High Style 2000 on Lexington Avenue, I was hit by a car. It wasn't even a very nice vehicle, just a blue-and-white Pinto....I kept staring at the license plate: it said 867-UHH." --"Physics," by Tama Janowitz
"From a striped chimney buried in the asphalt, steam shot up into the air. A few tourists were standing around it, making low Swedish sounds, amazed by our volcanic streets."
--"Baster," by Jeffrey Eugenides
"The thin galoot outside Gristede's had taken a powder when I got there; that meant we were no longer playing girls' rules. I hired a hack to Wanamaker's, cut over to Third, walked up toward Fourteenth. At Twelfth, a mink-faced jasper made up as a street cleaner tailed me for a block."
--"Farewell, My Lovely Appetizer," by S. J. Perelman
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Book Description Hardcover. Condition: New. First Edition. New York City is not only The New Yorker magazine's place of origin and its sensibility's lifeblood, it is the heart of American literary culture. Wonderful Town, an anthology of superb short fiction by many of the magazine's most accomplished contributors, celebrates the seventy-five-year marriage between a preeminent publication and its preeminent context with this collection of forty-four of its best stories from (so to speak) home.East Side? Philip Roth's chronically tormented alter ego Nathan Zuckerman has just moved there, in "Smart Money." West Side? Isaac Bashevis Singer's narrator mingles with the customers in "The Cafeteria" (who debate politics and culture in four or five different languages) and becomes embroiled in an obsessional romance. And downtown, John Updike's Maples have begun their courtship of marital disaster, in "Snowing in Greenwich Village." John Cheever, John O'Hara, Lorrie Moore, Irwin Shaw, Woody Allen, Laurie Colwin, Saul Bellow, J. D. Salinger, Jean Stafford, Vladimir Nabokov--they and many other stellar literary guides to the city will be found in these pages.Wonderful Town touches on some of the city's famous places and stops at some of its more obscure corners, but the real guidebook in and between its lines is to the hearts and the minds of those who populate the metropolis built by its pages. Like all good fiction, these stories take particular places, particular people, and particular events and turn them into dramas of universal enlightenment and emotional impact. The five boroughs are the five continents. New York is every great and ordinary place. Each life in it, and each life in Wonderful Town, is the life of us all. Seller Inventory # DADAX0375503560
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