The triumphant follow-up to the bestselling Bee Season, Wickett’s Remedy is an epic but intimate novel about a young Irish-American woman facing down tragedy during the Great Flu epidemic of 1918.
Wickett’s Remedy leads us back to Boston in the early part of the 20th century and into the world of Lydia, an Irish-American shop girl yearning for a grander world than the cramped confines of South Boston. She seems to be well on her way to the life she has dreamed of when she marries Henry Wickett, a shy medical student and the scion of a Boston Brahmin family. Soon after their wedding, however, Henry shocks Lydia by quitting medical school and creating a mail-order patent medicine called Wickett’s Remedy. And then just as the enterprise is getting off the ground, the Spanish Influenza epidemic of 1918 begins its deadly sweep across the world, drastically changing their lives.
In a world turned almost unrecognizable by swift and sudden tragedy, Lydia finds herself working as a nurse in an experimental ward dedicated to understanding the raging epidemic — through the use of human subjects.
Meanwhile, we follow the fate of Henry’s beloved Wickett’s Remedy as his one-time business partner steals the recipe and transforms it into QD Soda, a wildly popular soft drink.
Based on years of research and evoking actual events, Wickett’s Remedy perfectly captures the texture of the times and brings a colourful cast of characters vividly to life, including a sad and funny chorus of the dead. With wit and dexterity, Goldberg has fashioned a novel that is both charming and grand. Wickett’s Remedy announces her arrival as a major novelist.
South Boston belonged to Lydia as profoundly and wordlessly as her thimble finger. Her knowledge of its streets was more complete than any atlas, her mental maps reflecting changes that occurred from season to season, day to day, and hour to hour. Each time she left 28 D Street — one among a row of identical triple-decker houses, the tenements lining the street like so many stained teeth — her route reflected this internal almanac. . . .
For ten years this was enough. Then in fifth grade, Lydia saw a city map and realized her entire world was a mitten dangling from Boston’s sleeve. Across the bridge lay Washington Street — the longest street in all New England — which began like any other but then continued north, a single determined thread of cobblestone that wove itself through every town from Boston to Providence. Once Lydia saw Washington Street she knew she could not allow it to exist without her.
—excerpt from Wickett's Remedy
"synopsis" may belong to another edition of this title.
One day in her kitchen, Lydia Wickett devises a harmless, medicinal-tasting concoction that her enterprising husband bottles under the moniker "Wickettıs Remedy." Myla Goldberg's unconventional second novel, named for the potion, follows the (mis)fortunes of the loving Wicketts and the strange fate of their recipe as it is reincarnated by an unscrupulous businessman as the trendy "QD Soda." But there is nothing effervescent about Wickett's Remedy, a beautifully written but pessimistic follow-up to Goldberg's bestselling debut, Bee Season. Set mostly in working-class south Boston before and during the First World War, the novel is laden with illness and tragedy. Poor Lydia barely staggers onto her feet after her young husband's sudden death of pneumonia when her family is swirled into the Influenza epidemic of 1918--fascinatingly, horribly described by Goldberg. Death follows death, until Lydia, volunteering in the overwhelmed wards of the local hospital, discovers the profound intimacy of nursing: a "shared human undercurrent detectable only when the dictates of name, sex, and social standing were erased."
Lydia's experiences are annotated with marginal comments from the dead (literally marginal: the remarks are in a smaller type in the outside margins of the text). This "whispering undercurrent" rises into articulation when one of the dead feels an urge to comment on Lydia's memories. The statements of the dead can be funny or poignant (e.g. "Jefferson Carver, the Public Health Services first colored elevator operator and the carıs fourth occupant, has become resigned to his omission from the partial memories of his white passengers."), but most often correct fine points in the narrative or complain about slights and oversights. The dead have a "shared desire: that in an unguarded moment, Our whisperings will broach a living ear." Sadly, they don't have much more to contribute than the kind of cantankerous ego-babble we expect from the living.
Although this chorus of the dead is a brave innovation, it fails Wickettıs Remedy because the perspective of eternity lessens the force of Lydia's story. It would lessen anyone's story. It may be more realistic to view our sufferings and ambitions--our very personalities--as specks in a cosmic blur, but it puts a damper on our wilder emotions. --Regina Marler
Myla Goldberg is the author of the bestselling Bee Season, which was named a New York Times Notable Book in 2000 and is being made into a film, and, most recently, of Time’s Magpie, a book of essays about Prague. Her short stories have appeared in Harper’s, McSweeneys, and failbetter. She lives in Brooklyn, New York.
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