Train is an 18-year-old black caddy at an exclusive L.A. country club. He is a golf prodigy, but the year is 1953 and there is no such thing as a black golf prodigy. Nevertheless, Train draws the interest of Miller Packard, a gambler whose smiling, distracted air earned him the nickname “the Mile Away Man.” Packard’s easy manner hides a proclivity for violence, and he remains an enigma to Train even months later when they are winning high stakes matches against hustlers throughout the country. Packard is also drawn to Norah Still, a beautiful woman scarred in a hideous crime, a woman who finds Packard’s tendency toward violence both alluring and frightening. In the ensuing triangular relationship kindness is never far from cruelty.
In Train, National Book Award-winning Pete Dexter creates a startling, irresistibly readable book that crackles with suspense and the live-wire voices of its characters.
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In the 1953 of Pete Dexter's Train, Miller Packard is a sergeant in the San Diego police department who has little time for hypocrisy or racism. He lives life as a dare, fearless and bemused, his wife observing that he "was drawn to movement and friction, to chance; he had to have something in play." He is also a golfer, though not a great one. Over a game with a fat cheater named Pinky, Packard's world collides with the troubled life of Lionel "Train" Walk, a young African-American caddy at Brookline Country Club. Train is a virtuoso golfer but is doomed to tote old men's clubs in a sport that can't find a place for a young black athlete. Train also holds a secret, a murder that has never been reported but haunts his every step. In the volatile world of 1950s racial politics, bonds of friendship that cross the color line are doomed, and Packard and Train cruise towards inevitable conflagration.
Dexter explores racism with a cold eye in Train--rarely politically correct and always unafraid to find pettiness in the lives of liberal whites, beatniks, philanthropists, and powerful African-Americans. Outside of the purity of Train's golf swing, Dexter finds little to celebrate in the troubled times, and every page offers the possibility of new catastrophe. Occasionally, with this abundance of disaster, Dexter seems to lose track, and a few of his subplots (like the story of a hideously burned reporter who tries to uncover the truth behind the killings on a sailboat) never quite get resolved. Yet, Train is not a bleak novel, and Packard's detachment lends the book an air of dark comedy. When Dexter writes, "Packard was amused with the world at large" he could just as well be writing about himself: curious, entertained, fascinated, but never unsettled by the grotesquery of human existence. --Patrick O'Kellley
Praise for Pete Dexter
“What deepens and darkens [Dexter’s] writing, so that art is the precise word to describe it, is a powerful understanding that character rules, that we live with our weaknesses and die of our strengths.” -John Skow, Time
“One of the greatest American writers... a storyteller who cuts straight to the nerve.” -Scott L. Turow
“Dexter is a writer who cuts to the bone.” -People
“Dexter is a master of colloquial poetry, of moods revealed through gestures and settings.” -Playboy
“Dexter’s strongest suit is his exquisite understanding of the finely meshed engines of greed, appetite, and interest....” -New York Times Book Review
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