In this stunning, emotionally charged memoir, Ken Dornstein interweaves the moving story of his own coming-of-age with the promise of greatness his brother never lived to fulfill. The Boy Who Fell Out of the Sky is a heartbreaking but profoundly hopeful book about finding beauty in the midst of tragedy and making sense of it.
David Dornstein was twenty-five years old, a handsome, charismatic young man on the verge of becoming an extraordinary writer, when he boarded Pan Am Flight 103 from London on the evening of December 21, 1988. Thirty-eight minutes after takeoff, he died, along with the 258 other passengers and crew, when a terrorist’s plastic explosive ripped the plane apart over Lockerbie, Scotland.
David’s brother, Ken, was nineteen, a college sophomore home on winter break, when the call came. All his life Ken had looked up to David, confided in him, followed where he led. David’s death left Ken with a void that both crushed and consumed him. What were his brother’s plans when he died? Was David really carrying home a draft of the great novel everyone knew was in him? Was he in love with the woman he was living with overseas? Ken Dornstein needed to learn the truth about his brother’s life and death. In this harrowing and affecting memoir, he records what he found out.
It was years before Ken could bring himself to confront the stacks of notebooks and letters David left behind, but once he began to read he was drawn deep into his brother’s world. From David’s early obsession with writing down his every thought to his misadventures on the streets of New York, from an unraveling love affair in Israel to a devastating childhood secret, piece by piece Ken assembles a complex, disturbing portrait of an artist struggling to find a voice for passions that often threatened to tear him apart. Then, by chance, Ken runs into David’s college girlfriend on a train and everything changes once again. He starts to question his motives and his memories, and finally sets off on a complicated journey to finish the book that his brother started.
As haunting as a dream, as electrifying as the day’s news, The Boy Who Fell Out of the Sky is an incandescent and unforgettable account of one man’s struggle to find inspiration in his brother’s life and create a life of his own. What begins as a tragedy turns into a love story of deeply affirming power.
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Ken Dornstein has been published in the New Yorker and has received two
Yaddo artist residencies. He is the Series Editor at PBS's Frontline and
lives near Boston with his wife and two children.
I
The night my brother died, I slept fine, back in my old bed in my old room in the old house where I grew up. I came downstairs late the next morning. My father and stepmother had left for work, but I was on my first day of Christmas break from college. I had nothing to do, and the entire day to do it. I found the newspaper laid out on the kitchen table. The headline ran in giant letters across the front page-PLANE WITH 259 ABOARD CRASHES, DESTROYS 40 HOMES IN SCOTLAND. I started to read:
lockerbie, Scotland-A Pan Am jumbo jet bound for New York with 259 people, many of them Christmas travelers, crashed last night into this Scottish village, exploding into a huge fireball and setting ablaze dozens of homes and cars. No survivors from the Boeing 747 were found. The cause of the crash was not immediately clear, although speculation centered on either structural failure or sabotage.
There were other stories on the bombing as well: "Fire Fell from the Sky 'Like Liquid.' " "All On Jet, 11 in Town Are Killed." There were also pictures-a Scottish police officer peering into the plane's crushed cockpit lying in a field; houses and cars on fire; a woman collapsed on the floor of JFK airport (she'd just been told that her daughter was on the plane). I skimmed the stories. I also checked the sports page and the police blotter in the suburban "Neighbors" section. A pizza delivery man had been robbed of $120 at knifepoint not too far from where I lived. News is just news to those not immediately affected, and my brother, David, was not supposed to fly until later in the week.
I finished breakfast and puttered around. At around noon, I turned on the television. Again, the bombing. Now there was news footage from Scotland. I remember the blue lights of the ambulances streaking into town and the hospital doctors looking useless waiting for injured passengers who would never arrive. There would be no injured, the anchorman said, "only dead." I remember the houses on fire and that cockpit in the field still looking sort of like a cockpit. It was Thursday, December 22, 1988. David had been dead on the ground in Scotland since Wednesday night, but I didn't know it.
I have come to think of the impact of my brother's death in dramatic terms: a curtain dropping on my youth, a terrible storm that left me shipwrecked, the start of a new life. But this language came much later. Events unfolded in a much more everyday way: The phone rang and my father, home early from work, answered it. A sales agent from the airline said she might have some unfortunate news about a David Dornstein. Is this the family of David Dornstein? The agent said she needed to check the final passenger list. She said she needed to cross-reference one thing with another. She said she needed to speak with her supervisor. She said she needed to get people in London or Scotland or New York or somewhere to "sign off." She said things were still a little confused. So could you please bear with us? Could you please hold?
My father waited on hold by himself initially, and then he called upstairs to me. I found him at his desk. "Pan Am is on the phone," he said. David boarded the plane at Heathrow, the woman from the airline had told him, but for some reason she wasn't ready to say that David had been on the plane when it exploded. My father held the phone away from his ear and let his head slump. I could hear the airline's hold music through an amplifier my father had put on the phone because of a bad ear: Dionne Warwick's "Do You Know the Way to San Jose" . . . a Muzak version of "When I'm Sixty-Four" . . . that trumpet song by Chuck Mangione-Do do doooooo, do do-do do-dooooo, da da da da-daaaaaaaaa. The phone call from Pan Am was strange, and the news likely tragic, but the experience of being on hold was familiar. It was as if we had called the airline to book a flight, a winter getaway. Except we hadn't. The airline had called us, and this, we knew, could not be good.
When the woman from Pan Am came back on the phone, my father mainly listened. If he said anything it was on the order of "Hmm hmmm" or "Yes, I understand." Maybe he said nothing. Then he set down the receiver. The message had been delivered.
Neither of us spoke. If we said nothing, if we shut off the lights, if we stood perfectly still, would the news go away? No. My father and I both had heard the final ax blow land, even if the tree had not yet tipped and fallen. We took a last quick look at the world as we had known it, and as the world still seemed to be-but for the fact of that phone call-and then it all came crashing down.
What happened next for my father is not for me to tell. He may not even recall the details; we've never spoken about it. But I remember my own reaction, and it still troubles me. I didn't cry or put my head in my hands or collapse like the lady from the picture at JFK. I was still. I understood the loss as my father's, for the most part, and I thought about how to console him. I looked down from above as the scene in the bedroom played out: those two pitiable souls, my father and I, rats in a maze of grief they had just begun to feel their way around. I felt sorry for them, but sorry like I might feel for the survivors of an earthquake somewhere (there was one in Armenia that same month); sorry like I'd initially felt for the victims of Flight 103 when I read about them in the paper that morning-which is to say, not that sorry at all. It was intolerable for me to have a personal connection to this story, so I simply decided not to.
My father began making calls-one to a friend to cancel dinner plans, another to my sister, who said she'd be right over. My stepmother walked in from work a few minutes later and collapsed in the doorway after hearing the news. My father helped her to a chair. I didn't know what to do. I walked back upstairs. The book I'd been reading was still propped open at the place where I'd left off. A glazed chocolate doughnut sat on a white napkin, half eaten. I am embarrassed to say that I finished it. I was hungry. Now what?
David's old room was next door. I peeked inside. The room was just as he had left it, but now, I knew, it had become a room in a museum. I lay down on David's bed, thinking maybe I could channel his spirit through his sheets and blankets. The house was quiet for a while.
Time had been suspended, a giant parenthesis had opened up in my life, and I could have stayed there a long time. But then the doorbell rang and the parenthesis closed. Men and women in their hats and coats were arriving at a house of mourning. Well-wishers. They walked through the front door on the verge of tears. They talked in small groups, with hushed voices. Someone asked me where we kept our drinking glasses, almost apologetic for wanting something to drink at a time like this. I pointed someone else to the bathroom. A dozen or so people were in the house within an hour.
Soon the Eyewitness News team would be in the living room. David's picture, yearbook-pose false, would be beamed throughout the tri-state area, the local angle to the international news story. Mothers mixing noodle casseroles would glimpse my brother's face and think, How handsome (my father would later mistake a picture of JFK, Jr., for David). And then: How awful.
I was overwhelmed by a sense of the wrongness of what was happening, or if not by the wrongness, then by the sheer pace of events. I felt that David would have been disappointed at how quickly we had accepted the news of his death, and how readily we had set in motion the machinery of memorialization. One minute he was alive in our minds, headed home from a long time away; the next minute the phone rang and we were burying him.
I refused to be enlisted into this gathering army of the bereaved. I slipped out the door and into the backyard. I dropped to my knees on the frozen ground, thinking I should pray, but I didn't know any prayers. Then I lay down, looking up. It was cold, but I couldn't be bothered with so small a matter as my own warmth. I had ventured out into the winter night to make some kind of celestial connection with my dead brother and I assumed I would be insulated from such worldly concerns by the sheer drama of the situation.
I don't know how long I was outside. At one point a jet flew overhead, and I watched the blinking lights on the wings and tail move across the sky. I thought of the snug world inside the cabin, the ice clinking in the first-class glasses, the reading lights being dimmed, the endless rearrangements of blankets and pillows at the start of a night flight. And then I wondered what it would look like if the plane suddenly split in two and all of the people inside spilled out. Which is to say: I tried that night, but it would be years before I could even begin to imagine David's fall.
II
I have started this story a hundred times in the years since David died, but never finished. Let me begin again.
Once upon a time, I had a brother. He was older, bigger, wiser, more daring, more passionate, better spoken, and much better looking. He traveled farther away from home than I ever imagined I would. I admired him. I was nineteen when he died, a sophomore in college. Now I am in my midthirties. I have some memories of my brother, but not as many as I'd like to think. And each time I check, I seem to have one fewer. If at first I found it hard to believe that David was dead, now I find it hard to believe that he ever lived. David's life has come to seem like a story I made up, a fairy tale, no more real than words on a page. I sometimes find it dispiriting to think that this is what a l...
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